Cosmo Valdemar

I would guess Marshalls - at least for 'Burn'. Glenn said he played a Rickenbacker on that album to try to preserve Glover's DP sound - maybe he stuck with the same amps as well. Either way it was a bit of a futile exercise as his tone on 'Burn' isn't a patch on Glover's.

I think the smallest venue I ever played in has to be the Severn Stars in Kidderminster. It's a small place anyway and they cram the bands into a tiny bay window area at the back. The first time we played their, one of the other bands on the tour was a slightly avant-garde instrumental thrash metal band - at one point in a particular song they would all stop playing and freeze for a bit before carrying on. At this particular venue, the drummer (by now slightly inebriated) saw this break as an opportunity to hurl himself out of the window. Cue several slightly worried looks and much nervous laughter. A minute later he ran in through the main entrance, fought through the crowd and straight back to his kit. -extract from 'Classic Tour Stories from Unknown Bands'. In general, being 6ft 3, I find I need to exercise caution with most venues, the headstock of my bass will show you why.

[quote name='KevB' timestamp='1330345483' post='1555884'] I was going to post a clip of Northern Lights quite early in this thread but then when I looked around for examples it seemed they were all on a twin neck that doesn't look like a ric at all (John Birch or similar maybe?). I'd assumed it was a ric from the studio sound but presumably it wasn't. Great bassline all the same. [/quote] The studio version is definitely Rick. My 4003 with the tone cap engaged and everything full on pretty much nails that tone, it's joyous.

[quote name='steve-bbb' timestamp='1330336684' post='1555716'] that looks like the bbc2/radio1 sight&sound in concert gig ? [/quote] It is indeed! I have a copy of the full thing, somewhere.

This thread appears to be turning into a Jon Camp-fest. And why not. [url="http://www.youtube.com/watch?v=zw7vGkxOzDs"]http://www.youtube.com/watch?v=zw7vGkxOzDs[/url]

[quote name='steve-bbb' timestamp='1330251921' post='1554507'] is this a rick? 1:22 my ears are saying yes [media]http://youtu.be/F5hsKXASExk[/media] [/quote] Certainly sounds like one! Bonkers version of the song - who is it by?

[quote name='Big_Stu' timestamp='1330122946' post='1553220'] Call that a "clank"? THIS is a clank! [media]http://www.youtube.com/watch?v=NW3UAN3E9Tw&feature=related[/media] [/quote] I'll give you that one! Taken to ridiculous extremes though, Rick-haters will find plenty to chew on in this clip. It sounds to me like he's running in stereo but we're not hearing the neck pickup for some reason.

[url="http://www.youtube.com/watch?v=tGYnEtqU8u8&feature=related"]http://www.youtube.com/watch?v=tGYnEtqU8u8&feature=related[/url] Clank

A few more for the pot: [url="http://www.youtube.com/watch?v=1UbkDzp5LuY"]http://www.youtube.com/watch?v=1UbkDzp5LuY[/url] Rickenbacker as motorcycle engine. [url="http://www.youtube.com/watch?v=M3KOtCOBsxk"]http://www.youtube.com/watch?v=M3KOtCOBsxk[/url] Bass solo at 3:38 - a definitive Rick moment!

[quote name='lee4' timestamp='1330113478' post='1553064'] If that is the Peter Giles that I know,I shall remind him of this! Peter plays bass in Aluna,and is an entertaining guy. He now uses(IIRC)a 60's Jazz with a Villex tone contrl straight into the PA. [/quote] Wow, if it is him get him on here! Funny if it turned out it wasn't a Rick after all...

When I read the thread title, the little voice in my head sounded like Manuel from Fawlty Towers.

I didn't mean to start a discussion, but what the hell! My personal favourtie Rick tones are probably those of Roger Glover, Jon Camp,and Geddy Lee circa Signals/ESL. And Mr Squire, of course The song I posted just struck me as a wonderful example of the instrument - those flute-like quality of the high notes and the slightly snarly, snappy low notes. It was just a little different to the norm and also an excuse to post a great song!

I just bought Mick's Zon Sonus - stunning bass, exactly as described, excellently packed. Regular detailed communication throughout. The only downside to the deal is that I now have to sell something to justify this purchase. I wouldn't hesitate to deal with Mick again, he's a credit to our community.

[quote name='solo4652' timestamp='1330013435' post='1551442'] The newly-formed I joined recently is having a lively internal debate about the band's name. We play soft-rock/pop/indie covers. Some of the band favour "quirky"/fun names like Creative Chair Bending or The Spotted Frogs or Spiny Norman or Bats in Bikinis or Blame it on Leslie. Other people (I'm one of them) would choose a band name that gives promoters and audiences some sort of idea of the music we play. So - what do we think, folks? [/quote] I would pay to see any band called 'Blame It On Leslie'. I think if you are in a band playing such covers, your advertising would probably mention it so I think you would get away with an amusing name. Once you've got a bit of a reputation it won't be a problem. Of course, everything within reason - if you are playing soft rock covers a name like 'Sarcophagus of Entrails' is probably pushing it a bit.

