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PaulWarning

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Everything posted by PaulWarning

  1. the way I got my Jazz to 'cut through' was to fit a push/pull volume control so I could make the pick ups in series, makes the lower mids more pronounced, a lot like my P bass, which I guess is not quite the idea, but does solve the problem of the Jazz not being heard in the mix
  2. [quote name='Sammers' timestamp='1486375665' post='3231140'] I was there both nights in Birmingham and I thought they were awesome. Considering Ozzy is barely comprehensible at the best of times it's pretty amazing he actually got through most of the set but I think I'd have to agree that he's probably on his last legs with his performances. Had a blast both nights though, so money well spent for me! [/quote]actually there was an interview with Oz before the final show and he was very comprehensible, he's been clean for 5 years (fags, booze and drugs) a million miles away for the shambling wreck he was in the Osbournes
  3. [quote name='JapanAxe' timestamp='1486296036' post='3230609'] I don't, I go and see tribute bands instead! [/quote]I'm with you on that one, but most folk seem perfectly happy to pay inflated ticket prices to see their heroes on video screens in aircraft hanger type venues
  4. done, but we have the power to stop them, just don't use them, as with inflated ticket prices, supply and demand is what it's all about
  5. [quote name='spongebob' timestamp='1486287699' post='3230513'] Setlist for final show is on the NME site - [url="http://www.nme.com/news/music/black-sabbath-last-ever-show-birmingham-watch-1967589"]http://www.nme.com/n...m-watch-1967589[/url] I've always had time for the Ozzy and RJD albums, some great stuff. I'd have found the tracks chosen a bit disappointing - for a final show. A bit like after all those years of playing, it comes across like admitting that it all comes down to the first 3 albums (with a couple of exceptions) - which I don't believe it does. Wouldn't expect Ozzy to sing Ronnie's tracks, but even for their original albums, it's all a bit obvious. .....and then there's the Bill Ward thing....... [/quote]damned if they do damned if they don't, when you've released as much stuff as they have there's no way you'll keep everybody happy, but I'm guessing that set list would please more people than it disappoints
  6. as said before you need somebody whose good at and enjoys talking to people, our singer (no surprise there) is very good at talking (usually about himself) but he knows loads of people and goes round pubs chatting to landlords and stuff and loves going to gigs, in fact I originally asked him to join the band, not because he was a decent singer (I didn't know at the time) but I knew he'd get us gigs.I occasionally have a go but I'm not a natural salesman and soon get disheartened.
  7. no problem it was a good night, we'll do it again sometime
  8. [quote name='radiophonic' timestamp='1486121645' post='3229375'] Cheers. The interwebz don't reveal too much about either gear-wise (mics in particular). JT Soar looks fairly basic, but this could be entirely wrong. First Love a little less so and his CV looks pretty good too. 'Creative live recording' sounds about right to me. I'll talk it over. Any idea what kind of ballpark rates we'd be talking. Don't want to waste the guy's time after all. [/quote]Random charge £175 a day, but you can negotiate with him, depending on how many days you're booking, he's a nice guy as well (and his name is Guy)
  9. cynically old me, I wonder what she's expecting off you? if she says nothing and you get her nothing you could be in big trouble and if you spend the same as her what's the point? I know I know pragmatism to a fault, sorry for being such a miserable bastard
  10. [quote name='MoonBassAlpha' timestamp='1485795453' post='3226748'] You can still vote for the 3 you hate the least! BTW, I hardly put any work in to mine, so slag away, I really don't mind this time! [/quote]ok I've found the 3 to vote for, I don't hate them, it just stuff that doesn't interest me, having said that, I'm not keen on open myself up for public ridicule, so fair play to them
  11. it's difficult, basschaters don't like to slag off someone else's hard work, so if you can't say something nice say nothing at all, none of them are my cup of tea, sorry
  12. we used Random (http://www.random-recordings.co.uk/) for our last album, Verbal Warning - Red Star Radio, it's on spotify if you want to have a listen, which by consensus turned out well, in fact we're booked in to record our next album there in a few weeks, very reasonable pricing as well, the one criticism I have is that it does seem to take him a long time to do the mixes, he also makes a decent fist of the final mastering as well which keeps costs down, I would imagine BigRedX will be along shortly, he's had more experience than I have of recording studios
  13. [quote name='mikegatward' timestamp='1485734152' post='3226330'] Blitzkrieg Bop - it's a tough one to f**k up [/quote] yeah we start with that, message on intent being a Punk, mostly covers band, although different members at different times (me included) have been known to forget the stop towards the end
