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Kiwi

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Everything posted by Kiwi

  1. Ped's asked him what his game is and his rights to post on this forum have been restricted, subject to mods authorisation in the meantime by me. F***ing spammers and their link baiting.
  2. Alembic offer a filter per pickup on their Series basses. I have a vague feeling some of the more exotic BC Riches might have had an eq per pickup as well.
  3. [quote name='Nick Brown' post='421197' date='Feb 27 2009, 06:19 PM']Because he bought them ?? [/quote] You'd think so but the world of endorsements is a murky one...
  4. Last gig with my band Hulagroove tonight for me and the drummer. We played Waddestone Manor - very nice venue. Good crowd too, slighly posh but they enjoyed themselves without getting absolutely hammered. The food was an endless supply of BBQ kebabs of various kinds. Blimey, I must have put away about 12 of them, most of which were vege. I took the Shuker Headless for a test drive and had mixed results. I can hear the potential of the bass, its going to sound f***ing fantastic if/when it starts relaxing. However at the moment it was tight, a bit boomy and lacking in upper mids. However what surprised me was that, depending on the eq, I was hearing elements of Smith, Status and Musicman in the sounds I was getting (and loads of really soft sounding growl). In some respects the bass sounded too soft and polite. Standing away from the speaker I was getting lots of lows (ironic given my comments on the lack of warmth at lower volumes in the build diary) and some snap but still not a lot of mids (which had to be boosted). I also had a few issues with the neck width and I might have to see if Jon can narrow the nut width down too. However when I dialled in some mids there was loads of growl. Awesome. I really started to lament the lack of speaker cones pointing at my head. Might have to use my spare time now planning a couple of DIY speaker builds perhaps...
  5. Adam Claypool?
  6. My Celinder Classic P is pretty awesome too but there's loads out there to choose from.
  7. See the Celinder for sale thread for the background to this sale. This bass was one of the Sound Control bargains. I know that the price these things are being sold on at has totally undermined the value of used Spectors in the UK but there we go. This bass has been my main gigging instrument since I sold on the Smiths. Nice chunky neck with relatively close string spacing, oodles of midrange mean its always easy to hear yourself in the mix. The bass has an all maple neck and the classic alder/walnut/exotic top sandwiched body wings. Six stringed Euros are uncommon, euro's with this kind of spalted maple top even more so. I like this bass more than I liked my Smith 6 for versatility. At the moment it has a John East U Retro with the same frequency settings as the MM pre plus mid sweep. Handy bit of kit but I might end up replacing it with the original preamp if there's insufficient interest, and sell the u-retro separately (or keep it for the forseeable.) Offers please? I've had a trade offer on a Spector NS5CR but I'd prefer cash if possible.
  8. Thanks chaps, I appreciate the sentiments. Man the life boats. Women and bass players first.
  9. Now two offers at £1500.
  10. [quote name='NJE' post='420997' date='Feb 27 2009, 03:21 PM']and Paul Turner plays one so thats me convinced![/quote] Yeah but you might also want to ask WHY is Paul Turner playing one?
  11. [quote name='GreeneKing' post='421001' date='Feb 27 2009, 03:24 PM']Sorry to hear your news CK. Maybe its not all bad if you won't have to live in Peterborough any more? Peter[/quote] LOL well my time in Peterborough hasn't been all that bad although I've been told that when it is bad it's vicious. Maybe I've been a little insulated. Its certainly cheaper as a bolt hole than London while I see how my future pans out.
  12. [quote name='thisnameistaken' post='420956' date='Feb 27 2009, 02:44 PM']Ooh is this the Basschat banner bass?[/quote] Yes it is! Si: NZ is one option along with Hong Kong, Qatar and Oman. Its a complete bastard because I potentially have a very sweet number set up in London when the property market picks up, but there's no telling whether that will happen in 18 months or 3 years. In the meantime, it seems a case of manning the lifeboats and everyone for themselves. I'm just thankful my skills are good overseas currency. God knows what position I'd be in if I'd spent the whole of my career in the UK.
  13. Thanks chaps, its yet another kick in the guts after a hellish 12 months but we're trying not to get too cynical about it.
