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Everything posted by Sambrook
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FS/FT - Custom Built Jazz Bass - J/M/J Pickups
Sambrook replied to Tobiasthegiant's topic in Basses For Sale
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TRADED: MTD 635-24 Fretless Marilyn - Reduced Price!
Sambrook replied to Musashimonkey's topic in Basses For Sale
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Short Scale Fretless Singlecut 4 string Prosebass. Now sold
Sambrook replied to Sambrook's topic in Basses For Sale
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[attachment=211603:P1010237.JPG][attachment=211595:P1010234.JPG] I recently acquired this fine bass in a trade, and am enjoying it very much. However, I am determined to cut my basses down to 3 in number,rather than chopping and changing all the time. I have just bought a Conklin GT7 to combine my roundwound and piccolo needs, so the Rikkers is up for sale. Handmade in Holland, 3000 euros to buy new, my price is a good one I think Passive, 2 humbuckers, with vol and tone for each, plus pickup selector switch, and series/parallel/single coil switches for each pickup. This makes for a very versatile instrument, tonally. Don't know the woods, I'm guessing mahogany and maple for the back and the neck through. They've warmed and mellowed very nicely. The topwood is very nice indeed, very tactile. The previous owner says it's from 1983. It's in good nick, with only the expected signs of 30 plus years of use. Bridge is 3d adjustable, fingerboard ebony, 42mm at the nut, very comfortable and playable instrument. Price is £650 plus postage, and it will come in a hardcase. Very happy to answer questions if I've missed anything. Thanks for reading [attachment=211596:P1010238.JPG][attachment=211597:P1010243.JPG][attachment=211598:P1010245.JPG]
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[attachment=211591:P1010250.JPG] 30" scale 4 string fretless Ash back, Bubinga, Maple, and Black Walnut top 1 piece black walnut neck, telecaster style headstock, black walnut fingerboard 2 Jazz pickups, passive (VVT) Brass position dots I really love this bass. I am the 1st, 3rd, and 5th owner, and if it was 34" scale, it wouldn't be up for sale. However, I am concentrating exclusively on fretless, working on muscle memory particularly, and the jump in scale lengths is slowing me down. so here is a reluctant sale. We all know the quality of Paul's work, this one maintains that standard- it's a joy to play. It growls when you want it to, the harmonics are strong. Its not so much a Jazz bass on steroids, as one on diet pills I've used the bass to test different strings, so it comes strung with D'Addario piccolo strings, and included in the sale re the following: D'Addario Chromes Rotosound Monel flats La Bella black nylon tapewounds A set of coated rounds (forgotten the brand) D'Addario rounds Both sets of D'Addario very fresh, the coated rounds nicely dull, and the others with plenty of life. All cut for this bass. I'll include as many pics as the site will allow. Very happy to answer any questions. Whoever buys it will really enjoy it [attachment=211592:P1010251.JPG][attachment=211593:P1010252.JPG][attachment=211594:P1010254.JPG]
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Thanks very much for all the good advice- it's much appreciated
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I'm considering defretting a Conklin GT7 with purpleheart fretboard. Can any body direct me to a source in the uk? Thanks in advance...
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Thanks Norris, that is what I meant. So it does have a structural purpose...
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I am edging towards my first scratch build, and would appreciate some advice. I am planning a 3 piece laminate bolt-on neck of cherry. I've noticed a lot of laminate necks have the centre 'stripe' aligned horizontally instead of vertically like it's neighbours. Is this for structural reasons, or just cosmetic? Your help gratefully anticipated...
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Ok, thanks
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Thanks folks. I used a washing up sponge on a test patch just now, and it's gone nicely back to satin. I want to strip it off completely, though, so I think I'll go the Nitromors route
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It's a great bass, Phil, and I'm sorry to be passing it on so quick. I wanted a piezo fretless with an eq. My main bass is a completely wonderful Firecreek piezo only, wired straight to the jack. I go through bouts of wanting to vary it's tone, but the Yamaha just reminded me how wonderful the Firecreek's core tone is, and the Yamaha is just suffering in comparison. That said, it is a great looking, and great sounding instrument, and the next owner will really enjoy it
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I have a wonderful Ibanez Portamento throughneck, and I love everything about it except the finish on the back of the neck- I think they call it Cappucino, it wasn't too bad when it 2as satin, but use has turned it glossy- me no like. It has a nice maple/bubinga neck, so my question is just this- is there anything better than sandpaper for taking off this finish? Ideally something I could paint on at night, and in the morning it's perfectly clean and bare... Here's hoping