Skinnyman
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Now sold..... As mentoned elsewhere, we've recently moved and I'm under instructions to downsize the collection. So, next up is this Korg MIDI Controller.... I bought this off eBay a couple of years ago and it comes boxed with the original instruction manual and software disk. Although it's a few years old now and the box refers to Windows XP, I've used it with two different PCs (Windows 7 and Windows 10) and an iMac (various OS versions including the current one) and it works fine. The padKONTROL is available for collection in North-East Lincolnshire or I am happy to post within the UK for £7.50. Please get in touch to discuss other options. Thanks for looking – any questions, please drop me a PM. Here's what a quick Google search had to say about the padKONTROL... “The padKONTROL joins Korg's expanding line-up of MIDI studio controllers. Adding another dimension beyond traditional keyboard control, the padKONTROL is the most expressive and versatile drum pad controller ever! In addition to accessing drum sounds and samples, the padKONTROL MIDI studio controller from Korg can also control softsynths and effects, trigger loops and video clips, and even act as transport controls for DAW software programs. Combining an assignable X-Y touchpad that also provides for natural-sounding flams and rolls, sixteen great-feeling illuminated trigger pads, assignable knobs and a footpedal input, the padKONTROL provides unsurpassed evocative control. The padKONTROL MIDI studio controller is ideal for creating natural, organic sounding drumbeats. Each of the sixteen pads can be individually assigned a note number and MIDI channel so you can control a single drumkit or map it to control different devices in your setup at the same time. Eight different dynamic curves are available for each pad, or you can set each pad to its own fixed level. This allows you to set up certain instruments to feel as you like, and others to always play the perfect velocity, no matter how you strike the pad. You can also set up multiple pads to play the same drum but at different fixed velocities, giving you varied but predictable performance every time. No matter how you set them up, you'll appreciate the great feel of the drum pads on this MIDI studio controller. They respond well no matter where you strike them, not just in the center like many other systems. So you can freely play the pads with both hands, hit the edges or the center and get responsive, musical results - every time! The X-Y pad adds real-time control of both flam and roll timing and dynamics. Moving from left to right increases the speed of the roll, or the distance between the flammed notes; moving up increases the volume of the roll, or the second note in the flam. This is a highly expressive and intuitive way to produce these natural drum techniques. With an optional footswitch, you can even add real kick drum parts, or close an open hi-hat. Versatile and expressive midi pad controller, ideal for accessing drum sounds and samples, controlling soft synths and effects, triggering loops and video clips, and even for use as transport controls for DAW software programs Controllers: 16 velocity-sensitive Trigger pads with LED illumination, X-Y pad, Two assignable knobs, Assignable pedal jack Display: 7-segment, 3-digit LED Memory: 16 user scene memories, 30 preloaded scene templates Connectors: Pedal, MIDI In/Out, USB (type B), Power supply jack (DC9V) Power Supply: DC9V AC adapter (optional), USB bus power (when using the USB connector) Current Consumption: When using USB bus power: approximately 150 mA (maximum 180 mA), When using an AC adapter: approximately 150 mA (maximum 180 mA) Dimensions: 12.36 (W) x 9.21 (D) x 2.17 (H) inches, 314 (W) x 234 (D) x 55 (H) mm Weight: 2.12 lbs. / 960 g Included Items: USB cable, CD-ROM containing padKONTROL Editor/Librarian software etc. System Requirements Windows: Operating System: Microsoft Windows XP Home Edition / Professional / x64 Edition, USB port System Requirements Macintosh: Operating System: Mac OS X 10.2 or later, USB port” -
EDIT: I've just spent a bit of time setting this up properly - and lowering the action from the egg-slicer settings seen in the pics We just moved and I'm no longer gigging so I need to seriously downsize the collection. There's a whole bunch of basses, amps and cabs that I'll be listing over the next few weeks – but the first one to go is this Squier Vintage Modified VI Bass which I bought new from GAK in November 2015. The standard bridge was dire so the first thing I did was do some research and upgrade it with one of the well-regarded Staytrem bridges. This and a set of LaBella Bass VI flatwounds sorted it all out and made it sound fantastic. Unfortunately, the project I needed it for didn’t come off so, apart from some noodling at home, and two rehearsals, it’s never really been used. As a result, it’s in mint condition and needs to go to someone who’ll actually play it. Somewhere or other, I have the tremelo arm and (I think) the original bridge - although I might have binned that as it was seriously horrible. I'd prefer to meet up so that the buyer can check it all out before buying - I can travel anywhere within a couple of hours. If that doesn't work, I can ship within mainland UK - please drop me an IM to discuss payment and shipping options. Trades? I might be in the market for a nice short scale.... Hopefully, the pictures tell you all you need to know, but if they don't, please feel free to IM me. -
On hold for someone -
It sounded fine to me. I really enjoyed it.
