nottswarwick

What seems to be apparent with the MIM line is that the higher priced ones are better than the lower priced ones. Ie, the Classic Series (50s, Roadworn etc) are better than the Standard ones. Which is what you would hope/expect really. Now for the subjective bit - my Classic 50s feels better that the Standard MIM I previously owned. Good. Both felt better than a Squire VM that I had. Good. I prefer the Classic over the one USA I have tried in a shop, but that could be done to the setup of that bass. Eth way, I don't think country of origin makes any difference these days.

But this thing is my heavy amp is not really that heavy. Nor was my EBS350. Nor my Ashdown. All easy to carry in a nice rack case. Ok, it 4kg, granted, but I'm not only talking about massive Mesa 400s or all valve ampegs here. For me it's the cabs that are awkward if heave, hence my light cab.

Actually an interesting point was raised above about roadies. I'm all for convenient back saving gear, hence my light cab choice. However, I am curious to know what proportion of "big names" or "big bands" use the Class D stuff in preference to the heavier transformer or all valve stuff. If they do, then maybe I have missed something in my experience with it. Or maybe it is just that rental companies wheel out Ampeg or Ashdown as it is what they have on hire most. Oh, and don't misunderstand me, I'd happily set up in front of a Streamliner, lm3 etc if that was the situation, they are not BAD at all, in fact they are very good. But I'm happier with mine, that's all.

It's not just t he big all valve jobbies we are talking about though. It's the ones with big transformer based supplies that many of us favour too.

I think their are some extremes of views here, but it's not black and white at all. I really like Markbass, but at higher volumes (proper loud) to my ears it compresses and loses a bit of definition. Basically I used to feel I wash running out of steam. But I feel with my GBE (and also with my ex EBS 350) that there is juice in the tank and reserves there. Marginal but enough for me to feel happier. None of these products in this thread are bad, they are all excellent. We are really spoilt for choice. A proper shoot out is required.

To be fair also, I had no major dislike of my LM2 and 3, and my Streamliner was also good. All very loud and full sounding. It's each to their own really, as in everything, but I bloody LOVE my GBE750. It's a keeper for sure.

To be fair, not all Fenders feel bad, have dead spots etc...surely. I've had 3 and one Squire and although they were all different they were/are all nice basses. Love to try that Pino out though

For me it is important to have lighter cabs, as they are for me at least easier to manage due to being a bulky box. Head wise I'm not fussed either way, since a rack box can be carried in one hand whether it has a 20kg weight of a 5kg weight. But it's the heavy cabs that I don't like.

Cool. I used my Rothwell Lovesqueeze pedal on the weekend and it was good actually, so I think I'm goons stick with this for now. Although the convenience of having one racked up still appeals

Tell you what folks, this is all whetting my appetite to do something like this myself.

Bugger. I need one of these. I think I am a passive bass guy after all. I know I keep harping on about it, but the simple good tone from my new to me P bass is winning me over all the time. I'd love one of these Yammys as my ultimate bass. I never have 6 string guitar GAS, as I cannot imagine a fine axe than my 1980s SA2000, proper Jap yamaha, a classic. I suspect I'd feel the same if I had a 2024.

Sme serious classic 50s P bass love. Mine is the best P I have played. Really good. Great pickup. Mint build. And the deep talkin flats sound just beautiful.

[quote name='jezzaboy' timestamp='1378069457' post='2195570'] The Classic 50`s P bass is a 57ish replica made in Mexico and a very fine bass by all accounts. Really, there are lots of nice Fender models at various price points. If you are looking for vintage models, use the search function or contact someone like Ricks fine 52 who knows his stuff. (As do others) [/quote] Yep, mine is nice. Good pickup, proper woods, well screwed together.

I'm strangely tempted towards a Classic Series Mustang. Do they sound like a P bass, and can you get short scale decent flats for them?

I wouldn't say a P neck is slow, and if you are coming from a Stingray you will feel at home

No, I don't think so. My MTD is obviously a lot narrower, but I did a full gig in the P bass last night, and it felt ok. I think if it wasn't for my left wrist tendonitis I wouldn't even be thinking about it, I've got big hands and long fingers, it's quite comfy to be honest. I'm going to see how it goes. One thing is for sure, I am really enjoying the sound of the flat wounds. Really nice. I am surprised I like them so much, as usually I like to hear the bite of a steel round, with some clunky distortion for a few indie and rock numbers. These rounds have a good mid and top end, really nice. Not sure what make these are that I have on it though. But I have always been a big Yammy fan.

[quote name='cocco' timestamp='1378044575' post='2195016'] The classic 50s has a big neck even by p bass standards. The yam will feel tiny by comparison. [/quote] This is what I am learning.