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NickD

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Everything posted by NickD

  1. I'm having a crack at this at the moment... and it's horrible! I've always stepped up for backing vocals, which sounds fine in a band context, but I've never wanted to be at the front.... the very idea horrifies me. Basically, from an organizational point of view I honestly can't be bothered with any more than a 3 piece, so it's got to happen. It's original stuff (well I 'say' original), and it doesn't help that the writing is bass & drum driven, so pretty off beat and funky, and I'm being stubborn in that I'm not prepared to sacrifice the basslines for the vocal, or the other way round, so it's just a case of having to get on with it. I hated my voice to start with, but as it's opened up with practice, there are moments (we record all rehearsals) where it just seems to work, to fit in the overall sound... so I'm trying to figure out how and why and when that happens so I can do it deliberately. I'm using Les Claypool as my motivation... if he can manage that insane stuff, surely I can get a grip on something slightly less insane.
  2. Side dot pics as requested. ๐Ÿ˜Š
  3. I haven't I'm afraid.. not just now. I'm away tonight but could call at the flat after work tomorrow and take one or two without a problem. The dots are where the frets should be on this one.
  4. Chowny Pitchcraft Octaver.... ยฃ40 delivered. Bought earlier this year, a cracking bit of kit... but not for me. It's an analogue Octaver, and I thought that was the sound I was after, but my muting is crap and my B string vibrations make it a little too dirty for me. On the Mrs's jazz 4 with flats it has the sound I had in my head, but I'm on fivers with rounds and it's just too much. There's a great Scott Whitley demo on YouTube showing exactly what it's capable of. Looks great, works as it should, and it's been out of the box about 3 times. It's doesn't come with a power supply, but I've been using one of my EHX ones with no bother. Trades wise, A decent Compressor (as simple as possible) a decent Envelope Filter or a decent, noise free, isolated pedalboard power supply are on my wanted list. Cheers Nick
  5. Classic Amp, big Trace watts and that classic sound. I must have had this for at least 22 years and it's never let me down, still sounds great and weighs as much as a small planet. Over time the information has worn off the back panel, but I'm sure that back in the mists of time I bought it as 150W. It's definitely not the 100W as it has the speaker out jack. Either way, most of it's gigs have been backline only in rock bands, and I don't think I've really had it past half volume and never used an extension cab. GP7 Preamp and a 15" Speaker. Amp face is clear of dings, buttons, knobs and sliders all present and correct and I had it serviced just before I stopped using it in favour of lightweight kit as some of the controls had become scratchy over time.... They're not now, everything is smooth and quiet. Titan Studios tech guy did it.... Just before he got the Slipknot bass player job! Sprung handles still spring as per the design. A few knocks in the tolex, and a bit of peeling at some of the seams that will stick down if desired. But given how many times it's been in and out of a van it's in pretty good nick. The runs you can see in the pics are just where I'd wiped it down. Pickup only for this due to the weight, and obviously it can be played through... Local meetup at a push though, but I'm in the throes of packing to move so my time is limited. Trades wise, A decent Compressor (as simple as possible) a decent Envelope Filter or a decent, noise free, isolated pedalboard power supply are on my wanted list. Cheers Nick
  6. Harley Benton B550FL Progressive, 5 string Fretless Bass. I bought this last year as a toe in the water fretless, and it's been great for that. I don't really want rid as I love playing it, but the new project has me singing, which there's no way I can do while paying attention to my intonation, plus I'm moving shortly and I need to free up some space in advance of that... So it must go. I would honestly buy another just the same if a different project came along or if I had more space, but as it is I'm keeping my 2 gigging basses and everything else is out... for now! It's only been played at home, and as far as I can see has picked up no dings. Smoke free home etc, and has always been in a hard case. It's wearing a fresh set of Fender flats and will come with the Thomann hard case it's been living in (which needs one of the 4 handle mounts securing, but will get the bass home safe, I might get chance to sort it anyway). The tones are good, and for a budget item the preamp is really flexible, theres a tiny bit of hiss if you whack the treble right up, but my Elwood L5 is the same, and how many bass players do that anyway. I'm no pro at setting up a fretless, but I tweaked it when it arrived and it plays really nicely. I'm away from home for the next couple of days, but I'm pretty sure string spacing is 18mm at the bridge. Neck is nice and slim too. I live in Wembley (around Preston Rd area) and work in North Greenwich. Pick up or local meet up preferred. Trades wise, A decent Compressor (as simple as possible) a decent Envelope Filter or a decent, noise free, isolated pedalboard power supply are on my wanted list. Cheers Nick
  7. Caught him at Beautiful Days a couple of years ago and loved every minute. That voice is still spectacular, and really engaging on stage.
  8. I honestly can't think of a better voice. RIP.
  9. Do it! Katzenjammer use one to excellent effect. ๐Ÿ˜Š
  10. It all a really sad affair. My Jake5+P is the best P type I've ever played... built like a tank and tone for days. It's gutting to think that others might not get the same positive experience that I did.
  11. It's sad to read this. I hope it's all just a blip, and that everything is sorted satisfactorily for everyone. I do wonder if it's an upscaling issue? BMW bikes were always renowned for build quality until Ewan McGregor did the Long Way round, after which everyone on their Grandmothers wanted a GS. The sudden increase in demand led to them turning out some real stinky poo for a short while, but they did go out of their way to turn it around. Both of mine are beautifully made, and I really hope they don't become victims of their own success. I'm gonna wait a little while for my Jazzus I think.
  12. As above, you're probably not missing much. I skipped a few years but touring Roots to Branches they were brilliant (Jonathan Noyce on Bass). Caught them at a couple of festivals since, the first time before they brought in the new singer, when they were just a half-ar5ed parody of themselves, then just after the new singer came... that was as bad. It made me sad.
  13. These are beautiful instruments. I was at an event as a punter and an artist friend (who's album I had played on) asked if I'd accompany his solo set. He'd already made equipment enquiries before he asked and the stage manager, who's band were playing later lent me his Bolin. It was the piezo only version and the sound was beautiful... so easy to play.
  14. SHAPE (Strategic Headquarters other the Allied Powers of Europe), Mons, Belgium. Because young and troublesome bass playing civilians don't fully understand how 'on duty' military personnel are when they're 'off duty'. ๐Ÿ˜‚
  15. Best Jazz evah! ๐Ÿ˜‚
  16. Great series. Episode 2 was a real eye opener. So simple on the surface, so much detail below.
  17. Nah... stinky poo tattoos eat into the benefits a bit. ๐Ÿ˜‚
  18. NickD

