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burno70

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Everything posted by burno70

  1. The TAFM is easily the best sounding fuzz I've tried but I still had an issue with volume on it. I've settled on a SFX micro fuzz. as it actually has a volume knob that works. Would love to try a Tall Font Russian - and buy back my original B:assmaster!
  2. Will someone please by Gaz's Carbon Copy. It's a steal at that price for a really great pedal. I've had one before and reqret selling it but can't afford this right now - and if it sells I'll stop thinking bout it! Thanks.
  3. burno70

    Pitchfactor

    I still haven't managed to front the funds to buy one of these yet I've been making do with my trusty Whammy IV, which is still a brill pedal to be fair. Might even go for the new Bass Whammy which seems to be on the horizon - we'll see.
  4. 'Come on Baby squirt some gravy.' Nobody does lyrics like that anymore! Love all the albums and the way they evolved. Pink cigarette is an alltime fave of mine.
  5. I got my LB30 in a deal with a VS15 - sounds amazing. If the drop down is anything like this I doubt you'll be disappointed. Probably the best tone I've ever made.
  6. I've had my Super 12 T about 2 years now. I love the sound it makes and the weight of it. The top handle has started to fray over the last 6 months or so but I'm not unduly bothered. It ticks too many of the right boxes for me to worry about the handle although I can understand, with the cost of these cabs, why other punters might have reservations. I actually like the look of these cabs, the metal grill and the much maligned coating, although I do think that Berg near the start of the thread looked totally awesome too. I live 3 floors up in a small block of flats with no lift. When I get back from a gig at 1am and have to carry my gear up those stairs, the weight - and the wait, is worth it, believe me!
  7. I had very similar issues and have gone through loads of fuzzes in the last 5 years. The issue I had was, with my active Shuker bass, most of the fuzzes I tried were either way too noisy (usually the muff bass ones) and this couldn't be resolved even with an ISP Decimator, or the volume knob's were completely unusable - I would have to set them incredibly low and if the volume pot moved a hair the increase in volume was crazy which meant I was never comfortable using them live. Recently found a solution and now use a Silent Fly Micro Fuzz. The first fuzz I've ever owned with a usable volume pot! It's based on a Tonebender I think and has a Pad built in which helps with active basses. This is by no means the best fuzz I've used - that would be the TAFM, but this is the only Fuzz that I can use on a practicle level - and it does sound great and I'm really, really, happy with it. Other fuzzes I've tried that didn't get on with my bass, (that I can remember): Swollen Pickle, Musket Fuzz, TAFM, Maleko B:Assmaster, EXH Big Muff, Iron Ether Oxide and a pickle pie B (that I can remember).
  8. Never heard of them but it does look the biz, presumably a Wooly Mammoth clone, but for that price, you'd have to wonder what was under the hood. Then again, for that price it maybe worth a punt?
  9. burno70

    Pitchfactor

    [quote name='pantherairsoft' timestamp='1371420822' post='2113817'] I don't use an Aux switch. It will allow you to access extra features that normally require additional presses etc (like getting to the tuner on one press and scrolling up & down in bank mode - without it you scroll up only, but as I only use 4 or 5 banks thats not an issue). It's not essential though! [/quote] Ace - thanks for the clarification!
  10. burno70

    Pitchfactor

    [quote name='Dapper Bandit' timestamp='1371130233' post='2110188'] The thing with the Pitchfactor is you HAVE to get the bits to go with it. Expression pedal and auxiliary switches are a MUST. The Digitech aux switch box does the job and is proper cheap on places like Amazon and Thomann, I've got mine set to cycle up & down banks and the third switch is dedicated to activating the tuner. One stomp to tune, another to get back to effects. You can even set the tuner so it either mutes your signal or allows it to pass through. This is the best pitch related pedal ever and it rendered my tuner obsolete! [/quote] I haven't kept up with this post - thanks for the reply. Questions though, So do you use this pedal live and use the Pitchfactor tuner - any issues? I could get the pedal sooner if I sell my tuner Also, the auxiliary switch. I didn't realise that I'd need one. Looking at it though, I would have assumed you could use the Pitchfactor itself to move up and down the banks - or am I missing the point?
  11. burno70

