Marc S

[quote name='EliasMooseblaster' timestamp='1496393816' post='3310994'] P/J...an odd beast, probably because the dominant frequencies of the pickups are quite mismatched. I'd say treat it like a P-bass with the option to add some more trebly 'bite' where you need it. Personally I've never managed to get a tone out of mine which sounded that much like a Jazz! [/quote] Re "dead spots" - in the past I've had and played a couple of basses which had them. Usually a good set-up should help to remedy this. I've got a Squier Classic Vibe P that had a bit of a dead spot (it came with slightly dead, second-hand strings I didn't know the origin of) - think it was on the D string around 3rd or 4th fret, from (ailing) memory - however, a change of strings & set-up and that went! In fact, I've changed strings again on this bass, and still no dead spot - so it may even be partly down to the materials used in different strings, not always suiting a particular individual bass? who knows? Re the P/J pickup arrangement - I had said Squier CV P bass P/J'ed professionally by a well known, brilliant Cardiff based luthier - and I loved it so much, I had my Roadworn P given the same treatment. I have to say P/J really works for me. I wouldn't say it was an "odd" arrangement at all - in fact, I've come to the conclusion that all P's should be P/J'ed - I might even start a petition! lol I wouldn't say that P and J pickups are "mismatched" at all - but that may depend on different pickup brands too? Both mine have Entwistle PBXN and JBXN pickups, and I'm not kidding, these are the best value passive pickups out there.... I would say that I don't particularly like the sound with both the P and the J pups both turned up full (or near full) but I don't think that's mis-matching - I just don't like it myself. I tend to use the P pickup as the "dominant" one, and dial in a bit of J at a time, until the sound has a bit of Jazz "burble" to it. This varies, depending on which band I'm playing with, and what happens to my sound at the venue - which seems to vary more than most other factors... Neither bass ever sounds exactly like a Jazz- but it wouldn't, given that it would need 2 J pickups to do so. Although, I can play with the sound until I've got as much J in there as I want. Go on - get your P P/J'ed!

Another fan of Markbass combos here My CMD 102P was a great combo I only sold it to get separates, and a flexible arrangement of different amp heads with different cabs for flexibility..... I still have a Markbass 102 traveller cab, it's stupidly lightweight, and sounds brilliant

[quote name='Happy Jack' timestamp='1496391808' post='3310966'] So it was a double divan bed? Did it have a headstock or a headboard? [/quote] Lol

[quote name='Happy Jack' timestamp='1496391335' post='3310957'] Really sorry to hear that. Try buying a fretless Harley Benton bass uke from Thomann. I've routinely used one at DB gigs where there simply isn't the space for my DB. They're cheap, sound great, and actually work remarkably well as a DB substitute. [/quote] I was just about to add the suggestion of a Kala U-bass or something similar (other brands are available lol) - but I see Happy Jack beat me to it.... I don't use my Kala very much, but it's an interesting little instrument, and I keep mine as every now & then I take it to an open mic night or pub jam - they sound a bit like a DB and they're a bit of fun... and they're much more portable than a DB

Me again lol I've noticed some bass players using their ring fingers, when playing long slides - song's like "Give it away" by RHCP, or "Come Together" by the Beatles. This includes a couple of close Bass playing pals - they know they're doing it, but don't really think about it... Again, me being a lefty, I would always use my pinky for such slides

I use mine all the time too. I'm actually left handed - but play the same way as right handed players. Surprisingly, this is not so unusual, there are a couple of threads where BC'ers discuss this, and I was surprised to learn how many of us lefties play this way.... Anyhow, to matters of the OP - my left handedness helped me to learn to use all of my fretting fingers, including my pinky really early on in my playing. Other learners at the time were really struggling to be able to coordinate their pinkies, and build up strength, whereas, the coordination and strength and stamina were pretty much immediate for me. I usually play 1 finger per fret all the way up the neck, until I get fairly high, when, like Beer Of The Bass, I often skip using my ring finger. This is probably mostly to do with me also playing DB. Every now & then, I sometimes use an alternative finger to fret - but this is usually down to a bit of laziness, or just because I feel like it at the time...