  14. I got made redundant for the third time in 12 months today so it seems like I'm probably going to be leaving the UK if I want to escape the shadow of job insecurity. Besides which I potentially face a rental bill for 6 months minimum term. So. Further slimming down of the gear collection is going to happen in anticipation of emigration. Starting with this: You know it as a stunningly capable instrument with a rock solid neck, capable of persuasive Marcus Miller impersonations. The bass has Fralin single coil pickups, an Aguilar OBP-1 preamp and is capable of passive operation at the pull of the bridge volume pot. The serial is 9804130 Sound clips are embedded [url="http://www.freewebs.com/crazykiwi_bass/celinderupdate4.htm"]here.[/url] I've already had an offer of £1500 for it so I'm seeing what other interest there is. If it doesn't sell here, it will go on consignment through the Bass Gallery.
  15. [quote]I was about to ask you how you where getting on with the Delanos mate, sorry to hear they\'re not quite your thing Jon's pre is pretty transparent when set flat, so getting the pickups right should be your first point of call.[/quote] I think they'd work well in a warmer bass but the maple Jon uses is super dense and the neck is super rigid. I can hear the bass unamplified and there's not a lot of difference between it and other basses so I think the pickups are probably the place to start. [quote]Maybe some custom made pickups by the Wizard might be the way to go, I reckon some overwound Jazz style pickups would match up very nicely with the pre.[/quote] I do like the sound of parallel wired coils in humbuckers though. Originally Jon and I discussed quad coil SBCs to allow me to switch between single coil and humbucker because the single coil mode sounded pretty good on the neck pickup. I went for SBC's because the Delano site claimed the following: [i]The DELANO SBC6 HE/S-4 is a no compromise, strictly highend quad-coil humbucking pickup, that offers you great, classy sixstring bass tone throughout the entire range of your instrument and beyond. We were pretty happy with the performance of our standard SBC6 HE/S, but we wanted to integrate the option of an additional single coil style string sensing pattern, with no hum, off course. But what you get is far more. When properly positioned, you can get for example two different JB type™ (60ies or 70ies)single coil voicings out of the very same SBC6 HE/S-4 bridge pickup, on top of our dead-on humbucker sound. Can you imagine what a pair of DELANOs might do for your tone?[/i] [quote]I think the 18V option does make a difference too though. With my six string, I just solo the front pickup, notch the bass up a bit, and back the treble off slightly and it sounds huge! That is with EMG DC's though... Newtone will definitely be able to hook you up with anything you want string-wise too.[/quote] I\'d agree about the 18v and I could hear the difference quite clearly myself. If a third battery is installed, Jon just has to find somewhere else to put the battery powering the neck LED's! Newtone seem to be a very special and small scale operation offering some eye opening bespoke options. Custom strings for less than Elixirs or DRs!! [quote]That's a shame CK. Pickups are difficult things, you just can't tell what they're going to be like until they're in the bass. And with a custom job that makes things a tad irritating. Perhaps speak to Delano about what you're looking for and see if they have any suggestions?[/quote] Well yeah but its probably unreasonable to expect everything to be perfect first time on a custom instrument and part of the price of going custom is about the service. Especially when Jon's operating outside his comfort zone. I'm sure Jon will talk to Delano but the limitation is that we can't use different pickup covers now the routing has been done. [quote]Do you have series/parallel/single coil possibilities for these? My apologies if you've already mentioned this. I just find that the parallel setting on my Kent Armstrongs when both set to centre have a really Ken Smith-esque scoop to the sound, which is nice, but the series setting sits soooo much better in the mix without any eqing. Maybe look at that?[/quote] Absolutely, this was one of the things I discussed with Jon on a number of occasions but the quad coils weren't fitted to the bass in the end. Jon seemed a little confused by the quad coil thing as I think he wasn't clear on the difference between the pickups he'd fitted (which have 2 pairs of coils in each side of the humbucker) and the quad coil SBC. Make no mistake, I think the bass definitely has potential in terms of the midrange and treble response but it just needs more guts in the lows and lower mids. I'm after that Smith-ness.
