nekomatic

I live very near St Winifreds and am 50 so it’s highly likely I know or at least have met some of them. i can think of worse claims to fame, to be honest…

Oh and how could I forget: Buy a stand. When not playing the bass, put it in the stand.

THIS. Except in my case the early ‘90s. I’d still have made a flipping fortune though. ‘Practice more’ also good advice…

Encore Precision copy, black with white pickguard, weighed a ton and a half. After upgrading to a Fender Jazz I sold it to a petite young woman who wanted to play rock. I just hope she too moved it on before suffering chronic shoulder strain.

Glad to see I’m not the only fan of a well proportioned chassis 😁

I cut the apertures for the handles, using a hole saw to start off two opposite corners (as I didn't have a drill that makes a big enough hole for the saw blade) then cutting 'freehand' with the cordless saw - I didn't know if this would work but tried it out first in the middle of one of the bits I was about to cut out and it was fine. Next, the fittings for the speaker. The original speaker took larger bolts than the Beyma, and on a slightly larger pitch circle diameter, and the aperture itself is a bit larger than the Beyma needs, so I decided it would be a bit marginal trying to put new T-nuts into the back of the baffle itself, apart from the issue of whether I could hammer them in properly when the baffle doesn't come off. So I cut short lengths of batten and fitted the M5 T-nuts to those, then glued the battens to the back of the baffle. To get them in the right places, not wanting to get wood glue anywhere near the speaker, I used a sheet of A3 foamboard I happened to have to make a template from the speaker mounting holes: I then marked up the positions on the baffle using the template, and drilled four of the holes using the Big Gator drilling aid thing - I can't remember if this was recommended on here or elsewhere, and it does seem expensive for a lump of metal with a few holes in it, but it did do the job of enabling me to drill exactly vertical holes very close to the edge of the aperture without problems. The four previous mounting holes overlapped where the new ones needed to go, so for those I just had to cut notches out of the aperture. Here's the inside view, also showing a handle cutout: Glue dry, template removed, deep breath, try mounting up the speaker… and it fits! Phew! Next up, fitting a brace across the baffle just below the speaker, and then making the holes for the horn, port and connector…

I’m pretty sure the space I need for the horn prohibits running a batten all the way around the baffle, but I’ll have another look at the options before I commit to anything.

Honestly, they should just spin off the Last Night as its own separate brand. It’s got next to nothing to do with any of the other nights.

Sorry to be that guy, but it says on the rota that I’m on classical music nitpicking duty this week.

Progress on this has been delayed by Various Things. Apologies to anyone who was on the edge of their seat. Anyway, the grille arrived and unbelievably, I had transcribed the dimensions wrong and it was five centimetres too long for the cabinet. Measure twice, cut once, kids. Even more unbelievably though, using only the Dremel, the cheapo workmate thingy and two bits of wood, I managed to correct it such that I honestly believe only I will ever know it was wrong. Well, and now you lot will, obvs. Anyway I am hoping this was the obligatory screw-up of the project and everything else will now go smoothly 😄 and also half thinking that I could have saved a few quid by just buying the perforated steel flat and doing all the cutting and folding myself. Next time… I am assuming that the grille needs to be at least Xdamage in front of the rest position of the speaker cone plus a bit for safety. The datasheet quotes Xdamage as '27 mm peak-to-peak' so I assume that's 13.5 mm from rest. Here it is on the mounting blocks in approximate position: When it comes to mounting this properly, would people fix the blocks permanently to the baffle then screw the grille on to that, or screw the blocks to the grille then screw that assembly to the baffle? In the next instalment I plan to have cut some cutouts…

That’s seriously good! The music is great but also the sound balance in the recording seems spot on and the video is nicely shot. I’d be very happy to pay money to hear this band live!

I’d like to apologise for my earlier post in this thread, which was complete rubbish. I don’t know what came over me. I’ll try again: It’s well known that most of Jamerson’s bass parts were actually Carol’s. For example if you take the bass part of What’s Going On, slow it down to crotchet=60 and put it into straight time, you get In The Bleak Midwinter.

Is the correct answer!

The Bass Pod acts as a recording interface…

Is that a pizza or a dirt pedal?

Ann Peebles did some other great stuff too

Looks and sounds amazing. Best of luck with it and, assuming you succeed in making it pay, good on you for diverting some of your clients’ no doubt ill gotten gains into the threadbare wallets of honest musicians!

Never mind the Trace ad, the stuff about different types of cassette tape takes me back a bit…

‘Bootsy! Always play on the one!’ - James Brown

Steve Swallow, asked if he had words of advice for aspiring young bass players: ”Travel widely; seek romance; sit up straight, clean your room, and chew your food.”

This is a bargain, because 35mm film pots now cost at least a fiver each!

I was going to say I was working behind the bar at that, but from the lineup it can’t have been. 1992 maybe.

It’s well known that all Jamerson’s bass parts were actually played by Carole King. But what’s less well known is that all Mark King’s bass parts were actually played by Danny Kaye.

Paging Spongebob. Paging Spongebob. Please report to the ‘Songs you didn’t realise were covers’ thread. Thank you. 😉