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molan

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Everything posted by molan

  1. [quote name='Low End Bee' post='525473' date='Jun 26 2009, 10:53 PM']I can't believe it's taken me this long to come up with the reply....[b][i]Hey Lord. Don't ask me questions.[/i][/b][/quote] You 'Silly Thing', just 'Between You And Me', 'That's What They All Say'. . . I'll get me coat & my 'Soul Shoes' on and 'New York Shuffle' outta here
  2. [quote name='rslaing' post='525516' date='Jun 26 2009, 11:44 PM']Hey man, you're selling this far too cheaply![/quote] I guess I've priced it to sell, so hopefully it'll go fairly quickly before I have second thoughts!
  3. I've been going round in circles on this since I bought it from Gwil a few months back. The main reason for selling is that I tend to prefer a more modern bight tone (my favourite basses are US Spectors) and my Overwater J covers this territory already if I want to use a J shaped bass. The Sei has a really nice 'organic' woody tone, some very nice mellow jazzy tones available with the high end rolled off etc. I had been thinking of keeping it for a while longer to let it sink in with me more but got very close to a trade recently for something and have now got it into my head that it needs to go. It's just lovely to play with a low action and a really nice 'silky' feel to it. I've always thought it would be a great first 5 stringer for someone looking for something a bit special because of the 34" scale and 17mm spacing. These two build features along with the beautifully sculpted body and lovely birdseye maple neck make it incredibly easy to play. A fellow BC'er tried it out recently and commented on how well it played and he also thought it would make a great bass for a nearly effortless transition from 4's to 5's or maybe for someone who likes to switch between both fairly regularly. I'm really not sure what the body woods are - looks like a swamp ash body to me but no idea what the nicely grained facing wood is I'm afraid (I have some vague recollection of it being something like tulip or olive wood but I may have just imagined this!). Neck is birdseye maple with what I think is a, very high quality, rosewood board. The birdseye maple carries through to the headstock as well. Pickups are Bartolini J type and the tuners look like Hipshot ultra-lites but aren't branded. Bridge isn't branded either but, again it feels like a quality piece of kit. Gwil had it professionally fitted with a U-Retro deluxe by Martin Petersen at The Gallery which retains the warm woody tone but with a lot of tonal options. Controls now are: Volume/Pickup pan Bass/Treble with addition 'pull' function for high end treble boost Mid/Mid-frequency sweep Vintage tone (this is a really interesting little addition - it's like a passive tone control that works in both active or passive modes to roll off treble) Active/passive switch Another switch that either enables the pickup-pan, or sets a passive equal mix of the pickups There's a tiny hairline crack in the wood facing just above the controls, only visible close up and, to me, just looks like part of the grain. This is cosmetic rather than structural and does not go through to the control cavity. A similar bass would now retail for around £2,200 & the U-Retro would add another £200 or so. I'm always open to potential trade offers. Either for something of equally high quality or maybe a lower priced bass that would be relatively easy to sell on if I needed to E.G. USA Fenders, Musicman etc. Any questions just zap me a PM & I'll do my best to answer them The photos below are all taken in natural light with no enhancements or photo-shopping etc. As is usual with exotic wood facings, I'm not entirely sure these pics do it justice but they give a reasonable idea of what it looks like
  4. Damn, I thought this was THE Graham Parker - along with The Rumour - one of the great live bands of the late '70's Andrew Bodnar on bass - top player
  5. Looks great and I really love the green one with the maple board & block inlays Thinks to self - get that Sei J5 sold!
  6. It aint over til it's over eh? It sounds like an amazing gig - I'd be prepared to keep working at it as it seems the end is in sight anyway & you've put so much time in already
  7. So pleased to hear this Stu - great news on all fronts
  8. I have the 10T - handles small gigs and rehearsals against a live drummer with ease
  9. I've had a quick play on this - it really is very nice indeed
  10. [quote name='Schnozzalee' post='521585' date='Jun 23 2009, 11:47 AM']*Unscrews cavity* Oh ho ho.... thats embarassing, I jus thought the pickups were high output/overwound or something! I've been using the Active Jazz setting A LOT and it hasn't ran out yet! It has a great growl to it, and the slap style is the best i've heard but the passive jazz would be the most realistic to gig with unless its one of those bands where its all about the bassist...Jamiroquai. That battery thing is really weird, thatnks for clearing that up! Its definately the lightest bass I've played, It seemed like it had been setup before, I only took out the buzz on the A string around the 19th fret, by adjusting the saddle and leaving the neck straight. I could get it professionally setup at Cardiff Guitars in september. The frets are barely worn.[/quote] I'm a big fan of seperate battery compartments - At least you know where you stand & thye ping out easily, lol.