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Eric Clapton film - BBC 2 Saturday 6th June 2020
Skinnyman replied to casapete's topic in General Discussion
Very naughty - although I doubt anyone would bat an eyelid much these days. That said, I could sort of understand his obsession with Patti and given that George also wasn’t as pure as the driven snow, I’m not sure that anyone really comes out of that whole episode covered in glory. I was also a bit surprised by the lack of coverage of the solo stuff but I guess they had a limited amount of time and a lot of material to fit in and something had to give. -
Cameron just saved me a load of typing! But there’s nothing wrong with repetition..... I wholeheartedly concur with most of what’s been said above - this is a great idea and please do more. Well done - and thank you - to all involved. This was a great pilot, you asked for feedback so here’s my (meant to be constructive) comments... The time is too long - but that doesn’t mean you should cut material, just split it into two podcasts. Personally, I think an hour would be about right. The Chowny Bass interview was fascinating. More of these , please. Pedal Review was excellent although some of the nuances of tonal variation escaped me - a little bit more commentary on what was being adjusted as it was being adjusted would have helped I actually didn’t mind the scripted aspects of the podcast. Yes, I agree that more natural is better but I’m assuming that no-one involved is a professional broadcaster and so I think it made absolute sense to have a script with occasional ad-libs rather than rely on a few chapter headings and risk having the thing descend into chaos or worse, self-indulgence. This is only the pilot and I’m sure that the “flow”will get better with experience - but for a first attempt, this came across as well structured and professional. I think a script contributed to that enormously. I liked the fact that we could actually hear the pedal being used in the pedal review and did wonder if sound could have been used elsewhere through the podcast to illustrate points and give some examples? Er, that’s it. Really interesting and a great idea. Ideas for future podcasts? A news segment? That might be drawn from stuff that’s hot on the forums as well as some of the things that folk may have missed. Possibly a summary of what’s in the Bass magazines this month? Then a technical section with discussion on stuff like; pickups, preamps, amps and cabs. For example, a feature on strings and the nuances of different materials and construction techniques? More Industry interviews would be good - Mr Chown has set the bar high (he’s also given me GAS 😀) - but it would be interesting to get the views on the marketplace from retailers, builders, etc. Is the high street music shop dead? Gear reviews, obviously - and maybe invite an occasional basschatter to talk through their rig - what they like, what they’d change, etc. Clearly, there’s no shortage of topics and the “magazine” format you used in the pilot worked well so I’d keep that and see how it evolves over time. Apologies for rambling on and for having the implied arrogance to tell you how to do things better - I really don’t mean it to come over that way. The pilot podcast was excellent and if you change nothing it will still be excellent so please carry on as you are!
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Eric Clapton film - BBC 2 Saturday 6th June 2020
Skinnyman replied to casapete's topic in General Discussion
I thoroughly enjoyed it. Whilst I knew bits of the story, I didn’t know a lot of the detail. It seemed to me to focus more on the man, his demons and the events that shaped his character rather than, as these things often are, a straight runs down of his discography with a few key milestones thrown in. As a result, I thought it gave me a new context and I’ve since spent a very pleasant weekend listening to old material with new ears. -
Like many, I’ve played in bands with a stupidly loud drummer and correspondingly stupidly loud guitarists (ironically, since I left my last band, they’ve apparently learned that louder isn’t always better from the punters’ perspective and they’re now trying hard to get volumes under control - but I digress...). I used to ride a motorbike and was well used to foam plugs of various sorts but found that they didn’t work for me when playing - too remote and too hard to hear myself. After reading other threads on here, I got the ACS plugs and, unlike some, had a good experience with getting the mounds taken in Boots (the chemists, not the footwear). I initially got the 17s which worked well once I’d got used to them but I still had that sense of “distance” that I’d got from foam plugs, albeit to a lesser degree. After a period of getting used to them, I swapped the 17s for 10s and found them perfect. Enough noise comes through to stay involved but not that much that I can’t think properly. I wouldn’t gig (or rehearse) without them. I find them much more comfortable to wear than any of the foam ones I used to use on the bike and well worth the investment. Now that I’m between bands, I’ve put the 17s back in and use them as ear protection when I’m shooting clays.
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Oops, I missed this....sorry And no, I still have the bass. Over the last nine months or so, we’ve been busy with a house purchase, retirement from work and subsequent move to the wilds of the Lincolnshire coast so I’ve been a bit distracted. As a result, the Dingwall has just sat in its gig bag (as have my other basses, tbh) and so is still in pristine condition. I’ve only played it a few times since buying it (and then buying the gorgeous P/J that BD got in a few days later!) and now that I’ve moved and am no longer in a band, I’m hardly playing anything so it’s time for a clear out and for this to go to someone who’ll play it regularly. (Look out for more bargains as I cull the rest of the herd!) I’ve finally got round to taking some pictures! I’m still reluctant to post or courier this but now I’m retired, I travel around quite a bit so I’m sure some kind of delivery/collection arrangement can be made - in the UK, of course. Ping me an IM if you’re interested Anyway, here’s the pictures...
