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Sambrook

⭐Supporting Member⭐
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Everything posted by Sambrook

  1. There are dot markers at the usual positions (3,5,7, etc) for the first 2 octaves, but not the third. I'm in Sth Cumbria, for anyone thinking about collecting.
  2. Collection preferred, but will post as necessary
  3. Had an offer on a bass I have for sale that includes the hard case, so this offer is on hold pending the usual.
  4. I've had a verbal offer for bass and case, so it's on hold until details are nailed down. Will post soon. Thanks for the photo, Paul. I felt a sneaking sense of guilt, thinking you'd see it for sale!
  5. This brand new case came with my Letts fretless, but I have no need for it. They cost £90 retail, so £50 posted sounds good to me. I have 2 basses up for sale, and the case might go with one of them, just fyi.
  6. This is one of those basses that just creeps up on you over time. I got it from a fellow basschatter, just to try them out. I'd followed the topics here on Wishbasses, and was intrigued. I've done the following things to it: Stripped the nasty varnish it came with, and applied 5/6 coats of Danish Oil. This has given it a really nice lustre Sanded flat the fingerboard, Danish Oiled it, and applied a coating of Rustin's plastic resin. This has given it a silky smooth finish without any of the nasty squeakiness of a varnish finish. Changed the vol knob to a tone knob, and changed the actual knob for a nice gold and abalone one. Lowered the action considerably by sanding the bridge. The end result is a lightweight, extrememely resonant bass, with a nice low action, and harmonics to die for. I had it strung with Elite Groundwounds, which sounded fantastic. It has a new set of Rotosound roundwounds on now. In a certain light, with your eyes half closed, and your glasses off, this could almost be a poor man's Hyperbass. No? Well, ok then. It was woth a try. The only bad points are that I was too impatient with the sanding, oiling, and Rustin-ing. The bass shows some sandpaper marks here and there, and the finish has gone slightly 'waxy' in a couple of spots, and there is a patch by the first 'fret' where I ran out of Rustin's. That said, it looks, feels, and sounds great. I've got a brand new Hiscox flight case it can go with, if the buyer wants. It would be £200 with the case, £150 without. I'm happy to answer any questions, and thanks for looking. The woods, by the way, are beautiful. Purpleheart for definite, and I think walnut and spalted maple.
  7. This is a wonderful bass, one I said I would never sell. However, my Letts fretless has arrived, and I now have 2 too many basses, so this must go. It wasn't made for me, I found it on Ebay, but it might as well have been, cos it fits like a glove. My only niggles are 5 strings and one pickup- I prefer 4 and 2. We all know the quality of Paul's work, so i won't sing his praises too much. Enough to say that I liked this one so much, I commissioned a fretted version from him. The only defects are from my fiddling. I have used this bass as my testbed for modifications, so I will list the current spec, then list what I've done to it: All mahogany body Single coil-tapped Artec humbucker Throughneck Oil/wax finish Wenge fingerboard with brass dot markers at each position I've done the following to it: Put a Rustins plastic resin finish on the board. I copied this from another of Paul's basses, and it gives a lovely smooth finish without any of the glassy squeakiness of a varnish finish Experimented with a piezo bridge. This means there is another set of screw holes underneath the current bridges Changed a broken tuner for a chrome one (the rest are gold) Highlighted the appropriate dot markers (3,5,7 etc) with liquid pen and stickers. Looks fine, but def not professional. Wired the pickup straight to the jack. It's had 2 or 3 different eq's in, but now it's just the coil tap switch. Had the cavity professionally enlarged, and a battery box put in. This was skilfully done for me by a guy in Kendal, Pete Terrill. So what we have now is a great bass, showing some of the scars of experimentation, but with tremendous potential (estate agent speak). There is plenty of room for an active eq. I was contemplating putting another pickup in, but chickened out. It comes with Elixirs on, which sound good, even though the E string is spliced to get it to fit. I had Thomastik flats on, which sounded WONDERFUL, but I'm keeping them. £150 is a really good price for a handmade bass, I think, so I can't go lower. I have a brand new Hiscox flight case if the buyer wants, but I'll have to charge an extra £50 for that. That will be up for sale separately as well, just fyi. I'm happy to answer ant questions, and thanks for reading
  8. Very surprised this has had no interest. It's a quality instrument, and good value.
  9. The Squier has sold already, so it will be bubble wrapped.
  10. I was seduced by the blocked and bound neck, vintage headstock, and tortoiseshell pickguard on this one. it wasn't my fault, honest. The project I had in mind for this didn't work out, so I'm moving it on. It's brand new, apart from half a dozen noodling sessions I've had with it. It has a really nice range of tones, and is unmarked. I have a foam hard case to pack it in, unless my LTD fretless sells first, in which case it will be bubble wrapped to within an inch of it's life. I'm happy to meet up if convenient, but I live near Barrow in Cumbria. Any questions, ask away. Thanks.[attachment=151152:DSCF2023.JPG][attachment=151153:DSCF2024.JPG][attachment=151154:DSCF2025.JPG][attachment=151155:DSCF2026.JPG][attachment=151156:DSCF2027.JPG]
  11. A reluctant sale, this one, as it does everything I want from a fretless, except having two extra strings! I've decided I really need to concentrate on four string playing. This is a really beautiful instrument, as you can see. The spalting on the top is just great. It has been professionally defretted by the previous owner, with the fretlines visible to the player, and no-one else (which is nice). The action is unbelievably low, achieved by my local music shop (R&T Music- buy with confidence!). It's strung with Daddario rounds, and sounds really good. The front pickup with the mids full on sounds just like an angry P bass, the back pickup is nice and burpy, and the two together sound really sweet. The only bad points are a small ding in the headstock (pictured), and my amateurish attempts to highlight the ends of the fretlines. This is with a white pen only, though, so it's not permanent. Otherwise, it's a tremendous bass, and I will be sorry to part with it. I know we all say that, but it's true. I have a foam hard case to pack it in, unless my Squier VM VI sells first, in which case it will be bubble wrapped to death for posting. I'm happy to meet up if convenient, although I live near Barrow in Cumbria. If I've missed anything, ask away. Thanks[attachment=151143:DSCF2015.JPG][attachment=151144:DSCF2016.JPG][attachment=151145:DSCF2021.JPG][attachment=151146:DSCF2022.JPG][attachment=151147:DSCF2018.JPG][attachment=151148:DSCF2014.JPG][attachment=151149:DSCF2017.JPG][attachment=151150:DSCF2019.JPG][attachment=151151:DSCF2020.JPG]
  12. My Wishbass sounds better each time I pick it up. It's ace.
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