JohnDaBass

I have had my 1969 walnut Gibson EB3 since 1971.It's not going anywhere as it's in my Will for my grandson.

Hi Geoff, Which brand and where did you get them from?

+1 for Fender Kingman Great Jazz neck good acoustic sound and fantastic amplified sound. A/B The Fender T Bucket with the Kingman and Kingman won on neck and great low E sound unamplified.T Bucket just didn't have that low end smooth depth in the low register.

Hi Mickey, I have achieved a great range of sounds from my Barefaced SC with a Mesa Subway D800. Simples! Set the EQ for the room /stage then adjust the character control for each type of tone you need for each song. Good luck with your search for the amp that's right for you. We're all different! No one size fits all!

Amps Mesa D 800 Fender Rumble 500 Ampeg Micro VR 200w Cabs Barefaced Super Compact 1x12 Fender Rumble v2 1x12 DIY Basschat v1 1x12 Beyma with tube ports DIY Basschat v1 1x12 Beyma with slot port Combos Roland Cube Bass 100 (currently up for sale on here) Currently GAS free!

[font=Arial][size="3"][color="#000000"]Cable loom arrived safely. Excellent quality absolutely fantastic! Even the packaging is very professional. Your doing a fantastic job. Keep it up!! Look out John East!!!! Thanks for everything[/color][/size][/font] [font=Arial][size="3"][color="#000000"] [/color][/size][/font] [font=Arial][size=3][color="#000000"]Fitted the loom and the Split P pup and I am absolutely amazed at the tone range. You were right about the log tone pot & the cap they produce a velvety smooth bass tone. I was really surprised how much wider the Split P sound is compared to my other P basses. Thank you for your help, support and advice.[/color][/size][/font]

Fender Rumble 500 head settings gain 7 o clock (minimum) for Fender Active PJ and 12 o clock for Passive Fender Jazz Bass 3 o clock Low Mid 12 o clock - flat High Mid 12 o clock - flat Treble 12 o clock - flat Master 9 o clock