WHUFC BASS

[quote name='51m0n' timestamp='1321967018' post='1444854'] Yes but you are recording reggae[/quote] Err... I think not ! Punk rock all the way mate ... [quote]There is nothing you have going on there that you couldnt choose to do at mix time with a different (flatter) mic, and if the sound is working for in context then thats superb, you are eqing with the mic rather than after a mic pre.[/quote] That's not a bad suggestion as it goes. I've never really tried much else on a bass cab, as the usual mantra that's trotted out is that kick drum mic = bass frequency response that other mics can't get. As you say, a flatter mic would give you more eq options and any loss of bass response is easily made up when eq'ing.

Thanks for the info 51m0n. Some useful pointers there. I usually use a combination of Audix D6 Kick Drum mic and a direct signal from my Trace Elliot's DI output. This signal is always pre-eq so I'm just getting the flat raw bass sound. I usually combine the two and as you mention, once the phase has been checked, I usually get some pretty decent results. I'm with you on the SM57 for guitar cabs. I just don't think there's a better mic that does it. Especially not for the price.

[quote name='51m0n' timestamp='1321960560' post='1444763'] Finally - dont get me started on how much I dislike using kick drum mics on bass and the kick again (and why its generally a bad idea IME & IMO) - its boring for us all, and will no doubt get everyone all upset again. But it is valid nevertheless especially in a studio.... [/quote] I'm intrigued ! Please tell me more. What mics do you normally use for mic'ing up bass amps ?

A good site mate and something that should be of use to beginners. A few pointers and suggestions if I may... I'd make more of a mention on headphones and studio monitors. These really will be the only way to determine how good the sound is that you're recording and emphasis should be made on getting the best you can afford. The flatter sound with the least colouring as possible - Berydynamic DT880 headphones and Yamaha HS80s are what I'm using at present. Also, your recording system seems geared heavily towards a Windows environment which is OK but MACs are just as popular, if not more so - certainly in professional studios. Might be worth mentioning something on them too. I'm guessing that your article is geared towards home recording - if so, you should really expand on room acoustics and what pitfalls to avoid such as bass traps etc. and also something on ambient room sound, room size, sound damping and amplifier positioning. This is really important, and can really affect the sound you recording if going down the mic'ing up route. Also, and I know this may be personal preference, but I tend to avoid using condenser mics on both guitar and bass cabs and prefer dynamic mics instead. I just tend to find you get more of a natural sound with dynamic. It may be my room acoustics but I have experimented with several mic combinations and positioning but I still don't think you can beat a direct input / dynamic bass drum mic (I use an Audix D6) for getting a great sound. The importance of recording with new, or newish strings should also be stressed. It really makes a difference to your sound IMO and can really improve a cheaper bass' sound. Remember the old recording mantra - "sh*t In - sh*t Out" which really is true as I've found out to my peril. Its also worth mentioning that mixing desks, certainly in a home environment, really aren't necessary as many audio interfaces come with their own software mixing desks. Certainly this was the case for me. Since I got a Presonus Firestudio and a Focusrite DSP24 I've used the software mixing desk, rather than my Mackie desk. Some Youtube videos would go a long way to demostrating some of your points and techniques.

[quote name='JamieBenzies' timestamp='1321375666' post='1438432'] Hornsey (near Crouch End), of course I would be prepared to travel to the other side of London to get the best deal and service though. [/quote] Mate, there's a fella in Wood Green who specialises in Valve Amps down in Mayes Road, just behind the shopping city. He fixed my 5150 amp. He's pretty reasonable too. PM me and I'll give you his number.

Pat Collier at Perryvale Studios is a superb engineer. Not cheap though. Around £300 a day but well worth it. For you area, there's one in Barnet which a mates band have used previously and the results are excellent. I'll need to find out the name of the studio though.

Is it for live or recording ? I'm assuming its for live ?

Probably a bit late with this one but.... If your budget can stretch, a RODE NT4 mic is a good option. I got one for £250 secondhand. Its actually a two mics in one, set up in an X - Y config which is great for stereo mic'ing. This mic is usually used for drum overheards, choirs and acoustic sessions for a pro quality stereo recording. Well worth checking out.

Rockfield pre-amps that they fit to Traben and now BC Rich basses are the loudest pre-amps I have ever come across. Seriously loud basses.

Jazz bass profile neck which tends to dive if you don't play it in the right position (i.e. high up and rest your elbow on the rear horn ala John Entwistle) and not dangling round your knees. I found the mahogany body to be too muffled and warm sounding for my liking. Mahogany is great for guitars but for basses I don't think it works well at all. If your playing rock i.m.o. there are much better basses to use (precision, Jazz with hot pickups, Traben Core basses, Ibanez SRX, etc). The Epiphone Thunderbird (older ones) are similar in looks only and sound completely different to a Gibson.

[url="http://www.guitarparts.com/guitarparts/index.html"]http://www.guitarpar...arts/index.html[/url] I kid you not... anyone tried them ? They look half decent and the components look pretty good too. Badass II and Sky Pickups designed by Kent Armstrong. [media]http://www.youtube.com/watch?v=cgIMPHGRFT8[/media] http://www.willowsguitar.it/en/shop/catalogo_dettaglio_prodotto.asp?sIDarticolo=SABM Unfortunate choice of name though !!

[quote name='paul_5' timestamp='1316849376' post='1383573'] Just discovered this thread. LOVE that basstone WHUFC. Lovely and dirty. [/quote] That was my old Yamaha TRB going through an Ampeg SVT 4 and 8x10 cab. As you say it was a great sound and sadly I don't own a rig like that. The sheer weight of the thing would put me off, especially as I've got a nasty case of sciatica at the moment too

Is this Windows only ? I just downloaded it and the zip file contains a .dll file which I'm pretty sure a MAC won't recognise as a VST.

I have an old early 90s Trace Elliot 2x10 valve combo and its the heaviest amp I have ever owned. I've got a Peavey 5150 2x12 Guitar combo and its even heavier than that.