  16. [quote name='LukeFRC' post='420520' date='Feb 26 2009, 11:53 PM']recycle old tudor furniture as basses, anything prewar really will have been better seasoned.... double bass, violin, accoustic guitar yeah i can see its worth it but otherwise it baffels me. having said that I bet they are lovely things to play.[/quote] Or 32,000 year old reclaimed cypress? Or 35,000 year old reclaimed swamp kauri that my parents have a complete dining room set made from? How old is old enough?
  17. [quote name='Leowasright' post='420359' date='Feb 26 2009, 08:16 PM']A Cliff Williams MM Stingray!!!!! Of course, in tobacco sunburst and maple neck/board. Or Fender could replicate his approx. '62 sunburst Precision with repaired scratchplate (the controls and jack are on an added metal plate). I wish he could have a Jazz, but I've only seen him with one once in footage from about 1981.[/quote] I sold one of his basses through The Gallery recently. It wasn't a Stingray though.
  18. OK update. Now the post-coital glow has subsided, I've decided that even though the bass might have a little settling in to do, I'm not all that happy with the sound of the Delano SBC's. I'm not saying there's anything necessarily wrong with them but I wanted warm pickups and these babies just aren't delivering. The bass doesn't sound solid enough to me. In fact the only time I've had a satisfactory sound out of the pickups is when I've recentred the mid sweep as low as possible and boosted both the mids and bass to the maximum on the bass. Then it started to sound quite nice. I've spoken to Jon about it and discussed the possibility of Andy at Wizard rewinding the neck pickup to give the bass more oomph. There's also too much mid scoop in the sound when both pickups are on (perhaps because the pickups are so similar in voicing) so I'm hoping that tweaking the neck pickup might reduce the scoopy character a little more. I'm also aware that the Shuker preamp is only being fed by 9v at the moment, because Jon didn't have enough space to put the other 9v battery. Normally I might feel a bit guilty about being demanding but after waiting this long for it, I feel like I have a right to satisfaction. Jon said he's going to talk to both Wizard and also to Newtone about some custom PSD strings for the bass while we wait for the piezo saddles to be redesigned with larger transducers so better string contact is possible.
  19. I just measured the scale on this thing tonight. 35.5"! Half an inch extra free of charge.
  20. the Ampeg probably won't pack the same punch as the Hartke, its a different beast altogether. I'm not going to make a recommendation though, you should really get out there and try stuff. Tag along to the next Bass Bash in Bristol.
  21. [quote name='fusionbassist1' post='420284' date='Feb 26 2009, 06:20 PM']So first port of call should be to ring Wizards themselves to see what they suggest?[/quote] Definitely. I can't speak highly enough of him.
  22. [quote name='LukeFRC' post='420273' date='Feb 26 2009, 06:12 PM']thats what I did! honestly whats the point? I couldn't make the prices bit open but I bet it was a good deal more than I spent on my JV. I have worked with wood a lot and honestly get what they are saying about using properly seasoned wood, but really on an electronic instrument does it make that much difference? The only massive difference in feel between my JV and these are real lacquer rather than poly, but thats not really going to change the world is it. It strikes me the ethos of production of these is quite differnt to Leo making planks with strings on in the 1950's...[/quote] Oh I think it does make some difference but its important to see through the smoke and mirrors. Anyone who thinks old wood is key to what they want should weigh up their options and make a choice. Its also possible to source (albeit rarely because its usually so bloody wormy) salvaged wood from architectural recycling yards and take it to a luthier such as Mr Shuker to have it made into a bass. Will that deliver The Sound? Hmmmmmm caveat emptor, silk purses and sow's ears etc. The best thing about old wood is that its been in a bass for a long time. The wood is used to string tension and the fingerboard can be shaped at each refret to take into account any variations in how the neck wood has seasoned. Being looked after and well maintained is what makes older basses so good - just like any car.
  23. [quote name='wateroftyne' post='420271' date='Feb 26 2009, 06:09 PM']Sounds to me like a set of flats is required. failing that, ask Andy to overwind your current pups. More mids, less sizzle.[/quote] +1 Andy is one of the most accommodating suppliers I know. Definitely talk to him first, he really is a a wizard with pickups. If it can be done, he will know of a way to do it. He might even suggest under winding the pickup to increase the lows by reducing the impedance.
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