chrisanthony1211

Well I'm currently sat in a kids birthday party a five minute drive from electromusic who stock these, I may see if I can slip out for 10 minutes!!

There's is a thread on talkbass about them and some people complain that they are a bit too grabby....

Anyone tried the Labella 760 fgs gold flats?? I find myself drawn to new shinny things and these are in stock in my local music shop.......consider me tempted.....

Love these, we covered a couple of their songs last year.

I play most days and have a pretty light touch, I set my basses up with a 2mm gap at the 12th fret so reasonably low, we do practise pretty hard and do pretty much go straight through the three hours, I think I can already tell a difference with the TIs but will have a better idea when we practise again (once everyone is back from their holidays!)

Do higher tension strings cause pain /fatigue in your plucking hand, been using Labella FS which I love, but after a three hour session I'm finding I'm waking up in the night with wrist pain, going to try some old TI flats to see if they make any difference, love TIs too so not so bothered about the change.

Never used antlything else, but very impressed with these, I'm not sure what you get by paying more than this, build quality is great!

You just have to love these, the new red one and wood effect ones look fantastic. Used this several times now and it's been flawless, plenty of battery charge in these little beauties to keep you goin all night.

Does anyone have a good transcript for Dean Town keys, our keyboard player is struggling with some of the jazzy chords and what's on line doesn't seem so accurate...

I had the Heritage B-15 and thought it had plenty of power, I moved it on because it was too awkward / heavy and precious to gig with, it was sat looking beautiful in my front room but wasted, I gigged it a couple of times in medium venues and it was fantastic, just far too precious to gig. I now have a Mesa walkabout 15 which is my main gigging amp, I'd say equally beautiful, more head room and far easier to transport.

The transmitter runs down before the receiver because it's the one doing all the work, I've played three hours straight through with no problems, love this piece of kit!

Gigged with this a couple of times now and it is flawless, perfect sound, no latancy that I can tell, good range, and because it's rechargable I just plug it in over night after a gig, then put it in my gig bag! Perfect

71 is a little early for a gasket on the neck plate. I think they started around 73. I'd certainly want to see neck stamp, pot and pick up stamps before I went anywhere near that.

I have similar issue with my 1963 AVRI and I get some good quality thin luminous tape and use a belt hole punch to get the size dot I want, one role of tape will last years!

Never quit a band, been with the same guys on and off for twenty years, drummers have come and gone, but that's to be expected due to their gene pool issue.

What I've read says best for passive, active circuits response will vary depending on the output.