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GrammeFriday

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Everything posted by GrammeFriday

  1. Erm, anyone ever heard of Black Sabbath? Already going before Lemmy joined Hawkwind, and according to their own website (http://www.blacksabbath.com/history.html) "credited with creating heavy metal.”
  2. Tamás bought an Aguilar Tonehammer 500 and two Aguilar SL112s from me. It has been a pleasure and a delight to trade with him - he is extremely friendly, helpful, efficient and flexible, and a fantastic communicator. He also arranged for the gear to be shipped to Hungary - usually I prefer to do this, but he was able to get a much better rate from a Hungarian company called Wondertrans, who did a fast and efficient door-to-door service. So if Tamás offers to organise shipping for you, my advice is ‘go for it!’ Less hassle for you, and less expensive for Tamás! 100% recommendation from me - a man you can trust, and one of life's real Good Guys. I’m really pleased to see this gear go to such a good new home - Tamás is a true Aguilar connoisseur, and a funktastic player too (check him out on YouTube). All the best, Tamás!
  3. Anyone know what the default fingerboard radius is for Elwoods? I know they can do anything you like, but am wondering what they offer as standard.
  4. [quote name='drTStingray' timestamp='1451692862' post='2942624'] Funnily enough I have a photo of my SR5 showing the strings no closer to the edge of the fretboard than your Sandberg (nice looking bass btw). I can't post the photos unfortunately. [/quote] I’m not sure what you are trying to say, here. If you are saying that you have a photo that makes it look like the strings on your SR5 are no closer to the edge of your fretboard than my Sandberg, then I’ve no reason to doubt you. But if you are claiming that your photo proves that the G string on the SR5 (I didn’t complain about the low B ) is no closer to the edge of the fretboard than is the case with other mainstream production basses (of which Sandberg is but one example), then we’re just going to have to agree to disagree. As I understand it, the issue is to do with the neck on the Ray 5, which has much less of a taper from nut to body joint than other 5 string basses do. Apparently this was a deliberate design decision, and needs to be seen in the context of the times - 5 string basses were still a very new proposition back then, and Music Man were worried that prospective buyers might be put off if the SR5 neck were perceived as too wide. Of course, it turns out that they needn’t have worried - plenty of players (me included) actually prefer a slightly wider fretboard in order to achieve the same tolerances (in terms of distance from the edge of the fingerboard and spacing between strings) as they are used to from their experience of playing 4 string basses. So in that sense - and from my POV only - this counts as a design flaw. I realise that it doesn’t bother a lot of players, but it does bother the hell out of me, and that’s what this thread is supposed to be about! Actually, it was through Basschat that I first learned about the ‘Stingray 5 G string too close to edge of fretboard’ issue: [url="http://basschat.co.uk/topic/230632-questions-for-ebmm-stingray-5-owners/"]http://basschat.co.u...ngray-5-owners/[/url] - see in particular the posts by risingson and Dingus. The first thing I thought when I finally got to have a go on one was: ‘Yikes! risingson and Dingus are right - the G really is insanely close to the edge of the fretboard!” I should have listened to their wise words and walked away from it right then, but I was so intoxicated with the glorious sound of the thing that I convinced myself that I would get used to it after a while, so I bought one, fool that I am. There followed a year of tears and tantrums as I tried to get used to it. Sadly, it just irritated me more and more as the weeks and months rolled by, and in the end I had no choice but to flog it, even though I loved everything about it except for that bloody G string.
  5. Sticking to the OP’s question (which was about design flaws in our [i][b]favourite[/b][/i] basses, not about what we consider to be design flaws in basses in general), two immediately spring to mind for me: 1. As others have already noted, pickup placement on the Precision is the wrong way round. It should be nearer the neck under the D and G strings. Solution: [url="http://s1333.photobucket.com/user/grammefriday/media/Sandberg%20VM5/photo_zpslla6q7ik.jpg.html"][/url] Sandberg do ‘reverse P’ placement as standard. 2. The G string on the Stingray 5 is too close to the edge of the fretboard. No, Stingray Fanboys, there is nothing wrong with my technique - it is a design flaw in the bass. Solution: [url="http://s1333.photobucket.com/user/grammefriday/media/Sandberg%20VM5/photo_zpslla6q7ik.jpg.html"][/url] OK, it doesn’t sound exactly like a Ray, but it’s close enough for me, and the G string stays firmly on the fingerboard at all times.
