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lowregisterhead

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Everything posted by lowregisterhead

  1. No, standard strings only on this one.
  2. NOW SOLD PENDING PAYMENT For sale is my very rare Status Kingbass MkII Artist, with a Walnut body, and a beautiful Quilt Maple top. I bought it on here last year, and the original owner had clearly hardly played it - it's in near new condition, with no chips, marks or dings anywhere that I can see. It has a 303 18v 3-band board with 3-position mid switch, J-type pickups, 18mm string spacing, and 34" scale. It only weighs 4.1kg, and feels even lighter on the shoulder. Currently fitted with D'Addario 40-125 nickels with a nice low action. A non-branded Hiscox Liteflite case is included, also in excellent condition. £2000 firm. Sorry, but I'm not looking for any trades.
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  3. NOW SOLD Up for sale is my SKC Bogart Sport 5-string headless. I bought it on here early last year, and after using it on a string of festivals over the summer, liked it so much I had another one custom made for me by Stefan, and unfortunately I just can't justify keeping both. It's in excellent condition, with no marks, chips or dings. These are seriously good basses, with great consistency and tonal range. It's currently fitted with D'Addario 40-125 nickels with a nice low action. Being headless, it sits on the knee or a strap beautifully, and at 3.4kg you hardly know you're wearing it. Here are the specs: 34" scale, zero fret Rosewood fingerboard Blackstone body in off-white satin finish Carbon graphite satin finish woven neck Bartolini J/MM pickups with single coil/parallel tap switch on bridge pickup Noll TCM3 3-band preamp with active/passive push/pull on volume pot.
  4. I'll try and get some sound samples or a video uploaded this week.
  5. It is indeed. PM me if you want to chat.
  6. They definitely were, and still are, great musicians. The drummer moved to the States and produced several big name bands. The bass player went on to work with several name acts, and now plays with a couple of jazz outfits in Scotland.
  7. Not that I'm aware of, but it was a long time ago! I think it's best to preserve their anonymity in any case, to spare their blushes...
  8. I know the bass player and drummer who did the session on that record. Time was short, the client didn't have a second track ready, so the producer offered the band either a straight session fee, or they could sling together something themselves to put on as a B side, and take a chance on getting a royalty payment out of it instead. Not surprisingly, they took the fee. BIG mistake. True story.
  9. 4 x glass framed original Musicman ads, clipped from Guitar Player magazine of the era, not copies. In excellent condition, not least because they've been in a drawer for years, not on display. I'd prefer not to split them up, but you can always make me an offer for an individual frame. Price includes shipping within the UK. NOW SOLD
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  10. I don't appear to have mentioned anything about that in the description - why not make me an offer? I might say yes! 🙂
  11. Anything can happen in the next half hour! Looks like I'm about 4 days late though...
  12. That is interesting! I'm surprised the seller didn't seem to be aware of its vintage. It might have gone for more.
  13. 'B&M' is etched on the whammy bar. Barnes & Mullins?
  14. There's another on eBay too - a 1976 example, but predictably with the bottom of the headstock missing! It's also over a grand. It was the bass I lusted over as a teenager in the late 70's but could never afford. I finally got one when the re-issue came out, though. It hangs on the wall to remind me that I'm getting old... https://www.ebay.co.uk/itm/Vintage-1976-Ibanez-Black-Eagle-Bass-Guitar-Nirvana/254281881355
  15. https://www.ebay.co.uk/itm/ELECTRIC-GUITAR-PROJECT/254447037865
  16. The neck is certainly from a Black Eagle... the slot in the headstock has been filled in and re-shaped. Why oh why??
  17. That's interesting, but even if there were genuine legal grounds, it would make absolutely no difference in the real world. People want what they want. Over the many years I've been playing I've been 'discriminated against' on the basis of looks, fashion sense, taste in music, hair length, age, skin colour, and instrument choice, to name just a few. But it was ever thus, and shows no signs of change, in fact in terms of undercutting on price, it's been getting much worse over the last few years. Not a profession for the faint hearted!
  18. It's 17mm spacing at the bridge.
  19. Yes, I think that's very likely. It sounds great, whatever it is!
  20. Not sure, I had a look on the back, but there are no markings. I had another 55-76 a few years ago, and it had the same. I imagine the exposed pole pieces were to mimic the Stingray look, and possibly get a more similar tone. A Bartolini wouldn't have the same bark, IMO.
