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Cairobill

⭐Supporting Member⭐
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Everything posted by Cairobill

  1. Hi Is this with a maple fretboard? What's the weight? Cheers nick
  2. Or, of course, make me an offer! Comes with hardcase and the white pickguard. I'm in South London. Cheers N
  3. This lovely 1998 J Bass has gone to a new owner...enjoy! N
  4. Hear hear, My old Nash (which is the one that stacker now has?) is a beautiful sounding j bass. I also had a T63 which I had to sell, the teles are exceptional guitars, especially with lollars on them! Price wise that's not too bad esp. as the euro is going down hill. Almost equivalent to buying it from the states given the guff you have to deal with getting it into the uk. N
  5. And a bump... Trade for a maple boarded jazz type bass or pbass (rosewood board) of equivalent quality. E.g. CIJ, lakland, fender etc Cheers Nick
  6. Morning All, if anyone wants to buy this bass, it's on the block for £550 Will post some more pics this weekend... Cheers Nick
  7. and bump for a new demo...more light...
  8. going for a trade really...best, N
  9. Allo I have a 1998 sunburst USA Fender J with a rosewood board (advertised for trade on this board). Condition is good but the back of the neck has been sanded so not perfect. I'm in South London so not too far from you if you'd like a look. I can send pics if you like. I've been after a maple boarded jazz but I've also got a Jamerson fixation so a trade could work well. Cheers Nick
  10. Can I ask what the scale length and the weight is on this bass? It's very, very close to one of the best basses I have ever played, the baby blue Me'Shell Celinder at the gallery.... Hmmmm CB
  11. I have a bravewood bass (fretless 62 jbass) which is the most amazing thing. Someone was asking about growly jazz basses on BC the other day. I never knew what growl was on a j bass until I played the bravewood. I think the vintage wound bareknuckles have a lot to do with it...this bass really growls...
  12. Nice bass! And now for another little bump for my j bass. Anyone looking for less snap, more warmth etc? I'm after a seventies vibe, myself...maybe I should just sell it? Alternatively I could put some top up cash in for a daryl jones or 75 reissue, etc etc... Cheers all N Just a tease!!! [/quote]
  13. Just a bump This is a lovely bass - I just need a bit more maple in my life! Cheers Nick
  14. Reposted with new sale info etc
  15. I think it's one of those basses that it is a real precision tool, it will take you all the way if you want to do the jazz/chordal thing ...I miss it... N [quote name='Soliloquy' post='798182' date='Apr 6 2010, 11:10 PM']I studied with Todd very briefly a couple of years ago, that's kind of why I decided to get a Zon bass. I loved the sound and playability of his bass when I played it. I'm just not sure that it's 100% right for me though, hence the trade/sale advert.[/quote]
  16. Hi, I can chime in on this as it's my old bass that I brought over from the States. The Zon boys remember this one as a 'good one' FYI... I had Martin Petersen install an ebony ramp which is very nice if you like that sort of thing. String spacing is 16.5mm and very good for fingerstyle wailing a la Gwizdala etc and chordal stuff. Slap tone is huge and the B is deep and taut. It is a bass that you will have to adapt your style for if you are used to 19mm spacing but it is WORTH IT. You also don't have to hit it so hard to make a good noise if you get what I mean. This is a great bass and I only sold it because I decided to play more db (and I bought a Bravewood ) - that it is for sale surprises me as these things are really prized. They are light, well balanced, have low (buzz free) action and can produce a very wide number of tones. If Barts aren't your thing, change them out as the bass plays itself and is really, really well designed. These basses are what I would describe as 'nervy' - they can underperform if you tweak them badly, but get it right and they are f**king immense. The area where this shines is if you want infinite sustain on chords in the upper register and big punchy lo mids...Todd Johnson had a Sonus tweaked for his stuff but this was the template so if you like that sort of stuff, go for it. Ed Friedland, by the way, just picked a TJ6 up for his jazz stuff. He reviews basses for a living and is very picky... I would have this back like a shot, really...durrr, must check bank account... N Todd Johnson demo here, this is what the bass sounds like... [url="http://www.youtube.com/watch?v=Rjjq-p2_qRM"]http://www.youtube.com/watch?v=Rjjq-p2_qRM[/url]