  6. For Sale, this stunning lined fretless MTD 535-24: [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_1_zpsui8txyxq.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_3_zps7w9bf3sd.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_4_zpsyow2iyt6.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_6_zps2a3trk35.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_8_zpss3vmvlll.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_9_zpssgfqg4oq.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_11_zpsjmbjejaj.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_14_zps1xkwab0b.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_22_zpsm62drmhu.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_23_zpseg0lfvpp.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_15_zpsj33t1ukp.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_17_zpsbabaidlt.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_20_zpskihdl8wx.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_19_zpszlhwjgni.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_34_zpswgpxzppt.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_18_zpszwjbumkc.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_31_zpsqnlh4gfb.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/MTD%20535-24%20fretless/mtd53524_335_zpse0cidsp4.jpg.html"][/url] [b]Construction:[/b] Mahogany body with flamed redwood top, maple neck and stripey ebony fingerboard. The headstock matches the top wood and the truss rod cover matches the fingerboard. Two octave fretboard, 35" scale. Truss rod works perfectly, no dead spots anywhere on the neck, perfect string-to-string balance and amazing playability all the way up to the 24th fret. In other words, everything works perfectly and has the solid, precision-engineered feeling that you would expect from a USA MTD. Somewhat heretically for an MTD fanboy, I'm not personally convinced that 'tonewoods' make all that much audible difference to the sound of basses - to me, MTDs sound like MTDs - but what I will say is that this bass is STUNNING to look at. The flamed redwood top in particular is a thing of hallucinatory beauty and wonder. The previous owner described it to me as 'almost holographic', and he's absolutely right. There are two main patterns in the wood - the larger and darker 'tiger stripes', which go from top to bottom (when the bass is in playing position), and the smaller and lighter horizontal stripes that follow the elegant contours of the body. Not only do these two different patterns criss-cross each other in a very aesthetically pleasing way, but they also seem to be lying at different depths in the wood, and shimmer and move when you view the bass from different angles - hence the 'holographic' description. Needless to say, my crappy pictures do it absolutely no justice whatsoever - you need to see it in the flesh to really appreciate how amazing it looks. And yet at the same time this is really not an ostentatious, 'coffee table' bling instrument at all; on the contrary, its looks are actually very subtle and understated, and all the more classy for that, in my opinion. It even gets admiring oohs and aahs from people who normally can't stand natural wood finishes on basses. [b]Electronics:[/b] All original - the classic custom MTD Bartolini soapbars and custom MTD Bartolini 18v preamp with 3-band eq. Controls are volume, pickup pan, treble, mid and bass, all boost/cut, with three way mid-frequency selector switch. USA MTD electronics are famously (some would say notoriously) powerful, but the super-hot output can be tamed by adjusting a trim pot that sits in the electronics cavity - this allows you to adjust the output of the bass so that it exactly matches that of your other bass(es). This will please the FOH guy, who will now not have to frantically adjust your level every time you switch between fretted and fretless basses. [b]Weight/ergonomics:[/b] A very comfortable 4.4kg. Balances perfectly on the strap - no neck dive at all. As with all MTDs, this bass has an asymmetric neck profile, which really is a joy to play - it does wonders for your left hand technique by keeping your thumb naturally on the back without you even noticing. Asymmetric necks should be standard on all basses, IMO! [b]Sound:[/b] Bridge for knockout punch, neck for ultimate mwah and sustain, and both pups for the classic MTD growl. The combination of those huge, outsize soapbar pickups and the bonkers 18v preamp gives you incredible detail and tonal variety. If you have only ever played passive basses or 9v actives before, playing an 18v USA MTD for the first time is a bit like seeing the world in colour