LukeFRC

keys and violin anyone? http://www.youtube.com/watch?v=AVLylgAu6T0

Bravewood Alpher Enfield JD Wal

[quote name='operative451' timestamp='1373980915' post='2143783'] I'm using 'tone' to mean sound made by the player, instrument and amp all working together - like in say the gear forum where someone would talk about 'Duff McKagen's tone' - so yes, tell me everything..! ;D I guess what i want to know is, what to adjust to get certain elements of sound - like for instance fiddling with mid-range from a total scoop can go 'muffled muffled muffled CLANKY cardboard' quite easily. And boosting overdrive can add that throb to the low end that you get when the bass is turned up all the way, but again, it's easy to go from throb to fart to speaker jumping out all over the floor... And i find that a bit of overdrive becomes sort of dirty compression on the way to full break up, which sounds nasty until it gets really distorted at which point it becomes fuzz! So (i'm told) the reason we 'like' valve tone more than solid state is that it's dirtier! The valves distort, compress and colour the sound, while transistors and digital replicate it more perfectly which makes our monkey hearing go 'yeuk!!' [/quote] sound is quite complex - one of the best ways to experience this is by playing - luckily with a computer and headphones you can... find a way to plug into your computer and run garageband, PC equivalent or something a bit fancier - now look for a parametric EQ - the garage band one has a 4 band one turn on the scope and have a play - you can see the graph of which freq. the sound is louder- now play with cutting and boosting the frequencies and moving them up and down - listen to how the tone sounds. Then try doing that and playing in different places too - the right hand can have a massive effect on tone - and this is before we've touched amps, the bass, the pups, the set up or anything. What Eq does your bass/amp have? the best way to learn is to play and listen - for instance- "[color=#282828][font=helvetica, arial, sans-serif]The sound i 'want' is thick without being muddy, bitey without going fizzy when i hit the fuzz, twangy without clanking (ok, that might be my fingers)." sounds like boost the low mids not the bass, and make sure you're not boosting the treble to much - if theres too much clank raise the strings a bit and it will also possibly thicken up your tone. [/font][/color]

[quote name='bagsieblue' timestamp='1373901962' post='2142885'] Nobody familiar with these? [/quote] send a PM to andy travis - he's the farida expert around here

[quote name='Kev' timestamp='1373928358' post='2143413'] I'm a Warwick guy therefore i have to hate Spectors, however that looks brilliant. [/quote] good old ned steinburger

[quote name='chris_b' timestamp='1373836143' post='2142155'] Pino's in time. Playing with a groove like this isn't learnt through practise. You've got to get out and play it live. [/quote] I was going to say something similar - some of it is on beat and some of it infront and some of it behind. I think you could possibly learn through practice - but more through listening to lots of music and just hearing where to put the beat. and they as chris b says play it live.

It is daft. I put it up there with "buyer sorts out courier." - fine until you realise you still rely on the seller to pack the thing well. I presume that it's my reponsibility to get it to the buyer - if the courier mess up it will be me filling out the insurance after all. My other wee bug bear is folk who don't let you know it's got their safely.

just go and play a load of stuff.... surely if you did go sei then the change could go for a couple of day trips to ldn?

is it just me but doesn't the spacing between the pickups and the bridge look just wrong?

ooooh bloody nice that is too!

take up the bagpipes for a bit. They'll be begging you to go back to the bass...

apart from Bravewood... and maybe Wes Steed's Herbie Hancock bass he made they don't look real do they? Up close Nash's look awful IMO. I don't mind it though but would much much rather buy some idiocentric secondhand bass where all the dings tell a story. I like well played basses me, I've bought a few basses off here and then sold them quite quickly as I feel too precious about a almost imaculate finish. I have a JV squier that lives in a case in a cupboard whereas my jazz and wick get played loads cos they're already well played enough to not have to worry about a finish too much. The Warwick has 22 years of play polishing the wood whereas the Jazz I finished myself so it's not perfect.

[quote name='wateroftyne' timestamp='1373405796' post='2137337'] None of the above :-D No giving the game away, Mr. Hunt...! [/quote] Something Warwickhunt's knocked up at work over lunch breaks

behringer, but with a custom grill on them natch

warwick infinity????/!

sounds like it came out around 2002... just after the white stripes went big and yeah yeah yeahs.

[quote name='walbassist' timestamp='1373069871' post='2133543'] A mate of mine has one of the very first Squier P basses brought into the UK, complete with Fender spaghetti logo and the smaller Squier series logo in black on the end of the headstock. It's an amazing bass in every way, beautifully put together and tone to die for. If this is half as good as that bass, then it's a good 'un! [/quote] I've one of them too. Great basses! (even if my one currently doesn't get played ) your one looks great too tredders! def looks the part how does it compare to your '73?

you know that the pickups are in different places?

everyone copies fender... so they got their own back by making their very own... burns?

ooofff heavy!

[quote name='owen' timestamp='1372964590' post='2132278'] Did I mention the weight? [/quote] you did, but not how much it was, how heavy is it?