Paul_C

[quote name='witterth' post='897858' date='Jul 18 2010, 10:47 AM']Whats that bass paul? me see, me likey..lots! [/quote] built it myself - [url="http://basschat.co.uk/index.php?showtopic=93749&hl="]http://basschat.co.uk/index.php?showtopic=93749&hl=[/url] I had a period where I really struggled to get anything completed, but having finished it I'm now in the process of building a couple more at the moment

As has been mentioned on other threads, music theory is a definition of what we do when we play music - understanding what works and what doesn't is what you're after - which music theory helps to explain, but cannot in itself give you. Getting a teacher is certainly a good idea, as it allows you ask questions, and (hopefully) things can be explained to you in a way that makes sense. An understanding of theory, along with its practical application (something you can begin to use to dissect songs you're currently playing) will give you more options and more places on the neck to play, but don't forget that sometimes breaking "the rules" can sound good too

I stopped playing a couple of years ago because I'd become tired of what I was doing musically - sold off most of my gigging gear (apart from the bass) because there was no point in keeping it around - three months later I was asked to play bass in a very different band and had to buy up a whole new gigging rig So I'd agree that if there are particular parts of your set up that you would consider essential for any gigging situation, and that you'd make the effort to buy again should a new project come up, then hang on to those and then decide what to do with what ever's left. Give it six months and then look at things again.

[quote name='devinebass' post='893237' date='Jul 12 2010, 10:19 PM']Hi guys a few of my students asked me to show them the ‘lick’ the great bass player Richard Bona plays in many of his solos. I figured there’d be lots more bass players out there that would be interested too so here it is… [url="http://scottsbasslessons.com/video-tutorials/132-2/"]http://scottsbasslessons.com/video-tutorials/132-2/[/url] I've got loads of other tutorials on my site... and loads more to come. Watch this space! Take it easy. Scott.[/quote] the glove made me jump

[quote name='Grand Wazoo' post='891577' date='Jul 10 2010, 08:27 PM']Considering that these are around £1000 new, he wants £699 buy it now, not bad. [url="http://cgi.ebay.co.uk/Markbass-CMD-102P-103H-head-/150464837009?cmd=ViewItem&pt=UK_MusicalInstr_Amplifiers_RL&hash=item2308673591"]http://cgi.ebay.co.uk/Markbass-CMD-102P-10...=item2308673591[/url][/quote] unless I'm sorely mistaken (and this may well be possible depending on the age of the combo) it has the head from a 103H (a Little Mark II) instead of the head from a 102P . . . . . a Little Mark II. so the "pimping" is having the wrong sticker on the back of the amp.

[quote name='lee4' post='890851' date='Jul 9 2010, 09:55 PM']That is a bass of beauty.[/quote] thank you I've discovered a possible source of suitable pickups, so further examples may become available.

The top horn and the lower right section are exactly the same as Model 1, with the top left section hinting at a J Bass shape and the lower horn being modded to give a little more access to the top frets. I'm going to stick to making the two bass shapes available for the time being, with a number of Telecaster-shaped guitars for those who prefer such things. Basically giving people complete freedom to design anything they wanted just made life too complicated After recent mentions of fanned-fret basses, I've decided I might try it on a bass at some point to see what all the fuss is about The new body is going to be painted and will probably have the neck from the bass at the top fitted to it - I'm making the new neck for that at the moment.

I'd forgotten about WMP doing that, although with Audacity you can then export the MP3 speeded up and use it anywhere. (this may be true of WMP, I don't know)

I wonder if it will intonate correctly, that bridge looks a bit close to the end of the neck. I'd ask to see proof of the "patent" too

. . or if you're trying to work out a song, perhaps. I have a band leader/guitarist/singer who has been known to get carried away, so that a song I can play without any difficulty sometimes becomes a roller-coaster ride as it's started way quicker than usual. I discovered in Audacity that if you open an mp3 and then Ctrl-a, then select Effect -> Change Tempo you can speed up the song without changing the pitch. Which means I can get some practice in at speeds even faster than he can manage So if you wanted to nail a busy bass line you could slow it down to give you more chance of picking out the right notes.

are you thinking of ones like this ? [url="http://basschat.co.uk/index.php?showtopic=91855&hl="]http://basschat.co.uk/index.php?showtopic=91855&hl=[/url]

I came back to playing bass after a long break (I originally picked one up because I was sick of lugging around/setting up/packing away drums) but never made much effort to copy anyone (or learn much!) when I started out. I've rarely fixated on anyone whether it be a drummer or bass player, and as I get to make up my own bass parts I usually sound like me There are times where I take a step back and modify what I'm playing if I feel it will improve the song, but it never involves a concious effort to mimic anyone else's style.

first gig with it today - sounded great, band liked it too looks like I'll use it again tomorrow . .

[quote name='allighatt0r' post='884196' date='Jul 2 2010, 06:06 PM']Looking goooood! Could do with a black scratchplate to break up the maple though! [/quote] I've no plan to add a scratchplate, but I might change the neck for one of a different colour when I get round to making it.

just finished off a back up bass for myself, might even gig it this weekend Swamp ash body - maple neck - flamed sycamore fingerboard. Bongo pickup (bought from someone on here about four years ago !). John East U Retro preamp.

Like many above I worked through all sorts of strings before settling on Rotosound Stainless 30-90s - my preferred sound works when they've been played in a bit and the brightness has gone, then they last until I feel like putting some new ones on.

has the headstock shot been cut so it doesn't show a "Fender" logo on it ?

[quote name='Al Heeley' post='877501' date='Jun 25 2010, 03:59 PM']you may also need to check your nut slots cos fatter strings might not sit down so far in the grooves, and action could seem a bit higher.[/quote] there's also a fair chance that if the slots are too narrow the extra thickness of a bigger string will break the nut (especially a plastic one)

[quote name='TheDisparities' post='872221' date='Jun 19 2010, 10:20 PM']Yeah i tried adjusting it and it was tight as anything, i couldnt tighten it at all. Thanks for your help guys, its been really appreciated. If i were to check if the nuts been put on cross threaded, how would i do this? Thanks again[/quote] It might be that you've run out of thread on the rod (the wood may have compressed exposing the limit of the threaded bit) if you can get the nut off then a spacer or a washer or two might give you back some ability to tighten again. If in doubt, take it to someone who knows what they're doing and get a second opinion.