Bassybert

This whole issue isn't about musicians being paid well, it's the fact a fair few of them AND the ticket companies are in cahoots to fleece the fans for all they can. It's morally corrupt, end of.

Bought Nick's Classic Vibe Jazz which was exactly as described. Met him at a Costa car park just off the M5 in cider country where he was en route to a gig in Exeter. Once the goods had changed hands had a thoroughly enjoyable coffee with him talking all things bass, music, art and more - He's a top guy to deal with ☺️

I was thinking the same myself, even the more straightforward songs can still be tricky in places, that’s why I added a few Stax songs to my list. Duck Dunn’s playing was simpler but still just as funky in my opinion and Stax records are such great songs to play.

Absolutely, if you can find a good one they’re worth their weight in gold!

I know what you mean, but you have to have a certain amount of experience/knowledge in the first place to be able to know what you want/need 😂 My point was more along the lines of people/companies employing developers who don’t actually have a huge amount of experience. It’s an industry where it’s relatively easy to get up and running and call yourself a developer, but in reality it takes years to get the relevant experience and more importantly to keep up with technology and algorithm updates.

Buying a domain, some cheap hosting and then installing Wordpress/WooCommerce is very different than having experience in knowing how and why to set things like SPF/CNAME records in your domain’s DNS. Same thing as sorting your site architecture and using optimisation tools. Most people aren’t aware or simply don’t have the experience to do stuff like that as it takes years to learn and understand how it all works. Not saying its the case with Bass Bros website but the amount of ‘web developers’ that start their own business with very limited experience is very common in my experience.

If you have Fender style tuners with a hole in the middle can’t you just pre-bend at 90 degrees before cutting the excess off and then winding as normal? I’m sure I read somewhere that a 90 degree bend is enough to trap the windings and stop the outer layer unravelling. Thinking about it you can probably do the same for hole through the post style tuners but you might need to clip any excess off after they’re brought to tension.

I’m in the same camp, I think BSSM is a landmark record across any genre, and captures the band at their absolute zenith. I remember buying it on cassette and later ended up listening to it over and over during my college art course around 94. Amazing musicianship, a fantastic balance/running order of great songs and importantly they still had that element of danger about them that set them apart. I liked a few songs on OHM but remember feeling like it was a massive downgrade and Dave Navarro although a great player wasn’t the best fit. A lot of stuff after that seems music by numbers to me, with quite possibly some of the worst lyrics ever put down in the history of recorded music. BSSM though, what a record.

You won't get very far on this forum with that sort of attitude young man 😂 I'm in the same boat, I have just the one bass and that's a P. Does everything I need it to.

A Mexican player series Strat went for £1.6k 😂 People are weird.

As @grelum kindly pointed out, a simple zoom into the pdf and everything’s nice and clear 😊

I’ve given the Laurel fingerboard on my CV precision a light clean with wire wool and lemon oil a few times and this has definitely darkened the appearance. I found Laurel quite a dry wood with a fault fairly open grain but it’s definitely changed since the lemon oil. How many coats have you tried? It might just be a case of a few thinner coats?

Yeah I’ve been diming the input gain trying to get the needle around the redline mark on the vu meter and then adjusting the valve blend to suit.

Absolutely, I’m not doubting the quality of the product or the staff at all, they seem like a great company. I just think the prices of their products have risen to the point where they’re out of reach for all but the well off. But like you say, you don’t have to buy them if you don’t want/can’t.

That looks fantastic- who doesn’t love a big cab booming away behind them 😊 However… I really like Bareface and how they’ve shook things up but the price of their gear is really getting silly and seems to have risen a huge amount in the last couple of years. £2k for a cab 😳

Thanks for this @PigBass, makes a lot of sense, I’ve definitely been using this a different way 😂

Beautiful 🤩 The smoky neck looks gorgeous!

The amount of passion/effort that people put into justifying the pros and cons of tonewood is always guaranteed to bring a smile to my face, it's got to be one of the most debated/divisive topics ever 😂 For me personally it's snake oil selling. Wood by it's very definition is organic matter that can have different properties from piece to piece, even within the same tree. How people can quantify all of this to say this wood sounds better or gives more definition in the low end etc is beyond me. I don't care what wood a bass is using as long as it sounds good to my ears, that's the true litmus test regardless of what it's made of - I've played plywood bodied bitsa basses that sounded great and expensive basses that sounded crap. As soon as you rock up to a gig and you're faced with a low ceilings, reflective surfaces, an empty room 😁 it all goes out the window.

Probably time to logout and go for a walk or something if that’s your idea of fun.

It’s like the old veganism quote… There’s nothing more a vegan/Precision hater loves more than to tell you how much they love being a vegan/hating Precisions. I love mine. I think they’re the dogs doodahs. They just work without any fuss. An incredibly versatile instrument for something so basic. God bless Leo.

Ha I was going to say that 😂 It’s the secrecy bit that would bother me. I’d rather just know they’re up to other stuff on the side and plan accordingly