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Log in trouble ? Help ! -MODS YOU CAN DELETE DUE TO IDIOT ERROR :)
Skinnyman replied to Wonky2's topic in General Discussion
Did this ever get resolved? -
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Skinnyman replied to Wonky2's topic in General Discussion
I’m glad to see that this didn’t make it across to clutter up the new site -
Thanks for the interest everyone but the seat is now taken.
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Most of the guys are based in Stevenage and gigs are Stevenage, Hertford, up the A1 as far as Sandy and down the A1 towards Hemel and St Albans
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And that's exactly the kind of delicious confusion that will fit right in! 😀😳
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I'm retiring at the end of the year and moving up to Lincolnshire. Whilst I won't be sad to leave the rat race behind, I will miss the guys in the band - probably the nicest bunch of people I've ever come across. They've been playing together for around three years and I joined a couple of years ago. Collectively, we're not the best musicians in the world but we do have a good time and generally manage to get a pub rocking. This year has been full on and we've been turning gigs down as we try and keep some time for family/friends/stuff. Ideally, we like to do a couple of gigs a month although it's worked out more than that this year. Next year has over 20 in the diary already with a few to be added once the venues confirm. About the band? A five piece. Two guitars, drums, bass and female singer. We rehearse every couple of weeks and we have built up a good repertoire which we try and cycle through regularly. We play a fair bit of rock and roll, the usual pub fare (sex on fire, summer of 69, etc) and then a mix of stuff - country, rock, pop. All sorts really. That eclectic mix seems to work well for us and we get a lot of repeat bookings, especially from the social clubs. I've said that I'll carry on until New Year and then we'll aim to bring someone in. Of course, if someone is available before that then we can start the transition early 😀 . The guys (and gal) in the band are all very easy going. There's no leader as such and it all works pretty well. I'm putting out feelers on here to see if anyone's interested but you should be aware that the guys will be quite selective. I think they'll look for the right personality and someone who'll fit in rather than outright musical ability. So, the ideal candidate will be in their 40s or 50s (or older), have a relaxed attitude and be open to playing a range of material. if that's you then drop me a PM. I'm sorry if this has dragged on a bit but these guys are my friends. I don't want to leave them but I must - and so I want to find someone who will fit in well. Thanks for bearing with me.....
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It is.
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Log in trouble ? Help ! -MODS YOU CAN DELETE DUE TO IDIOT ERROR :)
Skinnyman replied to Wonky2's topic in General Discussion
Finally, this thread seems to have run its course. Oh, hang on.... -
It is
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I started with ER17s and then swapped the filters to 10s. It took a while to get used to them and that initial feeling of being a bit,...... distant but that went after a couple of gigs and now love them t bits. Comfy all night and no ringing in the ears when we're finished. Best thing I ever bought
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Welcome. I have found this place to be an amazing source of knowledge, encouragement and enthusiasm. Whatever you want to know, someone will be able to tell you. (I was in Whitehaven only last week and you live in a beautiful part of the world!)
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[quote name='Dazed' timestamp='1498262531' post='3323565'] Someone looking for one of these in the wanteds [/quote] Thank you - well spotted.
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[quote name='ChurchieG' timestamp='1498207477' post='3323080'] Would you be interested in a mayones custom Comodous 6? [/quote] I'm afraid not. I need to clear space so it's a straight sale only, but thanks anyway
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Log in trouble ? Help ! -MODS YOU CAN DELETE DUE TO IDIOT ERROR :)
Skinnyman replied to Wonky2's topic in General Discussion
[quote name='Dad3353' timestamp='1498063330' post='3322320'] Oh, yes..! Excellent..! Holly good, sir..! [/quote] Quite. Berry good indeed -
Can I just congratulate everyone for the admirable restraint shown in this topic given the title?
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[quote name='Lw.' timestamp='1480934128' post='3188090'] I haven't seen many pub level bands bringing spare basses/guitars, extras for different tuning yes but not just spares - how often are you seeing this? If you're seeing this a lot I would have thought it's because people seeming have more disposable income to spend on toys than they did in years gone by rather than the age of the actual musicians. I'd say it's different for wedding/corporate bands though, but I think that's because they're providing a different service & should rightfully come more prepared. [/quote] I work on the basis that if im being paid to play - even if it's "just" a pub - then I need to act as professionally as possible. That means turning up on time, being sober, being rehearsed and generally trying to deliver the service that's been paid for. I could take spare strings but it's just easier to take a cheap bass as a backup.