  11. [quote name='Schnozzalee' post='521535' date='Jun 23 2009, 11:02 AM']Hi Molan! Yeah its in fab condition, the owner afterwards looked after it brilliantly as well. Do you know how the active passive electronics work? I was looking for a battery input, still puzzles me - but thats not hard. I'm still a lil apprehensive on selling this one because its hard to find a bass for small hands that has that kinda tone.[/quote] I seem to remember the battery clipped into the main control cavity on the rear? I don't remember it ever running out, lol. I used to use the passive 'J' setting a lot so that would really cut down on battery use anyway. I'm pretty sure the three passive settings are true bypass as well so they would all work should the battery fail. There's a fair bit of info on the Philp Kubicki site as well. The neck is really nice & definitely great for smaller hands. I'd say it's quite similar to my '75 Jazz Reissue. I think it only weighs about 7lbs as well Have you had it professionally set up since you picked it up?
  12. Ah, my 'baby' returns - I wondered where it had been hiding out I was the first owner of this after it was reviewed in Guitar mag. Really nice bass, so light and super versatile, great covers band gigging bass as it switches so fast from Jazz to Precision to high definition active sounds at the flick of a switch, even has a bass boost option for soloing. Hope it goes to a nice home
  13. Damn, damn, damn - just when i thought I'd got my spending under control I discovered myself with some cash in my pocket after trading something recently. I was totally planning not to buy anything new for a while and just settle in with what I have and then I spotted this: And I just couldn't resist 2002 Ken Smith BSR5MW in near mint condition, maple body core, walnut top and back, maple neck, morado board. It'll take a couple of weeks to arrive though
  14. I saw them way down the bill at a festival somewhere - I think maybe Reading. They didn't exactl'y go down a storm but I thought they were quite interesting, lol.
  15. Looks amazing Jake - pleased to hear it went well
  16. That really is lovely, Martin makes such nice basses, real attention to detail & final fit and finish is always so good. Sounds brill too
  17. [quote name='voxpop' post='519999' date='Jun 21 2009, 03:34 PM']Fantastic collection. Can I ask what is a fair price for an X Factor. I've seen a white one for sale and was wondering if it is worth a try. Thanks.[/quote] I've seen them selling anywhere between £600 & £900 depending on condition and/or if they were earlier models or not.
  18. [quote name='crez5150' post='520101' date='Jun 21 2009, 04:37 PM']Do they make these in 5 string?[/quote] Key Factor definitely comes in a 5 but I don't think I've ever seen a 'regular' Kubicki in a 5 format. I've hunted around and can't see any 5's - Seems odd though, maybe the 5's are just very rare!
  19. [quote name='Schnozzalee' post='519963' date='Jun 21 2009, 01:17 PM']Thats an amazing collection! Gotta say the Green Fretless is my fave! Do you know anything about the key factors?[/quote] I had a Key Factor for many years - what do you want to know about them? Forgot to say - the green one is lovely, never seen one in that colour before
  20. This looks a lot like Birdy's Spitfire - I know he had it up for sale a while ago but then withdrew it. Probably just one that's very similar though!
  21. Completely forgot - sold my first ever bass which was a really nice little brand new '78 Fender Musicmaster in white in order to buy a bloody Sequential Circuits Pro-One synth in the early '80's so I could get that 'Human League' sound! Not only did I lose a lovely little bass and the instrument I learned my first ever bass lines on but I also stopped playing bass completely for something crazy like 15 years - that has to be my biggest regret ever. . .
  22. Very high up on my list would have to be Jamerson's P, Stanley Clarke's brown Alembic & Chris Squire's Ricky as all of these were massive influences on me, but all of these have already been mentioned. The one I'd just love to have hanging on the wall would have to be Bootsy's original Space Bass and an early Mu-Tron to go with it. Come to think of it - if I can add amps & cabs as well I'd kill to have even a nice replica of Jamerson's naugahyde Kustom tuck 'n' roll head & 2x15 cab, let alone the original
  23. For me the playing with other people is what it's about. My ability is pretty limited (Jakesbass is my witness!) but I love holding down the bass slot in a pretty decent soul / disco band and have have just, sort of, agreed to work with a local band who are just starting out trying to play 'slightly obscure' 80's stuff. One of the great things about the soul band is that I absolutely know I could spend a nice evening down the pub with any one of them individually and my 'audition' with the '80's band consisted of going to the pub and trading ideas & theories of what to play and how we'd arrange things. Don't get me wrong - I have a great time just sitting in my little study trying to learn new stuff & just playing along with whatever's on the radio but I do feel that playing with other musicians is what it's all about really.
  24. '77 sunburst precision sold for £150 because the jack socket was a bit crackly & volume and tone pots very scratchy. Didn't know any better at the time & assumed it would be really complicated/expensive to have these fixed
  25. Hey Sean - I thought the 'wife' always said you would never be allowed to sell this one
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