Al Krow
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Everything posted by Al Krow
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My bands wouldn't, for sure. But plenty seem to be happy to (including several BC'ers on this thread). I absolutely don't begrudge them and nor do I feel at all threatened by them either. They're having fun playing as an amateur band to an audience. How is it different to an open mic night?
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I think professional footballers get paid because they're worth paying.
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And totally cool that you do! Neither of my covers bands play for free but I have zero issues with you, or anyone else, being prepared to play for free and the fact that you almost certainly love doing so (or you wouldn't be doing it). Just as I have no issues with folk volunteering their talents to work for a good cause and getting a lot of satisfaction from doing so, even though they're not getting paid.
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Is that correct? Are there no amateur football matches happening any more?
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Hmmm...and then it becomes entirely a matter of taste: I mean do you prefer your dirt tone with Procorat thin crust or something that has the cook's strands of hair left in it like a Darkglass pedal? Do you like your meat strips to be clean-blended in (@ped doesn't) and what colour do you prefer your meat, slightly darker might just suit you nicely sir?
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That's actually a perfect description of a BDDI! Now that's got me thinking about my Tech 21 VTDI and Red Ripper...😁 Ok you've started a thing: the BC pizza guide to dirt pedals.
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I'm not sure I entirely follow, would you mind elaborating on your thinking here please? For example, would that be with reduced fat cheese?
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In which case the Pigtronix Octava is a mini-Pizza with added chilli.
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Oh no @SumOne what have you started...?😁
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And rumour has it that he is playing over the original tracks for some of them, so you're actually hearing the original synth lines rather than his attempts at recreating them.
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Well if there is a Mighty Meaty drive pedal for bass, I've not come across it yet. Maybe an opportunity / gap in the market?
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Have someone who is potentially interested in this, please PM me. -
I think what you learned gents are both saying is that size matters! And it really does when it comes to taking up PB real estate because, as we all know, a large pedal potentially displaces two others that you might really like to have on your boards. It was part of the reason that I hesitated about getting the Damnation Audio MBD1 a few years back despite the rave reviews it was getting over in the US. But also why I was always likely to buckle when its smaller footprint but souped-up successor the MBD2 came along, particularly if / when one came up for a good price used, which it just did...😊
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Rubbish. It's obviously a Mighty Meaty. I mean everyone knows that! 😁
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What I love about your technique is the way that you leave sufficient sonic space in the mix for other instruments to "breathe" with no extra unnecessary notes cluttering things.
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😁 Hey Pete good to hear from you! You're in good company with several BC buddies who have asked me that very same question today! Put it like this: I won't be gutted if it doesn't slip out of my hands...and I know you absolutely love yours.
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Yeah, not sure 15" rule the roost any more. I've just had one 15" cab in the past decade. The rest have been 212, 112, 410 and 210. My fav is the 212, but for convenience I use a 112.
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Gotta smile, probably been a couple of years since someone listed a white BB NE2 for sale in the UK. And then two get listed within 3 hours of each other 😁 Be very interesting to see if near mint condition justifies the price differential over a slightly more "used"/older example - will sit back and watch with interest!
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Been a bit of journey! It is a fantastic bass and had top billing / definite keeper status in my herd for a long while and I remember having to wait 6 months before one came used up in white (made worse now by the fact that we no longer have the luxury of VAT free purchases from mainland Europe). But three subsequent additions to my herd mean that it's just not getting the use that justifies me holding onto it. But hopefully it will find its way into capable and appreciative hands. In terms of history this was originally bought new by our very own @TJ Spicer from Wunjos in London in 2016. I've had it for just over 3 years. I should have mentioned in my OP it weighs in at 10.1 lbs and comes with a mint Yamaha hard case. -
Truly outstanding bass, in great condition, which has not been played as much as it deserves by me: This model was built in February 2016 (with original paperwork available) and is in excellent condition. 5-Piece Neck Through design - The neck through design uses a 5-piece maple and mahogany neck sandwiched between the maple on alder body. Contoured Body - Both the front and back of the bass body are contoured to provide players with a compact, well-fitting instrument that offers greater playing comfort. Pickups - The stack type pickups are designed in collaboration with Nathan East. The Alnico V pickups include hum-cancelling coils. Individual Bridge Pieces - The bridge consists of Individual bridge pieces that reduce interference from other string vibration delivering a purer tone. Active Electronics - Active electronics include a special equalizer circuit based on Nathan East's "Magic Box." The circuit lets you cut off the selected mid frequency at the touch of a switch for precision sound tailoring. Controls: 1 : Pickup Balancer 2 : Master Volume 3 : Bass 4 : Middle 5 : Treble 6 : Mid Cut Frequency (variable mid-sweep) 7 : Mid Cut On/Off Switch Would prefer to meet up (within 75 mile radius of London or Birmingham) but would be prepared to arrange a courier if that is not possible.
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When you're on Wimbledon Common
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@BadHands - damn, that's a good question!! Helix Stomp Tech 21 VTDI Boss TU-3 (just to mix up it up from the more obvious OC-2) Zoom B3
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Mini fuzz shootout First up is the Zvex Mastotron, which is particularly famous for its gated fuzz (square wave) which I've illustrated on the clip. It can definitely go smoother, but is a little more nasally/sccoped in sine wave mode than the Pigtronix Octava which is second up. Finally a clip from the unruly WMD Civilian, which is a bit of an untamed barbarian! Fuzz shootout (Ma-Oc-WMD).WAV
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Agreed re the SY-1. And in fact there is a bass / guitar mode switch on the rear which you would, of course, typically set to "bass" as a bass player. [Aside: the exception is when you want to use the SY-1 as an octave down pedal, in which case use Bass Mode-4 on the top dials with "Guitar" mode at the back]. +1^^ SY1 has far greater versatility, ability to sustain the synth whilst playing a bass line over it and superb tracking. The SYB-5 doesn't (correction: apart from the sustain to hold - see @paul_5's post below. I clearly didn't get that far with it when I had mine 😁).
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Get thee behind me PM** Trouble is I know for a fact you'll be putting this to better use than me, which makes me feel guilty about getting in ahead of the queue! But not that guilty 😁