  21. What about birthdays, anniversaries, Easter and Thanksgiving?!? :-)
  22. NOW SOLD I'm offering for sale my very rare Lakland 55-76 Deluxe. This bass is the holy grail for Stingray fans who would like a wider string spacing and 35" scale. It has a Teal burst finish over a flame maple top, maple neck with ebony fingerboard, and 19mm spacing at the bridge, with thru-body or bridge stringing. It also has a removable Stingray-style see-thru scratchplate. Weight is 4.3kg. I bought it a while back from a guy in the Netherlands as a fretless, and had it fretted by a very skilled luthier who has the distinction of having re-fretted some of Peter Green's guitars, so I knew it was in pretty safe hands. The result was astonishing - the ebony board has such a sheen on it you can literally see your face in it. Not surprisingly, it also plays beautifully, and has that big, fat Stingray sound in spades, with the legendary Lakland B string. The oddity about this particular bass is that it has no serial number - the assumption is that it was made very early on, perhaps even the first or prototype of the model. This would place its date of manufacture at somewhere in the mid-90's, when Lakland was still in its infancy. Although it will certainly be US made, it also doesn't have the usual 'Made in the USA' stamp on the back of the neck, giving more credence to its early manufacture date. The tuners are Hipshot in design, but with no markings. (I have a Lakland 55-94 whose serial number dates it to 1998 that also doesn't have the USA neck stamp, and has the same style of tuners.) It's in excellent condition for a 20+ year old bass. There's a small crack in the lacquer next to the neck pocket, and a couple of tiny dings on the body that I've tried to show in the photographs, but otherwise it's in extremely good shape. Now we come to the colour. I've tried photographing it with three different cameras, but it always comes out more blue than it appears to the naked eye - in reality it's closer to a Teal Green. Any interested parties are very welcome to pay me a visit to have a closer look at it. Social distancing will be observed, obviously. I'm near Woking in Surrey, a few minutes from junction 10 of the M25. The pickup is wired to a 3-way coil tap switch (parallel, single coil, series switching) with a Bartolini NTMB-L918 3-band preamp with a push/pull volume pot for active/passive switching. I fitted the chrome knobs, but the original black rubberised ones are also included. The bass comes complete with a Hiscox Liteflite case. I believe that you can still get this model from Lakland as a special order, but with the build cost, deluxe burst finish, ebony fingerboard, Bartolini electronics, custom pickup, shipping and import duty, it would take several months and you wouldn't get much change out of five grand. Also (and I say this as a huge Lakland fan) in my opinion the older ones are just better made. Taking all that into consideration, the price I'm now asking is a steal. Payment by cash on collection or bank transfer/Transferwise. Sorry, but I'm only looking for a straight sale, so no trade offers please.
  23. For sale is a Steinberger Spirit XT-25 fretless. I bought this on eBay a while ago, a bit of a spur-of-the-moment purchase. It's actually a really playable bass with a great range of tones, but I slightly overestimated my abilities on fretless, so it hasn't had a great deal of use! I know they say you should persevere with these things, but I'm getting old and cantankerous, and I'm looking for the path of least resistance these days... I can't seem to find a new fretless version of this bass online, and it's not listed on Steinberger's website as a option, so the fretless fingerboard must have been added later. If so, whoever did the work made a very nice job of it. The neck-edge dots are on the fret positions. It's in good used condition (see photos) with a lovely rosewood fingerboard, and everything works. It plays beautifully, and sounds great. Comes complete with its gig bag. NOW SOLD.
  24. NOW SOLD For sale is my MTD Kingston Super 5, bought new from Bass Direct for £949 about 18 months ago. It has huge amounts of tonal range from twin MM-style pickups with dual 3-way coil tap switches and 3-band eq. It had a shade of neck-dive due to the tuners it came fitted with, so I upgraded them to USA Hipshot Ultralites (£125 for the set) and now it sits on a strap or the knee beautifully. The original tuners are also included in the sale. It's 35" scale, 19mm string spacing at the bridge, with a great low B. Satin Black finish, Laurel fingerboard. There's a bit of finger swirl in the finish below the strings, but otherwise it's in excellent condition. Here's a link to the specs: http://www.bassdirect.co.uk/bass_guitar_specialists/MTD_Super_5_Black_maple.html
  25. NOW SOLD For sale is a rare Parker Fly 5. I bought this on a bit of a whim last year, but I'm finding the string spacing is a bit tight for my gorilla mitts, so it's not getting the use it deserves. A huge tonal range from magnetic and piezo pickups, specs are below. A few small dinks, shown in the photos, but in very good overall condition. Specs: Sitka Spruce laminated body with Quilted Maple front and back, the neck is Mahogany wrapped in carbon fibre, the headstock is Curly Maple. The fretboard is glass and carbon fibre with stainless steel frets. Fretboard radius 10"-15", 34" scale. 24 medium size, hardened stainless steel frets, lightweight aluminum locking Sperzel® tuners. GraphTech® nut, width: 1.8". Mono-Rail II bridge with individual Fishman piezo pickups, gain of each adjustable from within the control cavity. 17mm string spacing at the bridge. 2 Custom DiMarzio Ultra Jazz™ hum-cancelling pickups with active Fishman EQ. Controls are: master volume, magnetic pickup volume, magnetic pickup pan, stacked magnetic active 2 band EQ, stacked piezo tone and volume.
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