  17. I miss my XL2! Have another bump from me, these basses are amazing...
  18. In my experience the only bass I've had that took on a seriously overamped bunch of guitarists and a heavy drummer was a stingray. Bass dominance. If I was playing rock I would use a 'Ray. For now I'm in jazzland and my J Bass is sounding amazing... Although loads of rock players use J basses don't they? CB
  19. Scott Colley is a fantastic bassist...love his stuff...
  20. Have you tried the bass with steel wound strings? I've noticed recently that nickelwounds sucked all the tone out of my j basses. I bunged some hard rocking steels on and suddenly everything sounded completely amazing. Mid presence, harmonics, growl etc etc Maybe it's just me but I can't bear nickels at all now.... CB
  21. Could you part-ex your EUB for an acoustic? I would strongly recommend learning to play upright on an acoustic. The EUB is a cool thing but is quite a different instrument to an acoustic bass, especially in terms of developing the technique required to get a good sound out of it. Nick
  22. I've just started seriously playing arco on the Bryant and it really is the most beautiful sounding thing. Playability wise mine is set up at a good balance point for playability and sound projection, medium action. It's very playable but it has enough action to dig in while playing pizz. I did roadtest a huge flatback loaner orchestral bass that Bryant had in the shop before I got my solobass. It was enormous and sounded equally as huge. It was much more of a handful though - the solobass is much smaller and the shoulders are reduced/sloped to give easier access to thumb position. I'll get some good recordings done soon and post a review - there aren't many around and people seem to be very interested in what they sound like compared to simliarly priced basses. I can't imagine ever needing a better (i.e. more expensive) bass, the Bryant has a great sound... CB [quote name='gerryk' post='767979' date='Mar 8 2010, 01:57 PM']Hi Geoff I have a lovely Bryant orchestral model. I can highly recommend these basses. A friend of mine who works with orchestras a lot, as well as swing bands and various other genres put me on to them - he has 2 of them, and other bassists in the orchestras rate the Bryant well above the price - nearer three times in fact! That having been said, I recently brought my bass to a guy in Galway (yeah I know, a bit of a treck for yourself) for repair, and he loaned me a Chinese bass priced at €1800 to use while I waited on mine to be done. The bass blew me away, and I almost decided to buy it for gigging situations where I wouldn't want to put Bryant in the firing line!. He sets them up himself, and really gets every last ounce of quality out of the instrument, with excellent playability that really left the Bryant feeling like a monster after getting used to the silky action on the Chinese one. The Bryant is optimised for arco, with highish action and no adjustable bridge, and to be honest, the bow showed the shortcomings of the Chinese one compared to the Bryant. In any event, I'm really suggesting that you check out some of these cheaper basses, as they can surprise. If you're interested in contacting the luthier I refer to, I can send you on contact info. His name is Tom Barrett, and he only spends 6 months in Ireland before returning to States each year (in may I think). he likes to clear his stock before returning, so you might get a good deal in April... Cheers, and happy hunting, GerryK[/quote]
  23. Just noticed that you mentioned Bryant already...must read posts all the way through before posting His basses are very interesting, primarily because he builds each one from the ground up rather than finishes off parts that he buys in. It's simply amazing that he sells them for such low prices. Very nice guy too - his basses have a lot of character... N [quote name='geoffbassist' post='767025' date='Mar 7 2010, 04:38 PM']Hi nick. Yeh they are great instruments at fantastic prices. I was there last week and tried them. All really great but he's finishing off a nice roundback which I'm hoping to take on trial. I've previously played a Bryant solo and was very impressed. Thanks for your reply cheers geoff :-)[/quote]
  24. I've got a Paul Bryant and it's magnificent. Very punchy, rich and dark tone. Not super loud (mine is the solobass model with a slightly reduced body size. I have played others of his and they sounded huge) but a great sound. They cost a bit (4.5 to 6K?) but it's handmade in England by a single luthier. Lots of orchestral players use them as second basses... I had mine up for sale during a moment of madness but soon thought the better of it...they are veeeery sweet... Check his stuff out here... [url="http://www.bryantbasses.com/"]http://www.bryantbasses.com/[/url] Nick
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