BassBus

Whatever you do, Clarky, don't give up the DB. When I started playing one the trumpet player in our band said I'd never be out of musical work with a DB. At the time I thought "yeh, right". But it has turned out to be the case. As the others have said take a bit of time out. People now know of your playing. Word gets around.

I'd agree with charic. Have a look at the for sale section. The guys on here are pretty honest, in my experience anyway. If you buy used they should hold their value quite well so if a bass doesn't suit you you can always sell it on again for much the same price. I've bought some really good gear on here for very good prices. My Markbass 121p combo was as new, sold to me at nearly half the new price.

What price range are you looking at? Where are you based? That would help narrow the choice down a bit.

Rufus Reid recommends pretty much what has been said already. Thumb on the side of the fingerboard, pluck string with the side of the first finger and rotate the hand. He also recommends using the whole arm when plucking strings as he feels it gives a fuller sound. Also means you are spreading the weight through more than just your hand which means less chance of strains.

I'm always saying this to my clients. The ultimate goal is to be a proficient DB player but that is such a big step it seems impossible. How can you break it down into small goals that will eventually lead to the ultimate goal? It's identifying those small steps that's more important than the end game. This could get a bit philosophical.

To get back on topic, there is a beautiful S2 just been shown on Statii.com [url="http://www.statii.com/forum/forum/viewthread.php?thread_id=4730&pid=45129#post_45129"]http://www.statii.com/forum/forum/viewthread.php?thread_id=4730&pid=45129#post_45129[/url]

Found this on the net, might be of some use. [url="http://www.engineeringtoolbox.com/wood-density-d_40.html"]http://www.engineeringtoolbox.com/wood-density-d_40.html[/url] Might also be worth your while looking into the tonal properties of different woods. I'm sure your luthier friend can help you there. [url="http://www.koolauukulele.com/woods.html"]http://www.koolauukulele.com/woods.html[/url]

Perhaps they sounded on what is only one video. I'd hardly say GB sound "crap" though. [url="http://www.youtube.com/watch?v=l22dtkq8srE"]http://www.youtube.com/watch?v=l22dtkq8srE[/url]

[quote name='Prime_BASS' timestamp='1329010045' post='1536117'] With that pastie complection he definitly doesn't see the outside very often. [/quote] Maybe that's why he thinks slapping is still cool.

This looks rather tasty, if you like headless basses that is. I'm a long time fan of Ned Steinberger's designs so this would be a worthy addition. Better start saving now. Might take a while. [url="http://www.youtube.com/watch?NR=1&feature=endscreen&v=SAB0H4far4o"]http://www.youtube.c...n&v=SAB0H4far4o[/url]

Not trying to be cheaky, honest. It just sounds as if there is a bit of a buzz on bits of the neck. Lovely sound. It'll be the SansAmp that gives it that acousticy tone. Keep up the good work.

If you're new to jazz you're catching on well. Good effort. You can't go wrong with Autumn leaves. Probably one of the most recorded jazz tunes. What bass are you using? Piezo pickup? Have you had it setup recently?

They do come with a free air guitar, you know.

OK I'll give some feedback. Beautiful crisp clear tone. Fine use of a six string. Didn't hear a bum note anywhere. It's great to hear someone play a piece that doesn't involve trying to show off. In not trying to show off you show just how well you play your instrument. First class debut on Soundcloud.

I'm sure someone will mention Thomastic Jazz Flats before long. I have been using them for years (the same set). They have quite a deep tone but at the same time a lot of character without the zing. The G is a 43, can't remember what the E is. They are quite similar to the Status halfwounds I have also used. I've never been keen on flats but like a darker sound from a string. The halfwounds and TI Jazz Flats give me the tone I want.

If you want a real Status Jazz bass, how about this.

Or you could just go to your local Maplins and buy one of these. [url="http://www.maplin.co.uk/speakon-to-1-4-inch-jack-heavy-duty-speaker-leads-224540"]http://www.maplin.co.uk/speakon-to-1-4-inch-jack-heavy-duty-speaker-leads-224540[/url]

Don't be fooled by this. These come up on ebay from time to time. It is not THE Status in Colchester. Some cheap jazz copy and the prices they go for reflect that. Ah crez beat me to it.

These are custom basses so anything is possible.

Unfortunately that's par for the course in forums these days. There was a lot of trouble with spam ads purporting to be Status owners last year so that action has had to be taken. It'll be worth the wait. Well, I hope you think it is.

[quote name='skej21' timestamp='1328265011' post='1524535'] Surely if your technique is good enough, two should suffice? [/quote] Of course that's right. However, there is always the case for developing your playing style. Keeps everything fresh. And of course you can keep everything fresh using different styles playing with two fingers. Whatever suits the individual. Gary Willis' explanation is quite simple. He started playing with three fingers so he's never known any different.