lowdown

[quote name='dlloyd' post='512524' date='Jun 12 2009, 11:26 PM']Bass Central is a bit further north in Orlando. Not exactly a stroll from the beach though.[/quote] It took me about 3 1/2 hours. [ driving, not walking ] But it is a great shop. Garry

[quote name='BottomEndian' post='512283' date='Jun 12 2009, 04:47 PM'] But not shoes. Furniture. I can see it now in the For Sale forum... "Music Man SUB 4 FT... anyone got a nice English oak 2-over-3 chest of drawers?"[/quote] Garry

Good grief, Dont leave it to the wife... She will sell it all on Basschat, Then blow it all on shoes! Or trade for shoes. Garry

What about trying something musical. Forget pedals , loops and noise, everybody is doing that. Doing something musical might make someone sit up and listen, and think F**k, i like this guy, he is original... Garry

Jake... I had a Deluxe Jazz 5 hired for me out in Berlin about a month ago. The B string was a bit floppy, and the whole thing was set to a no action. I Just got the tool kit out, [ take your keys and screw driver ] and it played fine. The active / pre amp sound is not that great, infact really honky. [ for me ] I just used my Sans Amp Di..and it all sounded cool. It wont play like other high end Jazz Basses but will do the job ok. You will walk away from Germany with a German Beer hangover and think... F**k, i am not gonna buy one of them... Personally i would be more worried about the German beer hangover than a 5 stg Fender Jazz. They can really hurt. Garry

[quote name='Stingray5' post='509296' date='Jun 9 2009, 05:34 PM']T-Bone Wolk. Wow, I can't believe that just came straight to me. I didn't think I still had that many brain cells left! Steve[/quote] Good one Steve. [url="http://www.tbonewolk.com/TBoneHome.html"]http://www.tbonewolk.com/TBoneHome.html[/url] Garry

[quote name='james_guitar' post='509123' date='Jun 9 2009, 03:18 PM']I know that using a plectrum on a bass is generally a taboo amoungst pro bassists[/quote] Is it? The guy that played Bass on all the Hall & Oates stuff. Good tone. Who ever that was. Garry

[quote name='dlloyd' post='508833' date='Jun 9 2009, 09:55 AM']Is that really necessary? I always thought it was the action of the thumb hitting the string itself that sounded the note...[/quote] I agree. Also bearing in mind open strings come into the equation. Garry

Thanks Bilbo. Garry

[quote name='chardbass' post='506929' date='Jun 6 2009, 12:55 PM']Wasn't it in The Bass Gallery a year or 2 back? Same description. I always thought it was Steve Pearce's old bass. Either way it was one of the nicest jazzes I've played- it just felt well bedded in.[/quote] Quite possible it was the same Bass. But i remember speaking to Steve Pearce and he said it was not his. I think it might have belonged to Steve Price originally. It had Bart pups when i got it, RS sent me some vintage pups over and it sound much better. Expensive phone call that, i ended up ordering another Sadie Jazz... So the green one had to go. Garry

[quote name='molan' post='506086' date='Jun 5 2009, 07:44 AM']To be really honest I don't think anyone in the audience is going to take much notice of what bass is being played. In fact most of them would only notice the bass if it wasn't there [/quote] Thats very true... I depped a lot on this show when it first toured then went into the West End about 10 years ago. Shane Ritchie was the main turn IIRC. Good fun show to play, i think it was all live at that time, just a few clix tracks with extra instruments etc. The guy i depped for used a Warcking thumb, And i used a Sadowsky nyc 5 stg jazz....Green! I sold it to a guy in Grantham. I have often wondered if anyone here on Basschat now owns it? Garry

Eight, For a bit of fun.... Play the root notes tapped with left hand, and arps tapped with right hand. Do it in the privacy of your bedroom, then you can't be accused of noodling. Garry

[quote name='BottomEndian' post='505355' date='Jun 4 2009, 11:19 AM']How'd it go, Funk?[/quote] They aint finished yet. You know how those bop solos go on for ever and ever.... Garry

[quote name='AM1' post='430592' date='Mar 10 2009, 04:18 PM']Buy a cheap keyboard and learn how to play chords and scales. This will teach you about intervals and harmony and the impact upon chords of playing different root notes and building additional notes upon chords.[/quote] That is good advice for noobies and advanced. If you can not get hold of some keys, maybe Guitar. Dont get to serious with Guitar though, because you will never learn to sightread, And you will lose all your friends. Garry

[quote name='redstriper' post='476201' date='Apr 30 2009, 05:19 PM']I think he did make neck thrus.[/quote] Whoosh!... Garry

[quote name='bilbo230763' post='503760' date='Jun 2 2009, 01:23 PM']The most important skill under these circumstances is to be able to deal with the geography of the chart (sines/codas/repeats etc) so, whatever else goes wrong, you know where you are in the performance.[/quote] Thats a very good point. A lot of musicians starting to read tend to think sight reading is just about the notes. Infact the signs, codas and repeats, looking ahead for key/time changes etc are the things that trip up folks new to sight reading. Garry

