Len_derby

The ensuing gentle hiss of rolling tumbleweed. 😆

Post Bank-Holiday slump? I went to one of my locals last night and it was very quiet. Last Saturday, Easter weekend, it was busy. It looks like people are choosy about when they go out in the current economic circumstances.

Go for it Sam! As long as you’re well-prepared and supported by the rest, what’s the worst that can happen? After a few years of those feeling you’re having I gave myself a good talking-to and decided that the worries about battered ego and concerns about what other people thought of me was just a type of narcissism. Do your homework and be yourself and I’m sure you’ll love it. I’ve been reading about your sailing exploits in “Off Topic” - and you're anxious about playing a bass in front of people? 😂

Unplugged for me, just a bass. Either my Stagg short-scale acoustic bass or whichever electric is out on a stand. I don’t use any effects or pedals and I live in a very quiet house, so it’s fine for me. The only time I switch an amp on at home is to check things are working before a gig.

This is exactly what’s happened in my covers band with ‘Ain’t No Love’ and ‘Knockin’. Although, to be fair, I don’t think anyone ever lost money in the UK entertainment business through camping things up.

That’s a tough one. I tend to agree with @Lozz196, but I live in a relatively well-populated area where finding alternative like-minded people to play with is easy.

Thanks for the heads-up. I really enjoyed that.

Following on from Misdee’s answer, I have a 2003 model of the P deluxe and it does have a slim Jazz-width neck. One other thing to note, the active circuitry requires two 9v batteries and they require a screwdriver to access them.

Did you climb back in through the same toilet window? The world needs to know 😆.

Played tonight with the Daz Kelly blues band at The Boat Inn, Cromford, Derbyshire. A good, appreciative crowd out for a Friday night. My @Andyjr1515 Swift Lite bass through a TC Elf and Barefaced one10 was just the ticket. The landlady told us we were the first band, ever, to put the tables back in place after we’d finished. We’re not very Rock n’ Roll, but very polite boys. 😆

Bad luck mate, but onwards and upwards. Did they tell you why they turned you down? Always useful to know. It may well have had nothing to do with you or your abilities, in which you may not get an honest answer, The old ‘guitarist’s brother-in-law’ scenario.

I’d forgotten about meeting Jeff Rich. For the last few years of my working career I was a teaching assistant in a primary school. The headteacher had a social connection with Jeff and got him to come in and give a drumming demo to the kids. He also bought a ton of percussion items and generously let them bash around with them. As you say, a really nice bloke. Over a cuppa we chatted about music and he said ‘shame you didn’t bring your bass in, we could have had a good old jam for the kids.’ The nearest I got to playing with Status Quo. 😆

I’ve been going there since about 1973, so it’s quite possible I was there - although most of it’s a blur! After a shut-down of a couple of years the place is back in business and somewhat tidier. When on stage, the pungent aroma of the nearby gents’ toilets seems to have gone.

The band was Parasight. They called it a day when Danny De La Cruz moved to London and joined Inglorious. The rest of them are still involved in music although not as high-profile as Danny. Joe the bass player is with Eddie and the Wolves. The drummer, Tom, went to study music full-time in Birmingham. The other guitarist, another Tom (Platts) is playing in a covers band while completing a Masters degree in music production at Derby University. Were you part of the local scene then, or just visiting the Vic?

I rarely go into a big town or city these days, so I’m definitely out of touch, but these venues must have deliveries of drink, food etc. Do the drivers just take hit on fines, is there special dispensation or do they deliver outside a certain time range? I’m interested how it works because people must be driving up to these places regularly to drop-off and pick-up.

I think I’m more on the @Bluewine side of things. I want to play with people who are good musicians and not unpleasant. If they’re friends as well, it’s a bonus but not essential. So, being good work-mates I suppose. Back to the OP. Pathetic football rivalry. We had a drummer who liked Nottingham Forest and a guitarist who liked Derby County. For those who don’t know, there’s a tedious local rivalry. The ‘banter’ between them was irritating enough but when they started to wind-up audiences with their back-and-forth comments - to the point of fights nearly starting - it got too much. When a landlord said “don’t ask for another gig, I don’t want you back”, that was the end.

Liquid and funky. Reminds me of being on nappy-duty when the kids were little. A nice description of bass-playing, though. Well done 👍

David has just bought my PJB Cub combo. Everything went very well. A top Basschatter to deal with.

I’d echo what Uk_Lefty says above. Leave it as it is and just enjoy playing it. I gig with my HB short-scale P bass left just as it came out the box. Does the job just fine. And congratulations on having some cool sisters!

Yes, I’ve noticed the “mid-century” thing in the last year or so. I recently saw it applied to houses for sale. I think a lot of us on this forum fall into the category too. 😎

Clothing fashion seems to have hijacked the word. My daughters talk about their ‘vintage’ outfits. When I was their age I called them Jumble Sale.

As for @casapete, I’ve seen the Sunday afternoon gig grow scene grow in the last 5 years. There are four pub venues doing it around my small town. None of them ‘food’ pubs, either. The Flowerpot, generally Americana, blues or folk. The Smithfield, exclusively heavy rock or metal, (no housing nearby 😆). The Crossroads Tavern, generally covers bands. The King William, usually acoustic acts. Having played Sunday afternoons at two of them my experience is that pay rates are lower than an evening slot. However, there’s a balance of getting home early, usually easier drive-in and parking and more sober audiences.

It might be worth talking to Roqsolid. Based in Yorkshire, they make excellent amplifier and cabinet covers and I’ve got several. From my experience with them, If they don’t want to take on your requirements they’ll have someone else they can recommend.