    Pitchfactor

    Thanks for the lowdown mate, it sounds so perfect for my needs. Need to save and off a few pedals then it will be mine - oh yes!
  12. burno70

    Pitchfactor

    Thanks Shep. I think the thing I like about the OC2 is that it has a fat, synthy tone to it. If I can get something big, albeit not the same, from the Pitchfactor then that would be fine. The not super quick tuner is a little problematic though. I regularly tune up and down during a set so I need something decent. Might have to be patient and save a little longer before I take the plunge.
  13. burno70

    Pitchfactor

    [quote name='Sibob' timestamp='1370874562' post='2106682'] Pantherairsoft swears by his Pitchfactor, loves it! However, he often still uses it with an OC-2 and a tuner. I'm sure he'll be along soon to comment Si [/quote] I know I've seen his - and other pedalboards with these pedals on. It would probably be a deal breaker for me if I had to keep them, as it's sooo expensive.
  14. burno70

    Pitchfactor

    I'm thinking of getting one but would need to sell off a few of my other pedals first. Before I offload my polytuner and OC2 can anyone who has one advise whether the tuner is any good. Also, am I likely to miss the mojo of the OC2 or can it get a similarish tone if used as a simple 1 down octaver? ta.
  15. Hey thanks Alex - looks like I completely misunderstood our conversation Still loving the cab by the way!
  16. I posted this in another thread but thought I'd make a new one to gain more responses. When I bought my super 12 I asked Alex for advise re a new amp. Now, I think I can remember him saying class D's would work best - and that all valve amps would not be suitable for some reason. Although this was about 2 years ago so I could very well be mistaken. I'd rather not bother Alex directly as we all know he's a busy man and there are plenty of people waiting for his cabs. So, does anyone use an all valve amp with this cab? Is there any reason not to? I bought an Ashdown Little Bastard the other day and would like to try it with the super 12 - could this harm either cab or head? Ta..
  17. [quote name='Mr. Foxen' timestamp='1370607487' post='2103351'] Mine sounds mint with my Super 15. [/quote] Got the Little Bastard today - brilliant, brilliant amp, genuinely blown away by it. Got band praccy tomorrow and dying to try it with the super 12T but I remember speaking with Alex about amp recommendations and I thought he said a full valve amp wouldn't work well with the cab - unless I'm completely mistaken as this was over a year ago. Any thoughts as to why this might be? Would there be any danger of harming either amp or cab? (Sorry to the OP for the derail)
  18. I've tried a couple of Ashdown combo's at gigs over the years and had mixed thoughts. One was really nice, the other was definately muddy and no EQ tweaking seemed to resolve it. However, I tried a Little Bastard out the other day and just had to buy one - it sounded fecking superb. Cannot wait til tomorrow, when it arrives - feel like a kid at Christmas! Wonder what it would be like with my Super 12T?
  19. burno70

    Byo

    Byron just bought a TAFM from me. Fast payment. Great comms. Is an easy guy to deal with. Cheers mate Ste
  20. burno70

    ryan0583

    Ryan bought my Meatwad pedal. Fast payment, no probs at all. Would buy from again. Cheers dude Ste
  21. I'm waiting to confirm payment first.
  22. It's the gated one. £90 Includes postage, 1st class. recorded. I'm pretty sure it's this one which I bought from here last year. [url="http://basschat.co.uk/topic/182316-sold-ssbs-tafm-wgate-sold/page__p__1749646__hl__tafm__fromsearch__1#entry1749646"]http://basschat.co.u..._1#entry1749646[/url] Cheers
  23. Many questions and some excellent points - cheers for that. To be honest, I think if it were not so expensive, as we, like most unsigned bands, are self-funded, then it simply would not be that big a deal. I've recorded many times, sometimes used a click-track, sometimes not. Personally, I've always left it down to the drummer's preference. As this recording is so important to us, we really want to get it right and thought using a click track may be best, we hadn't realised that there were changes in tempo and it caught us by surprise. Chatting with the band at rehearsal tonight and I think we're going to play be feel instead, just like we always do - so fingers crossed! Hopefully we won't balls it up and I'll have something half decent to post on this forum!
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