[quote name='casapete' post='503733' date='Jun 2 2009, 01:03 PM'][b] and Rod went on to do some stuff with Quincy Jones[/b][/quote] And some more... Songwriting credits Temperton wrote/co-wrote for the following singers/bands[4]:[5] Michael Jackson: "Rock with You", "Off the Wall", "Burn This Disco Out", "Baby Be Mine", "The Lady In My Life" and "Thriller", "Someone In The Dark", "Hot Street". Heatwave: "Boogie Nights", "The Groove Line", "Gangsters of the Groove", "Lettin' it loose", "Always and Forever" James Ingram & Michael McDonald: "Yah Mo B There". Tamia: "You Put a Move on My Heart". Rufus: "Masterjam", "Live In Me". The Brothers Johnson: "Stomp!" and "Treasure" "Light up the Night", "All About The Heaven". Donna Summer: "Love Is in Control (Finger on the Trigger)", "Livin' In America" and "Love Is Just A Breath Away". Quincy Jones: "The Dude", "Razzamatazz", "Somethin' Special", "Turn On The Action", "The Secret Garden and "Back On The Block", "Baby Come to Me", "You Put a Move on My Heart" and "Q's Jook Joint". Herbie Hancock: "Lite Me Up", "Getting To The Good Part", "Motor Mouth". Aretha Franklin: "Livin' In The Streets". Jeffrey Osborne: "We Belong To Love" (which Temperton also produced). Bob James: "Sign Of The Times" and "The Steamin' Feelin'". The Manhattan Transfer: "Mystery", "The Spice Of Life", from their Bodies and Souls album. George Benson: Give Me The Night LP, including "Love x Love", "Turn Out the Lamplight" and the title track. James Ingram: It's Your Night LP. Anita Baker: "Mystery" from her Rapture album. Patti Austin: Every Home Should Have One LP; "Do You Love Me?", "The Genie". Second Image: Lights Out on "Strange Reflections" Michael McDonald: "Sweet Freedom". Stephanie Mills: "Time of Your Life" and "Hold On to Midnight". Karen Carpenter: "Lovelines" and "If We Try". LL Cool J featuring Boyz II Men: "Hey Lover". Mica Paris: "Love Keeps Coming Back", "Two in a Million", & "You Put A Move On My Heart". Mýa: "Man in my Life". Klymaxx: "Man-Size Love". C+C Music Factory: "Share That Beat of Love". Angie Stone: "Lovers' Ghetto" from her Stone Love album. Mariah Carey: "I'm That Chick" from her E=MC² album . [edit] Production credits Kim Wilde: "Say You Really Want Me". Jeffrey Osborne: "We Belong To Love". Quincy Jones: "I'll Be Good to You", "The Secret Garden", "I Don't Go For That", "Stomp"[6] Patti Austin: "Givin' In To Love" [edit] See also Grammy Awards of 1991 Grammy Award for Best Instrumental Arrangement Academy Award for Best Original Song Academy Award for Original Music Score Colour Purple Garry

[quote name='bilbo230763' post='503554' date='Jun 2 2009, 09:43 AM']I missed a couple of odds and sods (the odd coda and a couple of endings were imperfect)[/quote] But there aint no Coda in Jazz... Charlie parker dies and goes to hell, and the devil greets him at the gate saying, 'hey, man, hell's been getting a bad rap, it ain't so bad, check this out!" he gives bird a solid gold sax, and brings him to a session where all the best players who ever lived are burning through a smokin' chart ... and the first chair is empty. bird sits down to play, thinkin' "hmm, ya know, this sh*t ain't so bad after all!" they read through the chart, go back to the top, read through the chart again, go back to the top, bird turns to the guy sitting next to him and says "hey man, where's the coda?" and the guy says mournfully "no coda, man" ... But then you knew that Bilbo. Garry

[quote name='JJTee' post='502568' date='May 31 2009, 09:15 PM']A nice root/5th thing in the intro. And the bloke has great hair too. Otherwise, pretty awful. [/quote] Brings back memories... I did a tour playing Bass with that lot... Then went back for more a couple of years ago in Berlin to do the show 'Daddy Cool' Its about time i got myself a life me thinks. Garry

[quote name='Rich' post='503498' date='Jun 2 2009, 07:45 AM']Pretty sure it isn't Pino. Wrong sound for starters, he was still Stingraying all over the place back then. Is it just me, or is there some [b]slightly wobbly intonation in places [/b](always sets my teeth on edge when I hear the song)..?[/quote] Sure is.. I transcribed the part last night Why? you may ask. It was that or Coronation street and Eastenders. Garry

And dont forget all the Finale Versions. I am on version 2009, and its dead easy to use. Imports Midi files and lays them out great. [url="http://www.finalemusic.com/finale/"]http://www.finalemusic.com/finale/[/url] Garry

[quote name='doctor_of_the_bass' post='498382' date='May 26 2009, 11:26 PM']I thought David Paton (ex Pilot) played bass on Nikita...?[/quote] For some reason or another i always had Dee Murray down for that one [ and i am proberly wrong] Anyone know who it actually was? So far we have... Pino, David Paton and Dee Murray. Help Garry