SumOne

Bought a Chorus pedal from Andy and all was good: easy transaction, quick delivery, item as described. Thanks!

Ah sorry, I think I misunderstood. Are you after it muting when the power is turned on (not when stomped on to engage)? If so, I don't know a tuner that does that.

Most default to mute (the ones I've owned are Korg Pitchblack, D'Addario, Nux Flow tune, Boss TU-3) and usually have an option to bypass too. What tuner do you have? There might be a way to change the settings. Perhaps it needs a battery to remember the setting.

Having listened to the new Creation Rebel album a couple of times I'm now going back over their old stuff. 'Rebel Vibrations' album from 1979 is decent dubbyness.

@Al Krow shortly after selling mine to you I changed bands and missed having it so bought anouther one brand new (I don't have the best business brain!). I must admit, I have got pretty lazy with it lately so only have about eight presets, and three of them get 90% of the use ( 'Reggae', 'Punk', 'Ska' 'Clean') as that's what my band plays and it's easy to just go up/down between those presets. One tip is you can set the limit of presets that the unit scrolls through. I've got them sounding exactly how I want though so the fact I just leave them alone is probably testament to how good the unit is, I am probably underusing it. I am a bit obsessed with buying/selling and trying out different pedals though so might sell the Core at some point to fund new things....it's likely I'd regret it shortly after though and end up buying another one!

I had the Fishman Platinum Pro and kind of regret selling it. Apart from digital multi-fx units, it's the best all in one pedal I've owned. HPF/LPF, EQ, DI, Tuner, Compressor are all good on it.

I think I've been focussing on Basses too much as just had a look at their other stuff available, it makes a £4k Bass look cheap: Grand Piano £150k Bassoon £25k Saxaphone £11k Vibraphone £10k

Yeah, that is just asking for one more! BF-3 Flanger perhaps. Or, room for a PSU if the Boss daisy-chain from the pedalboad is noisy.

I'm not usually one for brand loyalty but my recent pedal fetish is for the Boss compact. There's something OCD/stamp collector 'gotta catch 'em all' about getting colourful collection of them in a Boss hard case pedalboard. They're not particularaly cool or boutique (although the Waza ones are trying to tap into that market) but they are: Reasonably priced and are easily available second hand (usually). Tough and reliable (can often see 40+ year old Boss compact pedals still in use/for sale). Clear/simple/intuative for stage use (no hidden digital menus or masses of dials and small buttons/switches). Big/tough footstomp area (which is also good for home use non-shoe wearing stomping). On/off LEDs in the same place that aren't blindingly bright. Most are quite low power consumption, and have the option for battery. They tend to have sensible features like level and blend, crossover for the chorus, 2x outputs from the TU-3 and BB-1X, extra power outlets from the TU-3 and LS-2. All that combined makes them seem like 'get the job done' gig after gig year after year types of pedals. ....the eagle eyed will notice this is not real life - I did it on www.pedalplayground.com. I only currently own the TU-3 and LMB-3. A CEB-3, AW-3, and the BCB-90X (pedalboard) are on the way to me, and I'm tempted to get the LS-2 that's for sale on here. The PQ-3B will be the tricky one to get (anyone selling one give me a shout), I want it as I'd like some mid EQ control but want to avoid the GEB-7 (I had one and found it to be noisy, and those sliders seem delicate - not in keeping with the tough dials on all the others). The RE-2 might not make the final cut as it's expensive and isn't very useful for any Bass gigging I'm doing (and I'd prefer the RE 202), and for the sake of OCD I'm not sure I'd like one pedal being sideways. It isn't the most sensible plan as some are arguably industry standard (TU-3, LS-2, OC-5), but others (PH-3, AW-3) don't generally get much love as there are probably better alternatives from other companies....wouldn't fit the look though!

Yeah it's a good shop, or I suppose more a 'flagship showroom' as others have said - it's seems too good (size, space, location, low/no pressure sales) to be a profitable shop. I played a £4,400 BBNE2 (Nathan East signature BB) and was completely left alone with it and a few other similar priced Basses to try out. I thought that was very trusting of them, not for theft but it'd be very easy to give it a scrape or dent without a strap. They didn't seem to give it a glance once I'd finished. Good selection of keyboards to try too.

This is my main concern, although user reviews seem to all say it's fine. I do have an isolated PSU I could use, would seem a shame to take up that extra space though (and the Boss has no underside for that sort of stuff). I suppose it'd mean I have the Boss power as backup though. As I already have an isolated PSU it makes the Pedaltrain Classic Jr + Flight case, or Rockboard 4.2 + ABS or flight case similar sort of size/durability/price to the Boss. So I'll perhaps go for one of them. I guess any of them would be fine.

New album from Creation Rebel, their first in 40 years, and it's good.

Ooof! 🤑 They look good though.

Any recommendations for a pedalboard with hard case? I'm eyeing up the Boss BCB 90X £169 is a bit steep but it looks to be roughly the size I want, tough, has integrated in/outs, PSU, cable routing, and the pedals/pedalboard stay in the case (i.e. it isn't just a case that holds a pedalboard that then gets taken out), fill it with Boss compact pedals and it feels like they'd survive the apocolypse. Alternatives seem to be things like the the Rockboard Quad with flightcase, but that is £229 and the pedalboard needs taking out of the flightcase and no PSU or in/out, and there are the more budget Tourtech and Stagg hard-cases, get what you pay for though?

^^^ Thanks for these reviews. I think I'll hold back on getting one. My latest thinking is I'll go for a completely modular approach of individual pedals for each task (e.g. overdrive that I can set at unity, EQ pedal that I can choose to put in front or behind the overdrive, compressor I can move anywhere in the chain, Passive DI box that I can use both for Bass and for my keyboard etc).

Tempting. If it had an FX loop I'd definitely go for it.

Bass Simplifier is about MXR size, lots of features squeezed in.

I wouldn't say regret, but I've bought and sold more Basses and pedals than I can remember, if I added up the financial cost I'd probably have a different view on it being a regret! "Well son, the funny thing about regret is that it's better to regret something you have done than to regret something that you haven't done. And by the way, If you see your mom this weekend, will you be sure and tell her......"

FEA Opti-FET Compressor, Q-Strip, Creation Audio Grizzly Bass, One Control Crimson Red, can all be very subtle pedals but I found them all to add something that I can't quite replicate with multi-fx.

'I don't need pedals, just an expensive Amp with Drive, extensive EQ, Compressor, footswitch for boost/drive, and a few different Basses and Cabs to get the sounds I want'. 😉

I manage to shoehorn in some music talk in with just about anyone - whether they like it or not!

I get that in principle. But it doesn't incentivise quality, or innovation, or efficiency.