Kiwi

If you have a dremel or similar multitool they can often make short work of sanding the finish off the inside of the control holes and pickup routs.

?

The truss rod probably needs to be tightened to introduce a little extra curve into the neck.

[quote name='Bassman68' post='765548' date='Mar 5 2010, 07:54 PM']Yeah, go on...I'll hold my hand up too! Either Monkey business in Romford or The bass centre in Wapping (when they were still upstairs). Reckon they'll be asking what shoes we gazed at? in 20 years, either that or what Wooten lick we ripped off![/quote] I suspect it might be more of the jazz based widdly stuff. Basschat 2030...[i]"Were you a widdler?"[/i]

[quote name='josh3184' post='765454' date='Mar 5 2010, 07:17 PM'][/quote] LOL I've been searching for a photo like that for years!

Hell yes, people liked listening to it when I did it in the 80's. In the 90's it was a bit ho hum and now I don't do it much at all, but slapping is still a good way of finding out what the bass can deliver in terms of attack and frequency response. I stand unashamed. In twenty years time what questions will be asked of how we play now?

[quote name='The Bass Doc' post='764807' date='Mar 5 2010, 10:55 AM']There's such an abundance of this I've had to get a left-handed mouse.[/quote] Aren't you left handed?

[i]Stay on Basschat or the kitteh gets it.[/i]

probably overkill, not sure what benefits freezing the tubes offer on a stage when competing against a marshall stack and a wall of cymbals.

Too powerful for me. I need 650w at 4 ohms max.

If your amp is fixed bias like most Mesa's, you'll need to get tubes that are firstly all matched and secondly are matched at an acceptable rating for your amp. An amp tech can advise and Watford can supply.

Its an issue I had with my RB700 combo. GK will replace the wheels but won't guarantee the same thing won't happen again. I think someone made a booboo when it came to the rubber vulcanisation of those wheels.

I sent them an email asking about shipping and haven't had anything back from them yet.

FWIW I've bought from Absolute in the past and they've been very good. If there is an issue, I'm sure there will be an innocent explanation.

Having faith in american managers I've had over the course of my career. Every one, every SINGLE one has been dysfunctional. Technically very good but wouldn't understand empathy if it stood up and smacked them in the gob for looking at them funny.

I use my Lexicon MPX-G2 for most stuff although I also have an Akai UB1 which I've used as well. Was using the DHA valve compressor and Deep Impact but neither are working any more and I haven't repaired them. Love Native Instruments Guitar Kontrol though, way more powerful than the G2 and almost infinitely flexible. Would love to show up to a gig with bass, laptop, foot controller and IEMs one day.

Putting that to one side for a moment, here's a UK manufacturer who has rated their 1u Class D power amps in RMS: [url="http://www.proaudio.ltd.uk/1U%20Amplifiers.html"]http://www.proaudio.ltd.uk/1U%20Amplifiers.html[/url] Very reasonable [url="http://www.proaudio.ltd.uk/Content/Pro%20Audio%20LTD%20Price%20List.pdf"]prices[/url] too. The PA12001 is 230 quid.

I had my power amp in for servicing last week. The tech says the Philips digital chipset is only rated to 100w, not the 700w RMS recently confirmed by the manufacturer in an email. So I asked the company to explain why they'd rated the amps at 700w RMS when the digital chips in them are only capable of 100w at most. I'm still waiting for a reply three days later after near instant responses over schematics up until then etc... Here's the schematic for the Technical Pro DAB3300 [attachment=43783:DAB3000_schematic_.pdf] Having said that, I didn't pay a lot for it and the amp still sounds very loud but maybe only because my cabs are so sensitive. Still...100w rated chips in a 700w-a-side amp is taking the piss even if there's only 3dB difference in loudness. Website is here: [url="http://www.tpro.com/prods.php?prod=DA-B3000"]http://www.tpro.com/prods.php?prod=DA-B3000[/url] If I hear anything else from them, I'll post it. I'm hoping they're waiting for an explanation themselves.

The ones I've played sound a lot like pedulla basses but more hi-fi.

Just spotted this tute vid by Rocco Prestia. I was still impressed despite being a long time ToP fan...and intrigued by his thumb placement...

[quote name='CYDbass' post='756554' date='Feb 24 2010, 10:07 PM']Curious if anyone else has theories on the matter.[/quote] Um... ...if people go around forming theories they might discover Basschat is in fact a front for the New World Order. That's really unfair because we haven't cornered the distribution market in foil hat sales yet...or towels. So...d'ya think we could keep it a secret for now?

[quote name='solofunkyjazz' post='754504' date='Feb 22 2010, 10:58 PM']I've played 3 Shukers, nice basses but they all felt kind of 'stiff' (for want of a better word), it's hard to put into words but they weren't 'inspiring'.[/quote] I'd completely agree but the reason for that is Jon uses very VERY stiff maple in the necks. Having said that, my bass is incredibly responsive and sounds HUGE. Each note leaps off the fingerboard...there are NO deadspots. So long as the pickups are nice and flat tonally and your rig is also relatively flat that means superb projection on stage where softer basses might sound woolly. So might be that Shuker basses are just better live than in the bedroom/studio.

[quote name='paulie' post='753469' date='Feb 22 2010, 07:30 AM']So I guess if I want one, Ill just have to get in line and start saving hard.[/quote] Just bear in mind that everything that you can get on a Fodera you can get from another luthier. What you are ultimately paying for is the brand name and the status/admiration from other players that comes with recognition of that brand irrespective of how well you actually play the bass. You know the 'oh you play a Fodera? Nice basses' effect. Sure you'll be treated as a player who is serious about their instruments and thats cool, but the moment you get up on stage in front of these guys, they might also be expecting you to play like David Beezley, Matt Garrison or Richard Bona... BTW, interesting to note Meshell Ndegeocello and Hadrien Feraud don't play their custom Fodera instruments publically any more...