Cosmo Valdemar

He's great.

[quote name='scrumpymike' timestamp='1427966112' post='2736321'] ... which, at long last, brings me to one of my favourite Macca bass-lines: Back In The USSR (hope you didn't all fall asleep in the meantime). [/quote] I've got a horrible feeling that was Lennon on the Bass VI...

Why are you doing this to me?!

Not everyone who plays a signature bass does so because of the name on the headstock.

There's no reason why the Scorpio shouldn't make an excellent slapper - so, when slapping, what is it about the sound of the Status that you prefer to the Peavey?

I don't think I've ever heard a Ken Smith. I'm intrigued now.

[quote name='dudewheresmybass' timestamp='1427790367' post='2734155'] I'd really like to see someone like steve di Giorgio, Neil Murray, or even someone like lemmy make appearances at the show. Considering the artists we have already seen at the show over the years, there are some real challenges to keep the standard high!! [/quote] DiGiorgio would be amazing. I can't imagine Lemmy responding too well to being asked to do his own Masterclass though! I would love to see Colin Hodgkinson, now currently with Ten Years After, and I reckon JJ Burnel would go down a storm.

I want one of these. This thread isn't helping! How 'relic'd' is the neck - do they bash it about a bit to give it a few knocks or is it pristine? I'm not bothered by a bit of wear to the body but not to the neck...

[quote name='barneyg42' timestamp='1427625691' post='2732356'] Bloody Sex on Fire..............grr ffs!!! [/quote] It's one off our most popular too. It's a wretched song but it works.

I recognise the pictures but can't put names to most of them... Same as real life really. I'm on there though, which warmed my soul.

[quote name='Wilco' timestamp='1427542043' post='2731548'] Many thanks for all the replies guys. I had a band rehearsal last night, so thought I'd reply after seeing how that went. Good news in that it is fundamentally a good bass. My last MiM I referred to had no depth in the sound & this one thankfully does. The neck is very playable & overall the condition is good. Minimal fret wear & virtually no marks ding wise. All in all, as much as could have wanted as the basis for the mods I have planned. It could have done with a bit of a once over before it left the shop though - loose & crackly jack socket & both pots were not tight so both controls wobbled, one noticeably. Sorted those before I went out & polished the frets (they were very matted). With the capacitor used on MiM's, I was expecting a lifeless tone control so no surprises there, but even with virtually dead strings, it sounded good in the rehearsal session. A black standard P bass is hardly gear porn excitement, so I'll only put up one picture. I'll post again when the mods have been done (assuming they go well!!) [/quote] Beauty!

This does seem out of character for GG. I would take it higher - maybe contact the manager?

[quote name='Norm' timestamp='1427448812' post='2730414'] I always preferred "made in europe" mainly due to Glenn Hughes. Ducks & runs for cover! [/quote] My Dad's on that album...

[quote name='Bassman Steve' timestamp='1427390762' post='2729851'] Tommy Bolin anyone? 'ducks' [/quote] Wrong album.

And Nicky Wire from the Manics, he does it a lot! When I first starting playing all those years ago I played with upstrokes quite a bit. It felt quite natural. Then along came a more experienced player who told me it was wrong and that was that! I still do it from time to time though - it can give certain phrases a more urgent, jerkier feel. I find I do it naturally on off beats - the main riff to The Boys Are Back In Town, for example. Try it!

I've found myself in possession of Mr C's beautiful Squier Precision. It's rather smashing. Paul's a great chap to deal with and man enough to brave Bluewater on a Saturday.

[quote name='Mr Arkadin' timestamp='1427034231' post='2724886'] Can't say I've ever been impressed with the sound at Roundhouse for any gig I've been to. [/quote] This, I'm sorry to say. Except for Deep Purple, they sounded great! Experience has lead me to stand at the back for optimum sound.

[quote name='Fisheth' timestamp='1426785651' post='2721967'] Considering I'm playing more funky stuff lately it's always good to have a backup that doesn't look metalz like my BC rich does. [/quote] It would be awesome to see someone play a funk gig with a BC Rich Widow!

[quote name='Paul S' timestamp='1427014771' post='2724604'] New member of the Danelectro Appreciation Society here. I recently bought a Longhorn and I absolutely love it. Love the way it looks, love the way it sounds, love the fact it weighs as much as a hedge sparrow's wing. The Dano sound can cut it in rock, funk, blues, anything 'old school'. Yet dial in more tone and increase the the back pickup in the blend and it has some real bite. Mine is black. On the strength of that I even more recently bought a DC9 in gold sparkle and it looks ridiculously camp - love it. I think a gold lamé strap would be interesting.... sounds similar but different. [/quote] I've got a limo black reissue from a few years ago with the ordinary vol/tone knobs and slightly more adjustable bridge. I adore it - it's considerably more versatile than they get credit for. The best sound I had was tuned to drop C through an Ashdown rig - massive chunky tone with a great treble bite on top. My only issue is that it doesn't stay in tune very long. I thought about swapping the tuners but didn't want to detract from what makes it what it is.

[quote name='karlfer' timestamp='1427023713' post='2724736'] Many thanks for all that Martin, really kind but Dover IS just a tad of a trek You certainly appear to be the first known person to buy one. Don't know what the beef is with the Hammers to be honest. This is possibly 'Arry's most iconic bass. As much as I would love the stripes to be black and white and the badge to be the Toon, it would not then be a replica of one of my most revered basses. So, instead of slagging it off and raining on somebody's new bass day, perhaps keep it to yourself and move quietly on, OR, I will take a note of your name and wait for your NBD thread, mwh hah haaaaa [/quote] I'm not trying to ruin anybody's NBD I assure you. I've no doubt it's a fantastic bass - which is why I'm a bit peeved that I could never own one, solely down to the logo. If it doesn't bother you, that's great, but for me it's a big enough factor to stop me playing it. Again, no offence meant to the OP.

I don't think anybody's said "ad hominem" for a while, have they?