    YOB

    A Lute! ๐Ÿ˜Š
  19. You're welcome! ๐Ÿ˜Š It was Basschat the introduced it to me some years ago... the circle is complete.๐Ÿ˜‚
  20. Another 'not a fan' of bass solos. But if it's an integral part of a song I'm good with that. I see Manring's 'The Enormous Room' has already been posted, which is beautiful, so I'll go with this one... solo is from about 3.40, but it only works for me in the context of the whole tune.
  21. Beautiful! If it was one year earlier I'd be compelled to hate you. ๐Ÿ˜‚ That mess around the bridge with the ashtray removed is wonderful, it looks amazing. I bet you can't put it down!
  22. Caught the Cure in Hyde Park on Saturday. I'm not what you'd class as a fan, but the tickets came up on the Intranet noticeboard at work, and I realised that I'd never heard a song of theirs that I didn't like so I want for it. They were really good, they generated a wonderful atmosphere, the sound was great and the stage set spectacular. Comedy highlight of the day was down on the little bandstand stage, where I witnessed the worst band I've ever seen in 46 years (and I've seen, and loved, some awful bands). Kaelan Mikla, an all girl, post punk, synth pop type trio. People seemed to love them, but they were hilarious.
  23. I lover it when Imagined Village go to town on a trad number...
  24. This past couple of weeks have been a revelation for me. My Elwood L5, from my oppressively hot flat, to the oven-like car, then an air conditioned practice room and back again.... And My Jake 5, from my partners', slightly less oppressively hot house, into an oven-like car, then into an air conditioned practice room.... both barely out of tune! Even my super cheap HB fretless 5 has barely moved. Looks like I got lucky.
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