pete.young

Sometimes you need to do this if you go for in-ear monitors - good ear buds will block out most of the drums.

Another option might be to keep your Midi keyboard and find a used desktop or rack synth. I have a Korg X5DR which makes reasonable piano, organ , strings and clavinet sounds, they seem to go through ebay for 100 - 200 . There are probably other makes, but it's not something I know very much about.

2 aux out? Pathetic, my analog Yamaha does 3 aux out pre-fade and one post-fade which can be pressed into service if necessary.

Loving the idea of a witless set-up , seems abolutely ideal. I use a Smoothound , reciever goes into a KORG DT10 tuner, an EDB-1 , Thumpinator, compressor, then into the amp. Stuck some loop velcro onto the tailpiece to stop the Smoothound transmitter flapping in the breeze. To anchor the jack socket on the tailpiece, I use one of these: https://www.bassbags.co.uk/product/double-bass-pickup-jack-mount-kit/

If you have budget, you might be able to stretch to the Bigfoot linked in the other thread:

I have looked at the manual. Both the Obey 40 and Obey 70 don't allow you to midi-switch the tap tempo, sound-to-light, or anything else other than the scenes, the chases, and blackout, according to the MIDI map on page 32.

Must have looked like the Star Wars bar fight scene!

The Obey 40 will allow you to select any of the 6 chases, any of the scenes, and the blackout function through it's Midi interface. It doesn't allow you to switch it to sound-to-light or adjust the brightness. This guy has a lot of great videos about DMX including one featurning another Morningstar controller so this should give you what you need.

The SY-200 is. The SY-1000 is a whole different ball game - to get the best out of it you really need a Roland GK3 pickup and it's a lot more expensive, but you can do a hell of a lot of stuff with it.

This any good? https://www.designacable.com/7-pin-to-5-pin-din-midi-cable-1.html

Not me, I'm holding on for a bb3000ma .

I've used wheresthegig which was great until they started charging lots of money for it, and bandmule which isn't quite as good at gigs but is easy to mark availability/non-availabilty. Sadly none of these comes with the 400V-to-the-goolies attachment required to make drummers fill their availability in 😞

If you want something that will produce some useable '80s sounds and won't have any issues with tracking you could look at the Boss SY-1. It's a synth emulator not a synth, but I found it much easier to get useable sounds out of than almost anything else I've tried. As a synth pedal, the BSW is a great octaver.

I have a Morley Little Alligator volume pedal which works the same way - there's a pot you can twiddle to set the minimum volume. I've used this for a similar application and it works well.

@richardd has a very nice BB800 in the classifieds, just in case you hadn't seen it. I've had mine since 1979 and love it to bits.

I'm grappling with a similar issue. I have a DMX controller which accepts Midi input to change functions. If yours does the same then a midi foot controller might be a solution. I have an old midi foot controler project which I'm going to try and revive to see if I can get it working. If I were starting from scratch I'd buy the Bigfoot linked about. That looks like a great piece of kit for minimal programming effort.

Well, the sad day eventually comes and @Gasman ascends the to the pearly gates. St Peter checks his clipboard - "right, Gasman, bass player, would you mind going over there with all the other bass players". So Gasman is having a fab time shaking hands with Jack Bruce, James Jameson, Ray Brown, when he hears some incredible fretless playing, coming from behind a wall. "Who's that?" he says. "Jaco Pastorius" says Jack Bruce "Why is he behind the wall?" "He thinks he's the only one here!".

Great colour too. I'm struggling to see what the difference between this and my BB800 is, other than the fancy position markers. Is the fingerboard ebony?

Happy birthday and many happy returns to you Daryl. You're looking good, must have had an easy paper round 🙂 I've just joined a band where I thought the drummer booked the gigs. Not so - it turns out that we are all expected to take an area and chase up bookings. I'm not thrilled about that, it's not one of my favourite things. But I guess it's not unreasonable.

I expect the '54 Dakota Red Strat, for a start.

This new one is even better.

Ruggedised ethernet cables are more robust than standard Cat 5 and provide you with a bit more protection for live use. Something like this: https://www.canford.co.uk/Index/Cat-5e-ruggedised-Ethercon-cables/CANFORD-ETHERCON-CAT5E-SCREENED-CABLES-Using-Cat5E-R-ruggedised-deployable-cable Roland also make one called the RRC2 cable, which is used to connect a VB99 or VG99 unit to the FC300 foot controller.

Who are you, and what have you done with the real @Happy Jack ?

You might want to re-post this in the Double Bass and EUB forum, might get some more relevant views there.

"The DeSoto Custom has active electronics featuring a master volume, pan/balance, treble boost/cut at 7 kHz and bass boost/cut at 40 Hz with up to 13dB of gain."