after a lifetime of black and white. Despite all this power and variety, you'll find that all the sounds you need are really easy to dial in - I've found that Mr Tobias gives you just the right number of knobs to tweak for his basses to be eminently usable in real life gigging situations, even if you are a bit of a 'set and forget' technophobe. [b]History and condition:[/b] This bass is MTD #1738. It was born in September 2008. (The exact date is given in the letter of authenticity signed by Mr Tobias himself, which will of course be included in the sale.) This bass is a real working instrument and not an exhibition piece, so it inevitably has collected some bumps and signs of wear over the years, but it is still in excellent condition overall, and plays as well and sounds as fantastic as it must have done when it was brand new. I bought it from fellow Basschatter Bossajazz in August 2014, and it has been my sole fretless since then. The small but clearly visible dent in the front that you can see in some of the pictures above was already there when I bought it - the previous owner told me that it was caused by a music stand falling on it! Obviously, this didn't put me off buying it; on the contrary, it made the instrument more appealing me, as it meant that I didn't have to feel nervous about taking it out of its case and actually playing it at gigs. There is a small bump on the headstock, and there is some marking on the fretboard due to the fact that it has been strung for most if not all of its life with roundwound rather than flatwound strings, but this is something you can see more than feel, and certainly does not affect the playability of the instrument in any way. I'm not an expert on fretless fingerboard lifespans but I dare say that this fretboard has decades of playing life left in it, and unless you are very young indeed, and/or a very dedicated fretless player, it will almost certainly outlive you. [b]Strings:[/b] Currently strung with DR Sunbeams 45-130. Mr Tobias puts roundwounds on fretlesses as standard, and I have continued this tradition as it sounds incredible with nickels - harmonics ring for days, and the growl and mwah you get are off the scale. However I have also put flats on it a couple of times and they sound awesome too. [b]Case:[/b] This bass comes with its original and very posh (and heavy!) MTD hard case. Lovely purple lining! [b]Price and shipping costs:[/b] £1750 delivered in the UK, or £1700 collected from my house in South Birmingham. You are very welcome to come and try before you buy. I am also happy to ship internationally; if you are overseas the bass will be £1700 plus the international courier price to your door. Payment via electronic bank transfer or cash on collection, please. [b]Reason for selling:[/b] The worst possible reason - I urgently need to raise money to pay some upcoming bills, hence the very reasonable (for an MTD) asking price. The band in which I played fretless is now on an extended hiatus, so this lovely instrument is not getting played so much nowadays, and is therefore very sadly first in line. [b]"Any trades?"[/b] Although cash is king, I am open to trades, especially part-exchanges involving cash my way. Trade deals involving a TC Electronics RH750 head and/or a TC RS 210 cab would be particularly welcome. [b]More pictures:[/b] [url="http://s1333.photobucket.com/user/grammefriday/library/MTD%20535-24%20fretless"]http://s1333.photobu...5-24%20fretless[/url] [b]More specs:[/b] [url="http://www.mtdguitars.com/specifications/"]http://www.mtdguitar...specifications/[/url] Thanks for looking!
  7. These are incredible cabs. So wish I was doing the kind of gigs that would justify buying this - if I were, I'd be all over it. GLWTS!
  8. I'm an RH750 user but have no idea what a Sansamp type sound is, I'm afraid. And I don't feel that I need to know, either - the RH 750 sounds so good and is so versatile that it makes me a bit incurious about such things, to be honest! Hopefully someone more useful and insightful will be along in a while!
  9. Another happy D'Addario user here - EXL170s on my Sandberg VM5 and EPS170s on my MTD KZ6. Like others above, I have experimented with just about everything under the sun over the years and have found D'Addarios to offer the best overall combination of quality and value for money.
  10. [quote name='LewisK1975' timestamp='1450698618' post='2934905'] Just trying to gather some opinions from RH750 (or RH450, guess it sounds the same??) users... [/quote] ... who also know what a Tecamp PUMA 500 into a SansAmp paradriver sounds like. Hmmm, could be a bit of a long shot, there, but you never know! Good luck!
