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SpondonBassed

⭐Supporting Member⭐
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Everything posted by SpondonBassed

  1. I found it strange and a little intimidating with Tristram Shandy. I don't really class them as a house band though. This was also advertised as a jam. A house band at an Open Mic is fine as long as they sit it out for the other players to get on with it. If it is a quiet evening (attendance is always unpredictable) a house band will at least keep paying customers of the pub occupied. Tristram Shandy are a long standing band with one of the original members still active. I can not knock their credentials. I came away with the feeling that they were hosting the jam for promotional reasons as much as anything else. Don't get me wrong, I enjoyed playing with their drummer and a local vocalist/gob-iron blower but if you know material that they've already rehearsed as a band they aren't keen on others joining them.
  2. Anyway... what happens at BC BB stays at BC BB. Heeheehee
  3. I think the two get confused too easily. I'd make the following distinction: a jam is where people who are not already in a band together can meet over mutually agreed numbers an open mic is an opportunity for bands or individuals to try out their material in public.
  4. My recent experience was of lots of boring 12 bar stuff AND regional bands. They come in to promote themselves and practice bits of their set. No time for any middle ground there then.
  5. Yes. I don't bother now. I have other places I can go and be marginalised. In my twenties a jam was a get together in someone's house with friends, not in a pub where there are circles within circles and most of the participants are intoxicated. Open Mic however is a different story.
  6. No. Never. There is no call for reminding us of that holiday in May. Go sit on some Holly then go and wait under some Mistletoe until someone kisses it better for you. Heeheehee. I remember being cheesed off at having to learn a Christmas set for the choir. I shouldn't have taken against the idea at all. I ended up learning a lot about the delivery of songs I thought I knew already.
  7. Would the template (properly clamped) not help retain the veneer?
  8. Another possibility; a gig bag for a half or three quarter size classical guitar.
  9. You may find that your intonation needs a tweak too.
  10. That's very interesting. Didn't you mention once that you perform as a solo bass player?
  11. Welcome Ben. I'm glad I reread where you said "have bass will travel though" because at first glance I read it as; have bass will follow through. Phew.
  12. You mean... I opened my macintosh to you for nowt? Sorry, I just can't get a stiffie for a single cut. Good luck with it anyway. On a thread not far from here there was mention of a Wishbass. A few of us have already looked up the brand and wished we hadn't.
  13. Maybe that's why my '80s Hohner B2A feels a lot better in terms of quality and sound than my five year old Steinberger Spirit? It puzzles me as my understanding was that Steinberger was supposed to be the Fender to Hohner's Squier, if you get my meaning.
  14. My mistake, sorry. I've never had the pleasure of trying a Warwick so I haven't got my eye in with their range. Good luck with the sale. We lived a short distance from Ravenstone and Weston Underwood. Those were about the happiest days of my childhood.
  15. I can indeed. I worked out that my two paddle basses would fit in a standard Phender bass case 69 fashion. I have the case but I haven't found anyone to modify the padding and lining yet. I'm resigned to doing it myself and have put the job onto the long finger. Trouble is, us bassists often have very long fingers.
  16. Is anyone friendly with Guy Pratt? I gather he had issues here before but he could maybe do a book signing and a deliver a taster for his live show?
  17. I wonder if Eric ever bothered to learn the bassline to the Wailers' version of I shot the Sheriff? I know both but jam sessions always seem to favour the Clapton version which is a bit boring.
  18. Welcome Jam. That's a fine bit of timber on that Thumb. Striking grain pattern. I went to school in Olney for a few years. We moved away from Buckinghamshire as the new city was being built in the early seventies. I always think fondly of the area.
  19. Outdoor Subs I was only joking when I posted above but it actually IS a thing you can do. Gawd help the neighbours. Tell them it is merely a mole deterrent when they complain about you playing Prodigy at five past midnight.
  20. A successful completion to a home build. It looks grand. Those knobs should be easy to adjust with the edge of the little finger while playing. Cool.
  21. Lovely birdseye detailed fretboard. Happy NWBD!
  22. Oo. Picky. Heeheehee They are lovely things even if you never used them in anger.
  23. At MBB5 on Saturday Andyjr veneered what we think was a Paulogrady body. It offered no indication that he was cutting into it when he trimmed the veneer with a scalpel. There were a couple of places that got unintentionally scalloped. On the plus side, it is dead easy to dress out minor damage. It is feather light though. Probably about the same as Balsa. For these, I'd say a veneered top and back would be a good way to go. Y'bugger! You've got me thinking about a scratch build now.
  24. When the bridge is sunk to depth your minor error will become a nice feature with the oblique cut through one corner of the bridge rebate. Nice.
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