Musicman20

Id like a Reflex HH with the Gamechanger just for my own fun....id probably use it more for recording and rehearsing at home.

Weird! I think I prefer the earlier one. Thanks anyway.

[quote name='Wil' post='1089029' date='Jan 14 2011, 10:34 AM']I'm not sure I quite understand it. There's no quick reference or explaination as to what the system does anywhere that I can find, is it just a way of combining individual pickup coils and series/parallel settings?[/quote] I allows complete control. Active/passive, series, parallel, different coil combinations, phasing (I think) and im sure some other options. I havent seen the maths, but thats literally thousands/millions of combinations depending on how many coils you have.

[quote name='Lysdexia' post='1040529' date='Nov 28 2010, 10:09 PM'] And then some [/quote] She gets my vote...

Yes, I know I seem to like everything they come out with, but Ive been seriously impressed by EBMMs since I started playing bass. The Stingray was my dream bass when I was 14 years old. Here is their new revolutionary idea: [url="http://gamechanger.music-man.com/"]http://gamechanger.music-man.com/[/url] If you are interested, you need a good hour to sit and watch the videos and read the schematics. The upcharge for this function. is much more affordable than you think. The bass basically looks exactly the same bar an extra input and a toggle switch. Subtle. Forget the Line 6 Variax and the Gibson Firebird X! They are nothing like this...at all.

Nice video, thanks. Great to see how they worked so much just by hand.

I think the prices on the MB range are great, and some of the weights are truely lightweight, instead of just 10lbs less than the ceramic version and twice the price, like some manufacturers seem to do. However, im not sure about the MB range reliability for the latest models.

Nice, but WAYYYYYY too expensive for what it is.

Seriously. I was a little sceptical, but once I tested the 4 SSS version, it said 'buy me'. One of the coolest bass innovations in a while.

Hartke, Gallien or the Ampeg combos. The Hartke LH heads are FANTASTIC value.

Good catalogue, but Im not keen on their bass selection. Nice to see an Omar signature guitar.

I think Ashdown have really got their act together the last few years. Very impressive lineup.

[quote name='thunderbird13' post='1087943' date='Jan 13 2011, 01:34 PM']Find a drummer , have you every tried finding one ??? I had have more chance of finding a tap dancing unicorn [/quote] Its kinda why im going back to my old band and using the drummer for another band. Ive worked with some fantastic drummers, but this guy is so energetic and tight its unreal.

Sounds like the LM2 / LM3 are perfect

[quote name='thunderbird13' post='1087664' date='Jan 13 2011, 10:19 AM']Although thats a fair point , I have been mucked about by 6 bands this year alone, I've wasted hours upon hours learning songs , half of which I 'm not really that fussed about. To use the employment analogy I would be asking myself if this career was really meant for me as there seems to be something not working. This is where I'm at now.[/quote] Same here. I think it might be best for you to be in charge and find a drummer, then form a band. Its YOUR band then, and you decide If its originals, its more fund with old friends IMO.

[quote name='Muzz' post='1087819' date='Jan 13 2011, 12:15 PM']Try before you buy, though - let your ears decide...[/quote] Best advice!

[quote name='wateroftyne' post='1087808' date='Jan 13 2011, 12:08 PM']Absolutely - i've used the TC & Compact at a lot of gigs, and it's incredibly loud. Eventually, the 8ohm thing didn't cross my mind any more. As an aside, I battled for years with a SansAmp, until I realised it was killing my tone and making all my basses sound the same... i can appreciate it's a tone some people love, though.[/quote] Agreed, esp on the Sansamp front. I like it, but its a colour that you cant get rid of at all. The TC at 8 ohms will probably POUND most other micros at that setting due to the voicing/wattage rating between companies....TC have been extremely 'honest' about those watts. Dont ever think that 450W wont compete with the Genz 900W, as most people think they are virtually the same amount of watts! Thats voicing for you, and ratings. In addition, the TC amp can be pushed and pushed at its loudest points and it will just keep giving like a tube amp. The Markbass will clip like a solidstate which isnt pleasant. No idea how the TC tube emulation works in a digital amp, but then again they invented the Polytune which again baffles me because it actually works so well!

LM2/3 with Sansamp BDDI pedal = win TC RH450 or Classic 450 = win Not tried the Ibanez, but its a bargain! Orange Bass Terror = I think in your case, win Not sure which Id take...hmm. Honestly, if I were in your shoes and had the cash for any of them, RH450 ALL the way. Stunning amp. There is nothing wrong with the rest, but the RH450 just tips it.

[quote name='ian' post='1087168' date='Jan 12 2011, 08:16 PM']Yes the gallery[/quote] If you arent happy Id take it back. Im guessing the buyer knew before he bought it that it wasnt original? Or it was described as modded?

I auditioned for a great band up here (unpaid). They were very good, but then again, the basslines were just very simple and solid. I nailed it, and the backing harmonies, and me and the guitarist had a awesome gear chat. They seemed very happy. They said they had another guy who they had known for a while trying out....apparently he wasnt that great on bass though. Guess who got it? Yep, the guy they knew, despite his 'I am guitarist trying to be a bassist' which I cant stand. I wouldnt have minded if they were polite, but the singer has me on facebook and I messaged him hoping he was well etc, and asked who they eventually went with (I knew, but I wanted an explanation). I got nothing back. My girlfriend thinks they are the type that ride the coat tails of large bands but never make it. They are a bit on the lazy side, but a very tight band. Shame, as the drummer and me could have established a 'proper' rhythm section. Most guitarists I know, unless they are very observant, dont understand why bass works as it does and its importance. One of my friends DOES get it, and I hope to get a band going with him back home within the next month as hes super slick on guitar.

Dont worry, I think its quite common and nothing to do with you. The more bands there are, the ruder people become. If its not a 'job' and just for fun, I dont understand why its so hard work to find something. Im off back to my old band now. Luckily there is space for me.

[quote name='thodrik' post='1086757' date='Jan 12 2011, 02:48 PM']Still regardless of that I have a hard time believing that the 55-02 Skylines are really a £1200 bass. But I think a £1200 bass is fairly different from it used to be, in terms of buying from shops.[/quote] Agreed. They really are pushing the price quite high for a Skyline IMO, although £1200 now is different.

[quote name='Big Mick' post='1076490' date='Jan 3 2011, 05:13 PM']You've seen this guy's rig before, but he's just updated it. Cheers, Mick. [/quote] More Big Als!!!

They seem to be a good price, more in line of what an import bass should be. Ive tried the 55-02 and wasnt immediately taken back by it, but it was a nice bass. Just watch out for weight and large neck pockets....youll find a good un if you try a few. Although you cant expect too much at that price level. The MM style pup for me onm the 55-02 was nowhere near as full on as an actual MM bass, but as youll probably realise I like MMs a lot.