Oh no! Sorry to hear of your problems Steve / oggiesnr For me, playing DB is secondary to playing bass guitar, as I'm involved far more with bands / musicians on BG. However, I had a problem with my foot, which meant standing in one position for any length of time caused me absolute agony. The result was, that I played far less DB than I'd have liked to for quite some time..... Fortunately, I'm now playing a bit more, and the problem with my foot is now (mostly) resolved. I really really, truly missed playing Db whenever I wanted - so I feel for you on this. It's a huge shame, and I'd hate to have to stop it now Have you considered playing something "similar" - as Skidder says above, maybe fretless? Or perhaps a smaller DB type instrument, like the Omni bass, or something from the KYDD range? I recently took a KYDD "Carry on" EUB in trade. It's same scale length as a short scale bass i.e. 30" - Is it the left hand stretches that are causing you grief? Sorry to hear this matey Hope your hand is back to 100% soon Marc

[quote name='NickA' timestamp='1495472307' post='3303991'] The Roland Micro-Cube is surprisingly good for the size and cost (lots of knobs to twiddle too!).... [/quote] [quote name='JPJ' timestamp='1495554679' post='3304751'] Can I throw the TC Electronic BG250 208 into the mix? Yes its a 2x8 but it does make a lovely noise. [/quote] Just recently bought myself a Roland Micro Cube. It's a really tiny amp, with great sound and volume, considering it's size. Indeed, there are lots of "knobs to twiddle" and some really nice, useable sound effects / pre-sets. I got it cos it'll run off AA batteries too! - highly useful for me, for acoustic jams & pub sessions. Of course, you can't be heard if you've a loud, or even moderately loud drummer, or amped up electric guitars etc - but that's not what I bought mine for... Re the comments about the TC Electronic BG250 208. It's a great amp. Yes, it's 200W as is, and 250W with an extension cab - but as it's a vertically oriented box, its' footprint is very small. It's a very lightweight amp, given its' output, and it can be used for acoustic jams & even gigs - where the drummer isn't overly loud. So you could put it to multiple uses, instead of having one amp for this situation, another for that, and yet another for that... I had one, and really liked it - but I foolishly sold it, thinking I'd win some brownie points with Mrs S. On reflection, as I said, the footprint is small anyway, and looking back, I really could still do with one of these amps Lately, the price has gone up considerably too... damit! If you see one going second-hand, I'd consider it - it may cost a tad more than your budget, but they're great amps

I don't own one myself, but several musician pals of mine own a Faith acoustic guitar They all love them, and one bought his, so he could take it to some gigs, rather than his more expensive Martin... He now prefers the Faith anyway! lol Another friend recently bought herself a really beautiful dark wood (mahogany?) Faith, and decided her older Faith had to go, to free up some space.... But she has kept her old Faith as well, and sold a lovely Fender strat, as she couldn't part with the Faith I've played a few Faiths, and though I'm not really a guitarist, they've all sounded lovely, and felt like they're sheer quality construction Good luck with your search

[quote name='hubrad' timestamp='1496239514' post='3309821'] Talk to them. Also perhaps make a recording of a live set, so all can listen and comment accordingly. If it's still doing your head in then move on or take on another project. [/quote] +1 for this answer I've been in bands where some people don't want to rehearse, and it usually annoys those who do want to rehearse.... Rehearsal always helps tighten the band up, and helps improve the dynamics. Repetition helps with learning, however, I can understand those who don't want to rehearse too often. Sometimes over rehearsing means some people can get bored of over-playing songs. But once you're tighter, I'd use those rehearsals to suggest new material, and try varying the set a bit.... You say that you all get on well, and it's a shame to leave a band where this is the case - but you are obviously frustrated by others' lack of commitment to rehearse..... and that isn't going to go away or get better by itself....

[quote name='scalpy' timestamp='1496221104' post='3309587'] This is why our set list reads Johnny Bb Goode! [/quote] lol

Being in several bands, I've had those moments too - where you start playing a song with one band, and realise you're playing it in a key you play with a different band! Also started the wrong song once or twice too We've all done it mate - you are not alone, so don't worry lol

Heard a bit of him chatting about this book on the radio. I'll probably buy a copy in a month or 2, as I'm still reading through Xmas books, and bargains picked up a couple of months back when I visited Hay On Wye. I'm a slow reader! lol I've always liked Billy as a person, and as a musician and songwriter. As you say, TheGreek - he's one that doesn't get the recognition he truly deserves. I recently read his biography which was very good. A few years back, I read his book "The Progressive Patriot" which is an absolutely brilliant book - I'd highly recommend it as a read. It's very thought provoking, superbly researched, well argued, and well written. On top of all that, I've met him a couple of times, and he's a genuine bloke and a principled man who has done some great community spirited work too..... I'm sure this will be a good read, so I'll be getting my copy in the not too distant future

