casapete

What PA do you use Paul, and are you DI’d straight into it with your bass? Am curious as to how it sounds with the system behind the band, looks interesting!

That looks like a great gig Daryl - just the sort of place we’d like to do with our acoustic duo. You get some great venues!

7.5 lbs would be a tad under the weight of my 63 Precision. Even when I was younger I would definitely have struggled with your mate’s 1977/ 14 pound Jazz. I honestly didn’t know they could be that heavy!

Robbie sometimes does gigs around your area playing with Hamish Stuart from the Average White Band. He’s a great player, saw him with his own band years ago with Pino on bass.

I have the same problem Lozz, and the same solution. Damned cymbals….

I had one of these, the 600 watt Delta head. Was okay IIRC, I believe they wanted to steal some of Trace Elliot’s thunder. Weighed about the same too….

I’d forgotten I had put a short scale Squier Jaguar into my usual gig bag. It’s a friend’s bass which I haven’t played in anger, so wasn’t really ideal for the gig. I’ve had the Dano for a long time, and it was just like putting on a pair of old slippers, one of my favourite instruments. It is actually a Longhorn Pro, which is one of the slightly less authentic Korean reissues from the late 90’s. Factory upgraded bridge / tuners / pickups, and no tape around the edges! Sounds immense though, and weighs the same as a packet of crisps.

Two gigs for me last weekend. First was with the blues band at a rather remote pub on the coast. Not as busy as last time we did it but still a small appreciative crowd. I made a classic schoolboy error of leaving home a bit late and grabbing a gig bag on the way out, only to discover I’d brought along the ‘wrong’ bass. Fortunately I also brought along my Dano Longhorn to show the guys, so ended up using that into the Rumble 500 and it sounded pretty damned good. Haven’t used it for a while, so a nice reminder of how it will always be a keeper. (see pic). Then Sunday I was with the duo at our regular venue in Scarborough, ‘The Lookout on the Pier’. A full house as per usual and some interesting requests, including ‘A certain smile’ ( for the owner Jill ), ‘Africa’ and ‘An Englishman in New York’ with the crazy walking bit in the middle which is OLF. Encore of ‘Eight days a week’ which is a cracking tune as well. We’re there again in May and it’s always a pleasure.

Great tune / bassline. Their follow up single ‘Can’t get by without’ had a similar and arguably better bass part too.

We had a FAL Phase 50 amplifier when I was at school - think it was used for PA duties in assembly and stuff. Dreadful things, tried it with guitar and bass and it was horrible. Seemed to remember them being sold by RSC, a shop that sold budget disco and band stuff. My second or third amp was an RSC GP 30 watt valve job, in a metal case! Wasn’t that bad IIRC, used it in my first band.

+1 I always liked the HA3500 and 5500 heads, seemed easy to dial in decent sounds. The cabs on the other hand seemed very bland to me, even the aluminium cone ones.

In an old band I was in, if anyone dropped one then the culprit had to raise their hand to show it was them. This sometimes led to some very funny moments, and our audiences often got it too.

The Rumble 100 is a great option. Used mine for practicing, rehearsals, regular gigs with my duo etc. Stupidly light yet sounds great, and will hold its own with a not too crazy drummer. The best thing is they’re not silly money either, especially if you can pick up a tidy s/h one.

I’m almost OCD about safety onstage, which comes from mainly playing in theatres for 15 years where a tidy stage was the norm - cable runs taped down and covered etc. In most of the venues water was the only thing allowed onstage and then it had to be bottled, no glasses. Any drinks near anything electrical have always been a no-no with me. I hate to see drinks on amps or on the floor near mains powered pedalboards etc. Also can’t stand punters getting too near whilst dancing with full glasses in their hands - when did that become a thing I wonder.

Mine is looking okay. I have 3 gigs every month at good venues with the acoustic duo, along with quite a few other ‘one offs’. Gigs with the blues three piece amount to 2 / 3 a month too, mainly in pubs although we have one at a blues club and an appearance at a Jazz and Blues festival in June. I don’t really want any more gigs than these TBH as I’m hoping to have some nice days away with Mrs CP ( which I rarely managed when I was touring.)

Maybe the same person who would put a beer on it?

As I was once, am jealous…. Surely the definition of the word, in my understanding anyway. Nice to know young ‘uns still appreciate it.

I’m not surprised the bass was lively - using an SVT /8x10 set up in a smallish pub! Didn’t know people were still doing this, but strangely glad they are…..🙂

Think I’ve seen one advertised recently - ‘Hoaxwind’ ?

I think the appearance of more efficient / sensitive cabs in recent years has made the 4 / 8 ohm argument pretty redundant. When I got my Barefaced Compact I was concerned a single 8ohm cab wouldn’t cut it in a live situation - glad to say I was soon proved wrong!

Yup- for example Ampeg SVT valve heads which usually run at either 4 or 2 ohms.

What a bummer. When I lent Gerry my GK bass rig last year he was using a Precision ( below ) so am guessing the Stingray was a backup as you say. Just hope they manage to get the stuff back, some tasty gear there which should hopefully be easily recognisable.

Isn’t it just? The minute I walked in I was taken aback - one of those places that you could use for so many different things - all sorts of live music, theatre & performance, as well as a banging venue for a great party! Shame it’s 40 miles from where I live though.