BlueMoon

Depends. The ones I used were screwed in. For extra security I put epoxy on the threads and in the cavity as well before final tightening.

If it is a bass that you have to regularly adjust the truss rod (assume neck heel Fender type), then yes. I have neck inserts on a bass where that was the driver. Fairly easy job for a competent DIYer. As @PaulThePlug said, I didn’t notice any difference in sustain or tone though.

Some of the older Blade basses can be on the heavy side, if that is a consideration. The newer ones less so.

Yes. Top notch quality, Japanese boutique basses. Thin, fast necks generally. Most are provided with an active preamp, which is killer (DFBP-3). They have two main lines, one more reasonably priced (e.g. CJ-4 or 5) and one with exotic woods etc. Most are lightweight……..around 3.3 to 3.5 kg. They are up there with Moon and Atelier Z by comparison.

All American Alien Boy - Ian Hunter. Jaco handled the bass duties with a wide range of styles. I don’t particularly like Ian Hunter, but this album just hits the spot for me every time I listen to it.

Same thoughts!

I guess Macca would be a an obvious candidate if he were interested in a sideline business venture. He’s shrewd, so maybe not.

Not sure who makes these new ones, but I had a Blade Tetra that was a great bass. I think they were made for Levinson in Japan by Tune Maniac.

Wise advice. I’ve been in a similar situation, played nice, and it has not always been reciprocated. As I gained more experience (and got older) my “being nice” hat is based on “if it suits my interests”. Sounds nasty but sometimes it’s a jungle out there.

They are impressively loud and clean sounding amps. Good score!

“Now” - Paul Rodgers. Jaz Lochrie fills the low end with some great fretless playing. Rogers’ backing band on this album is particularly tight.

G&L L2000 in red sparkle MIJ.

Nice one…..enjoy (again)!