fretmeister

If you've already got the BF Two10 and an Ashdown RM head you already have one of the very lightest rigs out there. If you want to cut down set up time then the only option left is a combo. The MB 121P gets a lot of love on here, but the brand new M58 version of the Mini 121P (and Pure, etc etc) are even lighter. There's 300W and 500W versions. I don't think anyone has tried one of the M58 versions yet and all the shops are awaiting stock but as you've already got a light rig I'd be waiting to try one of the new combos. I believe there is a 2x10 version as well, but they are quite a bit larger that what you've already got. You might as well duck tape your ashdown to your Two10 and leave it connected!

Yeah - apparently on the Ashdown ones the detents can be removed, but as I'm highly likely to kill myself with anything electrical I got Dave to swap the pot. He said that was actually quicker to do.

I even had a cheap hifi with them on. Fortunately crap pots aren't as common these days.

After a bit of experimentation I think I've settled on the good old La Bella Deep Talking Flats to replace my lovely Dunlops. They are a lot cheaper these days. I've got a set on my 'Berg TT5 and they sound very good. Ideally the B would be a bit heavier than the .128 but as long as I don't really whack it the sound is good. Unfortunately they only make a B flat in that gauge. Hopefully I'll get 5 years out of them!

I've never seen one before! I like that a great deal. Especially with the bridge in a more guitar like position.

Gary Willis Henrik Linder Billy Sheehan really - his new Dimarzio's are shaped to be a ramp. He used to do that with epoxy on the pickup top. Nate Navarro on some of his basses

@Andyjr1515 made it for me. I've got another bass to measure up so he can do another one for me.

Middle aged people become old age and the young become the middle age. Have to update it at some point.

Assuming basic performance competence, the USP of a paid covers band is the set list. A band that keeps up with the latest hits as well as keeping the classics will get more work, and keep a wider audience age range. The classics to me are not the same songs as the classics to a 20 year old. Being able to chuck in a few No1 singles from at least the last 6 months is always a crowd pleaser.

I'm not convinced anything should need to be 'overcome' when a better pot choice at the design stage would have never caused the problem in the first place.

A Sandberg TT4

On my bass. Another one on the way.

I had a vertigo which I sold as it was surprisingly heavy. I now have the sleeve. Happy with it. Much lighter.

Yeah - that's more what I need at the moment. I really do miss my AO though. Just a shame the prices are a lot more than when I last had one!

It really depends on the gap between the notches. I had a notched volume on my Ashdown RM800Evo2 and the gap was massive. Only 1 notch between too quiet and deafening so then I'd have to use the Input control as the volume, but that lowers drive levels. I sent it into Dave Green at Ashdown to replace the pot with a smooth one (which he did for free - what a star!). I had seen some comments about the Orange Little Bass Thing having the same issue - Too quiet and then Too Loud in 1 notch. I didn't know if the Terror Bass had the same system or had a good old standard smooth control.

Lovely! Thank you.

I've got the Vintage Microtubes now - goes dirtier than expected, especially in the mid range, but it's not a modern metal sound like the B series. At some point I'll get another AO and between the 2 of them I'll have everything I need covered.

I bought Nazzer's Darkglass Vintage Microtubes. Great communications throughout, and it arrived this morning, nicely packed. All good.

The Tech21 BDDI and the clones are not really high gain either. They are based on an overdriven Ampeg rather than distortion. Their dUg and the Steve Harris pedals get really filthy though. And the Darkglass Alpha Omega has a lot more than the B7K does. As it happens I used to have a B7K and a B3K at the same time and despite DG claiming the drive on both was the same I always thought the B3K got more dirty.

There's a big shortscale thread with loads of ideas in it. Worth a look. Lots of options. My shorty is a cheap Jim Deacon P bass. It was a bit neck divey so I put some Hipshot ultralights on it and an Aguilar 60s wind pickup. It's a great bass. Really thumpy big tone. Those basses come up on here or Ebay at about the £100-£150 range depending on condition. If you get a good one then it's definitely made well enough to be worthy of upgrade parts. I'd like a Fender JMJ as well though!

I had La Bella White Nylons on a Zon Hyperbass. Amazing sound.

Do these have notched controls? I'd just seen a classifieds for a different Orange amp and it mentioned notched volume controls. Do Orange do this on all their amps? I quite fancy trying a Terror Mk2 but if it's got notched controls then it gets crossed off the list. ta

I assume so - mine does that.

Who mentioned nice or nasty? Wasn’t me.