  11. I had one of these. Sold it, instantly regretted it, bought another one, happy again.
  12. [size=5][b]Aguilar Tonehammer 500 and 2 x Aguilar SL112 cabs[/b][/size] For sale, this super-cool and super-lightweight 500 watt rig: [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th11_zpsooexuvo1.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th2_zpsk4f5qa1p.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th3_zpsemqnvvek.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th4_zpsglmzxua2.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th9_zpsciscxhut.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th5_zpssgq4fin9.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th6_zps8p54d74a.jpg.html"][/url] [url="http://s1333.photobucket.com/user/grammefriday/media/Aguilar%20Tonehammer%20rig/th8_zpslm22mkms.jpg.html"][/url] This gear probably needs no introduction from me. All I’ll say is that it really is amazing how those clever Aguilar people have managed to get such a full, rich, warm and LOUD sound to come out of such a lightweight setup. [b]Tech specs:[/b] Amp specs here: [url="http://www.aguilaramp.com/products_amplifiers_TH500.htm"]http://www.aguilaram...fiers_TH500.htm[/url] Cab specs here: [url="http://www.aguilaramp.com/products_cabinets_SL112.htm"]http://www.aguilaram...inets_SL112.htm[/url] [b]History:[/b] I bought the whole rig new about 6 months ago; very lightly gigged since, and now surplus to requirements. Would love to keep it but cannot justify it and now need to raise funds for other upcoming and incoming stuff. [b]Condition:[/b] Excellent in all respects. One cab has a tiny nick in the covering at the front bottom edge, but it’s really hard to see and could easily be fixed with a little dab of glue. Other than that, no damage at all to report. Essentially, this rig looks, sounds and feels as good as new. [b]Price and collection/delivery options:[/b] This super-cool, super-light and nearly-new rig is up for sale at the bargain price of £1100 collected from Gramme Towers in South Birmingham. You are very welcome to come and try before you buy. I would also be happy to courier via UPS at your expense, although I don’t have the original boxes for any of it so you’d need to wait a day or two while I source some suitable packaging and get a quote sorted out. As for motorway service station meet-ups, I am currently not allowed to drive on doctor’s orders, but will be back behind the wheel again by mid-January 2016. I may even be able to drive and deliver to you in person if you are carless and within a reasonable radius of Birmingham, or anywhere along the M40 corridor between Brum and London - pm me to discuss possibilities. [b]“Will you split it up and sell each component separately?”[/b] For the time being this is up for sale as a complete rig only, but if there are no takers I may eventually consider splitting it up at £400 for the amp and £400 each for the cabs. I will post a message to this sale thread if and when I decide to offer this option, but you are welcome to pm me to discuss possibilities in the meantime. [b]“Why such a low price? Surely there must be a catch somewhere?”[/b] It is certainly true that you are getting a proper bargain here: the cabs alone cost £617.00 each new from GAK, and the same reasonably priced online retailer sells the amp for £621.00, so the whole rig would set you back around £1,855 if you bought it new. However, there’s no catch; everything is in perfect working order and in excellent condition, and if you need the reassurance of a character reference just check out my BC feedback thread (link below). The simple fact is that I urgently need the cash, so this amazing rig is keenly priced for a quick sale. [b]“Any trades?”[/b] Although cash is king, I might be tempted by a straight swap or part-ex for a TC Electronics RH750 head and/or one or two TC RS 210 cabs, if they are in excellent condition, but that’s all - no other trade offers, please. Thanks for looking!
  13. Lovely! I especially like the contrast between the 'straight' rendition of the tune itself on the bass and the synthy washes (done with a POG, maybe?) swirling around it - really nicely done. Season's greetings!
  14. Really good! With headphones on I was transported to a huge indoor venue somewhere in Holland or Belgium, with thousands of ravers going bonkers all around me. Keep it coming!
  15. I’ve just bought a TC RS212 cab from Steve. Arrived exactly on time, in the most secure packaging you can imagine, and in excellent condition exactly as described - in fact, even better than as described in the ad - Steve obviously looks after his gear very well indeed. But all of this only tells half the story. The cab as advertised had been slightly modded by the addition of four rubber feet screwed into the base of the cabinet. When I said that I didn’t want these, Steve was not only patient and obliging enough to unscrew these and take pics to show me how big the holes left behind were (tiny and very neat, as it turned out), but he even offered to fill the holes in and paint them over, which he did, and did a fantastic, meticulous job of it, too - can’t even see where the holes were, now! In fact he was so good about all this that it made me feel somewhat ashamed to have made a fuss about it in the first place! Add to that the fact that Steve was unfailingly friendly and helpful and a great and prompt communicator throughout, and you have the ideal Basschat trader - a hero and a legend, in fact. Steve, I salute you, and hope to have the opportunity to shake your hand and thank you in person one day.
  16. [quote name='operative451' timestamp='1449230023' post='2921734'] It's growing.... [attachment=206576:IMG_20151202_204158.jpg] [/quote] Cool! Does it still go 'whung whung whung', though?
  17. Polytune 2 Mini. Sublime.
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