Steve Browning

Great amps. I really enjoyed mine. Not sure of a source for the part, but maybe 3D printing might come to your rescue.

I would add that chords include other notes you can use as a bass player. I learned the piano before I discovered bass, and that grounding has helped over the years.

I guess we have no obligation to sell to anyone. I might consider what sort of activity I see, on the for sale forums, before selling to certain BC'ers. Undoubtedly rose tinted glasses but I always think of this as a 'mates rates' community.

I do hope the bass that is bought is revealed here. I always wonder what the outcome of these threads is.

The Fernandes is only 400 quid now.

As there are many threads around this topic (and some very recently) here, it would be a bit insulting to rehash any of those arguments here. If your decision is made and you're happy with it then I can only wish you well, and hope I can resist the basses when they turn up!!

I'm a bit of a fraud really. My board carries just my switcher (choosing between a passive fretted and active fretless - though not on this gig) and the tuner. No effects I'm afraid.

Next gig is Midge Ure at Portsmouth Guildhall. Looking forward to it.

Steve Hampton. Good player and a mate. Gigs solo around Pompey when not globe trotting.

That's what I thought. I've got 12 and still hanker after a number of them in the classifieds!

If it's a Japanese bass you want, I'd again shout out for the Fernandes. In many instances, they were made in the same factory as the Fenders.

I'm with the Darester(!!). If you're happy with the sound, then it's the right choice for you.

I see @FinnDave has reduced his 60s Vintera Jazz to £550. Slap bang in the middle of your budget, and a very fine chap to deal with to boot.

I'd be looking at the Fernandes JB55 in the classifieds. The quality of the basses of this era is exceptional. Great value IMHO.

I guess Swiss Tony was right!!

Should I ask what your signature guitarist looks like?

This is exactly what I was after. The gouges on my '66 are really quite deep. One of the reasons I semi-retired it - to prevent the gouges getting any deeper.

I haven't seen a thread on specific wear patterns. I was asking about any marks your playing leaves on the instrument. Weirdly, I also bite my nails and generally the two guilty fingers are bent over. The pattern is a bit of a mystery to me, but there it is.

No apology needed.

Does your playing style result in any particular pattern of wear? It's this aspect that is the subject of this thread. I guess it's more likely on nitro finished instruments.

Mine are probably traumatised, but I have managed to fool some people all of the time!

Quite clearly, Fender are not going to be making the Steve Browning signature bass any time soon. If they are tempted, however, they would need to recreate a pretty distinctive pattern of wear - where the nails of the 3rd and little fingers of my right hand dig grooves into the wood of the body. This can be seen on the basses below, showing the effect after (l to r) 1, 5 and 40 years of playing. Anyone else leaving obvious signs of unique wear on their basses? What scars do your basses carry (from your style of playing)?

This is the truth of it. If the 50 watt combo was a sensible choice then I'd use it. A drummer is immune from the consequences of his gear choices because his kit is a finite size. Maybe he could ditch the floor toms in a small pub. Give him some real world consequences.