cheddatom

Well, in my opinion, you simply have to be yourself to be authentic. If an artist is dressed up to create an image which was not their design, but then dno't make it clear that this is not their own image, that's not authentic. If an artist sings someone else's music with no creative input, but they give the impression that they are creatively involved, that's not authentic. just two examples, but to me it means a sort of "honesty" so if anyone is "faking" in any way, it's not authentic.

cool. To make that tone.... line A - guitar compressor > ODB3 (low gain bass boost) > EQ (cutting above 800Hz) line B - EQ boosting high mids > Ibanez SS10 (tube screamer type) Blended about half and half, and then all of that into a Boss limiter with a bass big muff on dry mode at the end.

I got a loop logic second hand to do exactly this and it works really well! My only complaint is that my shoes are too wide to operate the switches independantly. I'll have to find something slimmer to wear for gigs.

I know it's arrogant but I love my tone at the end of this song [url="http://soundcloud.com/kilta/the-optimist"]http://soundcloud.com/kilta/the-optimist[/url]

I really didn't like the GT-6B, I just couldn't get used to it at all. I've not tried the Korg. Have you looked at the newer Zoom units? I find these more intuitive.

[quote name='JakeBrownBass' timestamp='1331715780' post='1577447'] I used to have tempo changes in my originals band. Because they were there naturally before we started using sampling we worked out the changes. If its an actual tempo change as appose to speeding up in the chorus because your excited it shouldn't be an issue with a bit of practice. [/quote] yeh i'm sure you can work it out with a sequenced tempo track, I've never tried, we just don't bother with a click for some songs! Pretty lazy I suppose

Having played a lot of drums to click - yeh, you can "push and pull", but that's not the same as tempo changes which can really contribute to the "feeling" of a song.

I almost always use a dirty tone and (if I do say so myself) never have problems cutting through guitars. I have no problem using tweeters too, as long as I have a graphic EQ. You probably do want a clean blend or a dirt pedal with one built in.

I use my BBM on dry mode and I don't get the volume jump others talk about, but i do have the volume set quite low..?

I think if you're loud enough the scoop can work for you, especially for a clanky pick tone.

well he wants two different volume settings and a footswitch to change between. I guess you could build that pretty easily. I have seen LS-2s go for £50 used and it's not like they're going to break.

At last I am back in a band on the bass, it's called Kilta. Admitedly we've only done one gig, but I'm hopeful for more this year. We're an instrumental 3 peice and have added some samples in on recordings which are here: [url="http://soundcloud.com/kilta/sets/kilta"]http://soundcloud.com/kilta/sets/kilta[/url] It's a recording of one of our practises. We actually had the samples live as well, synched to some video. Any comments/criticism welcome!

you could use an LS-2 for that I think

that's kind of harsh on the drummer - you think they could have done that at rehearsal!

You could use compression with a slow attack to try and kill the sustain I find playing with my thumb over the end of the fret board on the bridge pickup seems to work better than what I can do with pedals.

i've been playing with some pedals at the weekend. My favorite sound is still blending a lo-passed ODB-3 with my Ibanez SS10 (a tubescreamer with some sutble chorus). However, as far as single pedals go I really like the Tech 21 XXL and LOVE the Red Llama

I like the BBM on dry mode. It does have a volume control, I just have mine set very low. I use all sorts of blending and dirt pedals but this is one I would never bother blending. How strange everyone else seems to have struggled with the dry mode!?!

[quote name='bartelby' timestamp='1330698175' post='1561808'] Yep. I discovered that when my band's drummer quit and I started programming drum machines, using rehearsal recordings. Some of the songs drifted my 5- 10 bpm from verse to chorus. You couldn't really tell listening to it. but the idea of sorting click tracks for all the songs makes me break out in a cold sweat... [/quote] yeh I just use it for songs which suit the same tempo all the way through. I would never try and program tempo changes, deffinitely not live!!

[quote name='mike257' timestamp='1330697109' post='1561785'] That's what I mean - long sections with no drums need something from the drummer to keep you in with the click! [/quote] Well the way you emphasised the word "always" made me think you thought the drummer had to play in every part with no beat. For example, we have a song with such a section which is 26 clicks long. We'll regularly play this without any input from me, but very occasionally i'll have to start pedalling hats half way through.

[quote name='mike257' timestamp='1330691189' post='1561631'] That's the one thing I forgot in my last post - drummer has [i]always [/i]got to be playing something, so even in the bits where the drums drop out, he's got to give you a bit of hi-hat or something to keep in time with. Forget about that and it all goes tits up! [/quote] I do it with my band and we're tight. I only start pedalling the hats if there's a very long section with no beat, or if the guitarist gets a little too excited, which is almost never.

[quote name='tonyclaret' timestamp='1330674986' post='1561228'] What about this? SKB Model PS-100 Guitar Effects Pedal Board (Pedalboard) With Rack [url="http://bit.ly/z9SG2p"]http://bit.ly/z9SG2p[/url] [/quote] my guitarist has one, it's great

I find that if you've been playing songs without a click track, for most of them you'll have developed subtle tempo changes which know-one notices until you start trying to play to a click. It's possible to play to a click with "feeling", but some of your songs might not suit it - they might need the subtle tempo changes.

if you're already using a bypass pedal, one with a built in boost would be a perfect replacement. It sounds like your bass has a very high output, and you don't mind driving the amp with that, but when going into the Korg it doesn't work, so you turn down the input gain on the Korg. It might make more sense to turn down the bass and put the input back up on the korg.

just as a bit of a drummer - quite often i'll get to venues where the shared kit is a disaster which won't stay still, or even if it's my own kit sometimes the venue won't have carpet to put it on (I used to take a mat but lost it). sh*t happens, so better to be prepared for it. In my old band we would arrange the set so that every song flowed into the next one and made sure there were breaks on guitar/drums/bass at various points so we could tune/move stuff without there being a break in the music.

The looper will repeat whatever you record. If you record bass with delay (the delay pedal is before the looper in the chain) then it will loop bass with delay. If you put a delay pedal after the looper, it will add delay to the loops when you play them back. In the case of multiple layers, I reckon that could get pretty damn messy either way - it depends how tight you are I suppose