Grabbabird?
That burst has turned out well. Nicely understated, hint of burst rather than full-on.
Incidentally, to try and avoid losing pickup screws etc, I use old butter tubs or takeaway food containers to put everything small associated with a project into. Then I can lose the container and everything rather than just the odd screw.
My SRF705 has a barrel jack in like the one that @BassBunny has shown which could do with replacing, as has one of my Warwicks. They're a PITA but they're needed to go through a centimetre or two of wood. Regard it as a consumable item. If you can pull the socket out sufficiently to get to the terminals, you'll find it a whole lot easier than trying to solder inside the body - if not then consider extending the wires a little bit so you can.
After my initial post on the subject, it does occur to me that it's a little more useful than I originally thought - it does mean that if you want different settings for a particular effect, you don't have to choose between twiddling knobs on stage and finding a compromise setting. But it still doesn't look like much of a bargain to me.
There's another thread just started on the subject. It seems rather restricted to me, as it's a single effect selected from a list of 250 or so, rather than up to 9 effects as the HX Effects has for double the money.
Assuming that you don't want to go the sensible route and chop the headstock off entirely, an angled cut perpendicular to the left edge of the headstock between A and D, and putting the D around the "r" of Harley would save stopping and redrilling, assuming that there's sufficient room on the rear of the headstock to accommodate the smaller tuners.
You can go hybrid wired/wireless with wired headphones to a wireless IEM - for your purposes, the Lekato MS-1 would be fine, but it's a bit of expense that you don't really need as you're going to be tethered to something by the instrument lead unless you've gone wireless with that too.
I've played in a few covers bands where I wouldn't listen to the music we played, and a ceilidh band playing playing traditional music. My preferred genres are prog and various of the subdivisions of rock.
Fretless (lined maple or unlined) is on the list of options, and there are some photos of a fretless in the gallery. Maple, ebony, rosewood, birdseye maple are the fretboard options.
Singlecuts have never appealed to me - I've never liked the looks. This seems quite an ingenious approach but the aesthetics put me off.
Jeremy uses a 12-string bass so you'll find it difficult to get that sound.
Type of string makes a considerable difference to sound. Flatwounds will have a bit less treble than roundwounds.
"All Right Now" was used in a Wrigleys advert IIRC. In current adverts, "I can't see me loving nobody but you" is in use in one (showing how effective it is, I have absolutely no idea which advert).