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molan

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Everything posted by molan

  1. Fabulous! I saw Lee Sklar playing one of these with Judith Owen - very possibly my favourite ever live bass tone!
  2. I keep coming back to look at this - if it was a 4 I’d have bought it immediately! My only worry with a 5 is that it might suck me back into preferring 5s again and I have a LOT of 4’s kicking around 🤦‍♂️
  3. Just seen one of these. New product launched last week and promoted on FaceBook by manufacturer. First question asked - "how much is it in UK I'd really like to know". Time delay for message to filter through to manufacturer and response of £769 takes 30 minutes. Simple Google search reveals it's already discounted to £749 and that 7-8 retailers are taking orders at £769. Time taken to discover this was less that it took the guy to type out his initial question. I'm now watching to see if he asks where it's available. . .
  4. Try manning the phones on a Saturday in a retail shop - the questions you get are often hilarious and you have to try desperately hard not to laugh. To be fair - the opening line of ‘I’ve been on Basschat and. . .’ would often lead to some of worst informed questions of the lot. Usually people who had ‘researched’ things in great detail but hadn’t really played much (or at all) and clearly didn’t know what they were talking about. This was often especially true when it came to gigging gear. People would say a certain feature on an amp or cab was an absolute necessity and if you asked, politely, why, they would come up with some nonsensical or crazily technical reasons that made no sense out in the real world of a gigging musician. I will always remember one guy insisting that the minimum requirement for a pub gig was an 8x10 cab and he wanted to know why we didn’t stock such an ‘everyday’ item. Strangely he didn’t have a gig at the time. . . You just had to smile, remain calm, and try to be as helpful as possible and explain about how something might work on a stage.
  5. Yes, it was built and painted for TM Stevens but he didn’t keep it. Has barely been played and sat on display for over 30 years!
  6. and from the rear. . .
  7. This will be heading my way soon!
  8. 18mm would be Standard on one of these I think.
  9. What’s the neck profile like? There’s a very flat option that I really like
  10. Did it melt the tolex so the rubber feet were stuck to the top?
  11. We have discussed this as it happens but we’re waiting for some court rulings as the big corporations take on EU legislation. We’re a compact little team of industry veterans and only really use it for short sharp chats rather than as main channel for transferring content. Will keep a watching brief on developments though 😉
  12. MarkBass MultiAmp, I checked back and what happened was that he simply left the amp on top of the cab for a longish period of time. The feet of the amp somehow ‘melted’ into the Tolex and the tolex started to lift away when he tried to remove the amp! The MultiAmp isn’t at all heavy and, in my personal experience, doesn’t generate much heat.
  13. Conversely I know a guy who used one on a long gig and the heat from the amp melted the tolex and stuck the rubber feet to the cab 🤦‍♂️ Not a particularly hot amp either and it had no issues on his other, tolex covered, cabs.
  14. It’s mostly going back to my roots Dave - I worked in big studio movie promotion for several years and really enjoyed it. Now working with some of the same people but on purely independently produced and financed films. Way smaller budgets but also without all the politics of big Hollywood studio productions. The biggest bonus is that I can work almost exclusively from home and only have to travel into London about once every 2-3 months instead of every day. We have a very experienced team of people working together and we can short-cut all the time-wasting meetings and ridiculously long conference calls. All our materials sit in a central cloud based storage system and we chat via Skype and WhatsApp Makes it much more relaxing but still fun and, mostly, rewarding as we all deal direct with producers, writers, cast etc - I was most impressed to get Suki Waterhouse asking for my WhatsApp details last week and sending me little messages and requests for help in stuff, lol.
  15. I reckon you need a 33.3” scale Ritter Cora in red next - not least because I have one to sell 🤣
  16. Yes, that’s definitely the one - I remember the initial panic of shipping internally in the UK because it was impossible at the time to get anyone to cover the full insurance value! Lovely bass. I was going to keep it personally at first but then a full custom Yin Yang became available so I took that instead. With hindsight I think I preferred this one. May have to stick a Ritter or vintage Fender up for sale now, lol.
  17. Hi all, the business is technically still ‘active’ but the web site needed a complete overhaul and I simply haven’t had time to complete it. Unfortunately/fortunately my private marketing consultancy business has really taken off and I can earn more from this in 2-3 days than bass retail can generate in a month! I’ve been mostly working in movie marketing for about 18 months with a good friend who’s a producer and we have 10 films out this year. Current project is working on one with a Biffy Clyro soundtrack so that’s been a lot of fun. I have maybe 25-30 basses stashed away to relaunch with including Ritter, Fodera, Alleva Coppolo, Atelier Z, Suhr and a string of vintage Fenders and some JVs as well. Just need to find some time to get them all photographed and the site finished. . .
  18. I’ll need to check my records but I think this may be one of the first Foderas we imported at BassGear. It certainly looks the same topwood but it was signed by Vic originally I’m back home in a couple of days so can look more then. The certified pre-owned service was a complete review of all parts. Not everything would be replaced if it was still current but anything new (like the preamp) would have been swapped out and the slightest tarnish or mark on hardware would mean that would be replaced too. Thoroughly cleaned and then set up as new, usually by Vinnie or Joey back in those days The attaches pic is from June 2010 so timing seems about right. If it is the same one I think it went over to Scandinavia from us.
  19. I love Bo’s playing, fantastic technique and feel!
  20. Looks great. My favourite colour for a classic looking P. With a choice of guards, some expensive flats (that won’t need replacing for about 30 years!) and a spare set of DR’s, I’d think this won’t hang around long
  21. The original Signature P is a full CS model in gold sparkle and a production run of just 60. After that came this green one I think and this is a current production ‘unlimited’ build number. More recently were a pair of purple sparkle ones in both J & P configuration. This was another limited edition run of around 500. Not sure if that was 500 of each or in total. I remember that only about 12 of each were originally supposed to come to the UK. The Sherwood Green is probably the most ‘giggable’ of the lot as it’s not as showy as the others - mind you, I gig my gold one quite regularly!
  22. These are great cabs. I don't think Bag End make a bad product!
  23. Came out a couple of years before the Dee Dee (which is why I wondered if the signature model was based on the regular one). Olympic white, black guard, maple board, C profile neck, standard MIM pickups etc. Board had black blocks though which always put me off - remedied on the Dee Dee
  24. Perfect, thanks for that!
  25. So does that mean it is different from a standard Mexican 70’s P? I don’t have one of those so wouldn’t be able to compare.
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