  14. [quote name='SpondonBassed' timestamp='1485528566' post='3224678'] Cheers. I have issues with Facebook scripts and can't watch them in real time due to my script blocker. Have you a download site that does not pester please? [/quote]try here https://www.youtube.com/channel/UCjmPz2u6XVKsFdC8QJMCyxg
  15. [quote name='SpondonBassed' timestamp='1485510917' post='3224423'] Yes. It isn't something I'm comfortable with yet. I would have loved to have played some of the songs that I've practised as play alongs, just to bring them to life. Out of my list of 21 songs, none of them were familiar enough to the singer/guitarist for him to feel comfortable so I tried to brace his songs as best I could with very rudimentary lines. Lots of bum notes, odd moments of blind panic, that sort of thing. The "audience" was a party of three; two women celebrating their friend's 72nd birthday with shots! At one point the old girl was doing the Can-can from her seat. I am so grateful that she wasn't facing the stage. For me the "discomfort", for want of a better word, is exactly why I'm doing it. At 54, if I don't take my axe out the bedroom now, I ain't never gonna get no wood chopped. [/quote]If you want to check out our FB page https://www.facebook.com/PaulandWendyWarning77/ there's 3 videos of us 'performing' at open mics, if it's your thing we could perhaps have a go at meeting up at an open mic, no Thin Lizzy I'm afraid
  16. [quote name='SpondonBassed' timestamp='1485476609' post='3224340'] Cheers chaps. It was a quiet night. Only a handful of people there. January bites. Although I had my own kit with me and I had turned up before time, the music had started early and so I didn't feel it wise to set up while the stage was occupied. I got called up to play the "house" bass. It was a Fender P of some description or other and I didn't really have any affinity with it. I stood and played for a bit with the singer-guitarist organiser but we didn't have any common ground on song titles. No matter. The twelve bar blues served well enough. Chatting afterwards we've arranged a few numbers to have in hand for the next time there is a quiet night. It's a weekly thing so in fairness I should attend for at least a few weeks to get an idea of what the "busy" nights are like. More to come. Give it a week or two maybe. [/quote]you are a braver man than me, I'm way out of my comfort zone playing stuff on the fly, or 'winging it' they never seem to play songs that I know (how to play, that is), at these sort of Jam sessions the same songs do seem to crop up a lot
  17. DR Neons (green or pink), guage? whatever's cheapest, must admit can't tell the difference, but then I use a pick and it's probably all in the fingers
  18. let me know how it went, been thinking about trying this one out, I play acoustic guitar and my partner limited drums for open mics, got something else on tonight though
  19. depends entirely on what crowd are expecting, we are a punk (covers and originals) so none of the above, about the nearest we get is Ballroom Blitz, the Damned version. Stuff like Pretty Vacant and Ever Fallen in Love always go down well, basically Punk hits
  20. wasn't the SMX just the preamp? then they bolted on different power amps, I've sot a SMX 12 EQ with an AH200 power amp
  21. [quote name='Roland Rock' timestamp='1485184159' post='3221861'] Mickey Bradley, bassist from the Undertones, became a local BBC radio presenter. My mum sometimes gave him a lift to work. [/quote]yes but he still plays with the Undertones, always a great gig when I see them
  22. yep, keeps happening to me off and on, doesn't seem any pattern to apart from it's always on Basschat
  23. [quote name='Downdown' timestamp='1485113539' post='3221229'] John Deacon reportedly gave up music altogether after Freddie Mercury died. And what about that guy in The Troggs who went into researching UFOs - or was that just the drugs? Personally, I can understand why people decide on such a big change, especially after being so successful as in Deacon's case. Life is short and it seems a shame to focus just on one thing, unless that's the only interest you have I guess. Nico Rosberg is another example (though not musical obviously) - has achieved what he wanted from one activity and decided to move on to new things. [/quote]the guy from the Troggs was Reg Presley had a keen interest in UFO corn circles but carried on performing with the Troggs till shortly before he died, AFAIK, saw them on a few occasions, always good fun, made a shed load of money when Wet Wet Wet had a huge hit with his song Love is All Around
  24. Fergal Sharkey, after leaving the Undertones and a short solo career, didn't leave the music industry, but worked for some Government QUANGO to do with the industry bit never performed again AFAIK
  25. [quote name='Twincam' timestamp='1485112665' post='3221217'] According to most advice these days one simply can't gig or even jam without at least all of 400+ watts [/quote]well I manage quite easily with 200 watts, I'm coming to the conclusion that class D watts aren't as loud as what has gone before, or it could be they lack 'heft' and just don't sound as loud, no doubt someone with a lot more expertise and knowledge won't agree with me, but that's been my (limited) experience
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