Bagman

using a plectrum and using different plectrum gauges

nice to see some Dave Holland, Rob I have a take on "Lazy Snake" from a few years back (Jazz School - Odd Time Signature class) great to see you back on board

cool tee shirt!

I have a Free The Tone Bass EQ Pedal incoming , I very much like their equipment so here's hoping it is the business It might push me to sell some things as well

Terry playing a Guild??

The Ashdown CTM-300 is glorious overdrive

SGFX Diamond B stock now available I like the Beta V, the Supa Funk Bi-Filter and the BCP/EQ

Kenny Dorham - "Blue Spring Shuffle" Paul Chambers - such a great Bassist

never heard of it but it looks cool. cosmetically i like it a Seamoon Funk Filter has turned up here in Aotearoa which I'm a thinking about....I don't need another envelope filter

check out the wrong guitar for the gig

I’m unlikely to be able to replace my L2 Steinberger in fact it’s in my will so the kids / grandkids know to pay attention

It has been well looked after - nice one

Yamaha P Bass (MIT) possibly 1986 * Ibanez Roadster V* Hohner B2A * Steinberger L2 Vester Bubinga Spector copy which I converted to fretless Stingray style* 1971 Jazz Guild Pilot V reissue DeArmond * 1989 Fretless Jazz Fender Longhorn* 1976 Precision 2005 Tobias Growler Arkansas* 1996 Tobias Growler Nashville* 2EQ Stingray Fretless unlined 2002 Warwick Fortress Flashback 5 2004 USA Stingray Sub 5

All these sold in NZ? was the Sub a 4 or 5 stringer ?

In 1988/89 I had a Hohner B2A, was well made I also had a try on a Hohner Jack which I thought was well made if a bit vague in the electronics department well done you - instrument looks great

looks like Roddy Piper

Advert from c.1980

Apparently they are marvellous . A cast over here in NZ has one, he loves it. As far as I can tell it's a great piece of kit for people who don't use an amplifier

Simplifier is simply the wrong name for that piece of kit

Careless Whisper Saxophone run is A Phrygian Modes - Diatonic Harmony - compulsory learning for me

Unlined for me previously had a lined (defret) aesthetic / vanity unlined is best , looks cooler

I use compression and a very light overdrive with my 2EQ Fretless Stingray for Blues and Walking lines. I like the original attack and bloom

looks sleek as apparently there was one here in Christchurch mid 1990's at CJ Charlie Jemmet's store Steve(Kiwi) got to play it I remember reading a Cass Lewis (TTD - Skunk) interview he liked the Cutlass

So I thought a Cutlass was a graphite neck Stingray and a Caprice was the EBMM version of a Precision... My Sub 5 is heading to the luthier's on 10/01 as I don't like the 10th fret at all. The neck however is good so assuming this "fret level" is not problematic I expect it'll be a good purchase.