W1_Pro

You'd think so, but not really I'm afraid. The headstock on the Original swerves back at quite an alarming angle, so in a T Bird case the neck won't come to rest on the support in the case. It sort of hovers in mid air resting on the headstock. I tried (and tried) to source a generic- non flight- hard case, but it's an uphill struggle given the extra depth needed. Nevertheless, thanks for the suggestion.

Goood questions...all good questions. I'm not with the bass at the mo, so I'll have to park precise answers for now. It is quite heavy. But it does balance beautifully on a strap. It's 34" scale. The E string sounds like a piano. Its awesome. String spacing: The neck is a little bit wider than my other Originals, they are usually quite Jazzy necks in profile but this is more of a not so chunky P, if that makes sense. When I get it back from The Gallery I'll do some measurements.

Something slightly unusual. PRICE REDUCED TO £1100 IT'S A STEAL!!! This is an early Original, according to Chris May it dates from the late seventies. It has the routed edges to the horns that all the early ones had. It's all mahogany construction I believe with a bound ebony fingerboard and a bone nut. It has a Schaller bridge and machine heads and a pair of the superb Bill Lawrence humbuckers which Originals used to come with in those heady days. The good: It's generally in good order, low action sounds good and plays nicely. Lovely colour too. The bad: A couple of cosmetic dinks here and there. I can provide more detailed pics if anyone wants to see. It's in good condition for a forty odd year old bass. The circuit and pots were pretty knackered. It's currently with Martin at The Gallery being rewired. It will have per original spec CTS 500K long shaft linear pots for the volumes and log pots for the tone. I don't have the original (original) knobs. I've tried unsuccessfully to buy some from Overwater, so I'll probably stick some gold speed knobs on, which look quite nice. As you will notice from the pic of the fingerboard, the ebony has shrunk slightly over the years, leading to the 'scalloped' look on the binding strip. I spoke at some length to Chris (May) about this, and he was of the opinion that there is nothing to be done about it. Well, I mean, there probably is something to be done about it, but it would make no sense, I think was the drift of the conversation. Anyway, it makes no difference to the playablity at all. It's a really lovely bass. I don't normally get rid of basses in any way, shape or form. I love them all like my children, but we may be moving abroad in a year or so and at this rate, I'll need a shipping container for my basses, and that is not sustainable. That being said I'd be happy to trade for a nice Jazz or Jazzesque bass. (cough)..Ahem... Ah yes, one other thing, the shot of the back shows the control cavity cover removed, this will of course by back on when it leaves me. I have no case for this particular bass so meet up in London or Suffolk might be best. If it really has to be shipped, I have a proper flightcase (belonging to one of my other Originals) which I would be happy to ship it in but the lucky buyer would need to pay return shipping on the case. Which could work out expensive, but it is kind of a solution...I suppose.

I've got one the same colour and vintage. Absolutely fantastic bass. Someone is going to be happy when they buy this. GLWTS.

Magnificent, quite frankly. GLWTS.

This might be the best buy on Basschat at the moment...Allowing for personal taste of course, as I know that a medium scale fretless would not be everyones cup of tea. But for sheer quality vs ££. Amazing! GLWTS.

And another...

Balance has been restored to the force...or something....😎

Just heard from Mike- who was very nice after the intial misunderstanding- the bass has been sold. So good luck to whoever got it.

PM'd.

A genuinely quirky British eighties classic. GLWTS.

What a lovely bass. A real bargain at this price.