Hi Rod, Welcome to Basschat. I'm sure you'll meet lots of like minded folk here, and don't be afraid to chip in with advice, experience and knowledge, as well as asking questions. Plenty of friendly folk on here. I'm a South Walian myself, but have spent a bit of time in the Forest. It is indeed, a beautiful area. Happy playing Marc

No Jazztification

[quote name='rorysmith' timestamp='1495578917' post='3305103'] The Lonious Monks [/quote] Back to this one again.... a bit modified, but how about The Three Loneliest Monks

Traded my Flea Jazz for a medium scale Japan P bass. Kostas is an absolutely great guy. He even helped talk me through my reluctance to ship basses abroad! (all my own fault, I know lol) As M-Bass-M says above - you get the sense that Kostas is a passionate & appreciative character. He also offered to share a beer and an ouzo with me, if I ever found myself in Athens. I just hope all his BC friends don't turn up at his place on the same day lol Superb communication throughout, and a true gent. Though I've never met him (even though he once lived down the road from me!), I feel he's a real pal, and someone I'd trust without question. My new bass arrived safely and well packed in good time considering the distance it travelled, and I wouldn't hesitate to recommend anyone to deal with him. Buy, sell, deal, trade in complete confidence folks

Bought a short scale Jazz from Kristo. Great guy to deal with. Good communication throughout. Very reasonable he was too. The bass arrived in super quick time, and was really well packed and protected, and in mint condition Smooth transaction throughout. Buy, sell, trade, deal in complete confidence fellow BC'ers

[quote name='rorysmith' timestamp='1495578917' post='3305103'] The Lonious Monks [/quote] The above is my favourite so far - really good suggestion rorysmith My own efforts; The Austerity Orchestra The Jazztones We Jazztafah's 3 EDIT: "Jazzinga"

[quote name='NancyJohnson' timestamp='1495470693' post='3303975'] ......Bananarama (and I suppose Kim Wilde et al); has anyone really noticed that there was a degree of chaste about their (very) public persona? They didn't have to get their kit off to garner interest. Different times and probably better for it, really. [/quote] I loved the 80's - it was my era, musically. It's when I grew up, it's when I learned so much, it's when I regularly went to gigs & events, it's when I bought most of my records. It's when I saved every penny to buy another record - heck, I even walked 6 miles home to save the bus fare, so I could buy another 7" single... many times. My own fashion was (more than probably) a bit dodgy at times too - but you didn't have to spend as much money on clothes. I never had to live in a time where, like my son, you were an outcast if you didn't have a certain pair of Nike trainers, or a coat that didn't have a huge brand name emblazoned across it.... In fact, for many bands, looking like you were wearing hand-me-down clothes or charity shop fashion was their style, rather than some uber expensive gear You can pick the worst 10 acts of any decade and hold them up as an example of derision. The 80's also spawned some brilliant music and musicians. And actually, Nancy Johnson has a really good point (above)

[quote name='hamfist' timestamp='1495456767' post='3303839'] I use Colron danish oil (from B&Q) - two coats, and then Briwax (available everywhere) -again a couple of coats. If you're starting with nice smooth wood you will get a beautiful and hard-wearing natural satin finish. I've done loads of bodies (ash, maple and alder) and a couple of necks (both maple) with this method, all have turned out superbly. [/quote] Thanks for the tips folks hamfist, I take it that you apply the wax on a rag and work it in by hand, then sort of "buff it up" to finish?

I recently bought a cheap neck, for a cheapo project bass. It's OK - nothing special, but that's fine & suits my purposes. However, the previous owner had done some work to it, and basically sanded the Rosewood fretboard, and sanded the varnish, of the presumably Maple, back of the neck.... I finely sanded the rosewood board and treated it with Lemon oil - and result! It has mostly restored it to it's former glory. I wanted to try oiling the back of the neck, rather than varnishing it - so I applied some Lemon oil to that too, and it hasn't really achieved very much... What's the best oil to treat the back of the neck with? He asks, not having tried before... Cheers all