A pretty rare egg, featuring a wonderful daydream of a bassline, perfectly suiting the song's summery meander. The bass player is Peter Giles, briefly of King Crimson, and on a glorious old Rickenbacker - either an early 4001 or more likely a 1999. Enjoy! [url="http://www.youtube.com/watch?v=snwZ36EH6L4"]http://www.youtube.com/watch?v=snwZ36EH6L4[/url]

You are welcome to try mine, although it needs a setup and the strings are dead so it probably wouldn't give you much idea of what they are capable of

DeArmond Starfire bass - found in a junk/pawn shop in York in pristine condition. Sold to help fund a Spector Rebop which I didn't like at all sadly. Status Shark - passive with one shiny chrome pickup in the Aria SB/Rickenbacker position. Incredible clank and growl. Really miss this one, it was perfect for playing along to Fragile!

[quote name='Cosmo Valdemar' timestamp='1329590465' post='1544691'] I used to get them all the time - a combination of nail biting and working in retail - Constantly getting notes in and out of the till aggravates them no end! My tip would be to have a little bottle of tea tree oil about the place, one with the little wand thing attached to the lid. Squeeze out the nastiness from your finger then dab the oil on and the pain goes very quickly. [/quote] Would you believe within hours of posting this the exact same thing happened to my finger, for the first time in years?! Absolutely ridiculous.

[quote name='Pete Academy' timestamp='1329493138' post='1543350'] It's one of those bloody whitlow things. I get them fairly often but they usually clear up quickly. [/quote] I used to get them all the time - a combination of nail biting and working in retail - Constantly getting notes in and out of the till aggravates them no end! My tip would be to have a little bottle of tea tree oil about the place, one with the little wand thing attached to the lid. Squeeze out the nastiness from your finger then dab the oil on and the pain goes very quickly.

Too many to mention, but a few that immediately spring to mind are: Close To The Edge by Yes - Rick Wakeman's glorious 'Seasons of Man' organ solo - not just a thing of wonder in itself but how it enters after the vocal harmony build-up is bordering on perfection. Mustapha by Queen - About a minute or so into the song where suddenly everything just gets 'bigger'. If you know the track you'll get what I mean Oblivion by Mastodon - About halfway through the guitar solo when the key suddenly changes. Totally unexpected and quite breathtaking. And another vote for Genesis, this time for those huge Mellotron 'swoops' in The Fountain of Salmacis. Played at deafening volume by my Dad when I was a kid, it used to send me running from the room in terror.

New video by Sons of Merrick. I actually left the band last year but this track was recorded a couple of years back... So although I am not in the video that's me you can hear on bass. In fact, the first SoM album (which this song is from) is just being re-released in Japan, and the second album, recorded when I was still in the band, should be out over here soon. These things take time! Anyway, here 'tis. Enjoy! [url="http://www.youtube.com/watch?v=yl756PnleOI"]http://www.youtube.com/watch?v=yl756PnleOI[/url]

[quote name='chrismuzz' timestamp='1329426726' post='1542453'] That's awesome man, never seen a bass tattoo quite like it! [/quote] Indeed. I came on here expecting a small bass clef hidden away somewhere. Bravo sir!

[quote name='Conan' timestamp='1329327163' post='1540764'] Really?! I always thought that DM was played on the Steinberger?!?! [/quote] He didn't start playing the Steinberger until during the Signals tour - the compact design was handy when surrounded by his piles of keyboards. It's only appearance on record is on Grace Under Pressure. The Power Windows sessions were started with the Steinberger but after hearing the producer's Wal he re-recorded the bass parts with that.

[quote name='spongebob' timestamp='1329326003' post='1540737'] I think somebody posted the isolated bass track from 'Subdivisions' here quite recently....have to agree with many above - 'Signals' has some of his best Ric tones (that and 'Hemispheres'). I really like his Jazz tone on the recent 'Time Machine' live album. Agreed it has been a bright on some records, but it sounds good here. I've never been to big on the Wal sound, TBH....love the records (actually, love all the records!) but if I'm honest, Ged's best bass sound was the Ric, and one of the reasons I play one myself. I'd just love to hear how the Ric would have blended in on recent albums.....imagine it on 'Workin' Them Angels' and stuff.... [/quote] That was me I like all of Geddy's various bass tones, but I have to agree, the Rick was untouchable.