Kev

[quote name='1976fenderhead' timestamp='1434305405' post='2798514'] There's a few more Ditto versions now. There's also a Digitech looper that's simple like the Ditto [/quote] The other Ditto's do not really interest me, again it is just the basic one switch no memory banks looper pedal I am looking at. The Digitech looks good too, and again looks better than the Ditto, but has a slightly smaller memory than the Boss (10 vs 12, not that it would ever be used!) and no loop progress LEDs... Are they all the same sound quality? The Ditto and Digitech boast 24 bit, but the Boss does not seem to release this spec?

[quote name='hubrad' timestamp='1434301165' post='2798464'] Probably worth having a good read here: [url="http://looperpedalreviews.com/"]http://looperpedalreviews.com/[/url] as each pedal has its particular strengths and features. It might help you decide just what you want from such a thing. I bought one at random via the Bay, and actually use it more for some of its non-looping features! [/quote] Interesting website, but the reviewer appears to be obsessed with complex looper pedals with all kinds of bells and whistles that, frankly, I'm not interested in! He seems to review these simplistic loopers negatively as a result. I am not bothered about multiple memory banks, slowing or speeding up loops e.t.c., I am just looking for a simple looper that will record and overdub a loop without having to learn to tap dance, with a high quality playback. The Boss seems to be that little bit better than the others, including the Ditto, but if there are difference I am not realising, i.e. sound quality, reliability e.t.c., lets hear it

It's funny, as I was dead set on a TC Ditto Looper as this just seemed to be ideal. But then I saw this had been sneaked out from nowhere: [url="http://www.boss.info/products/rc-1/"]http://www.boss.info/products/rc-1/[/url] From what I can see, it has over double the recording time of the Ditto and that really cool (although unsure how effective in a gigging situation) LED indicator, at the same price. Other than this being larger than the Ditto (which is not important to me, and to be honest I prefer the Boss switching system), why would you choose a Ditto over this? Genuine question. I know nothing about looping pedals, having just used multi effects and studio effects previously for this, so any advice would be appreciated.

[quote name='LukeFRC' timestamp='1434297035' post='2798402'] you didn't last long warwickless did you? [/quote] There is just nothing like them. It's a shame I keep having to sell all my Warwicks to find this out, hopefully not anymore!

Very generous!

A tone block is not being able to recognise that wood choice has a significant impact on tone...

Incoming....

A fantastic gesture I hope it goes to someone who deserves it, vet them appropriately!

It's a superb looking bass buddy!

I know, I think he will struggle to find someone wishing to give up a Warwick for a bloody Stingray! Decent price, it would seem?

Great line, never really dedicated time to learn it. Marta Altesa on youtube completely nails it

[list] [*]Have you tried Elixir strings before? [/list] I have, used them on a number of basses a good few years back. I was disappointed with them; the tone was never quite right for me and found the coating to be very flaky. Have not revisited since.[list] [*]What other brands are you familiar with? [/list] Many, but primarily D'Addario and DR[list] [*]What bass(es) will you try the new strings on? [/list] They will probably go on a Warwick bass.[list] [*]What sort of environment will you be playing them in (e.g studio, gigging, practicing) [/list] I do not gig, so this will be for recording in the studio and general practice.[list] [*]Why do you think you'll be a good candidate to test the strings? [/list] I am a previous customer that has moved away due to dissatisfaction, so Elixir have their work cut out to turn me around!! I am also a fan of the coated DR strings, so it would make for an interesting comparison.[list] [*]Links to any blogs/reviews you may have already posted (not essential but interesting) [/list] Never reviewed a set of strings before, but you will find a few reviews in the review section on here, most recently a Warwick review http://basschat.co.uk/topic/239427-warwick-streamer-stage-i-5-string-2013/

The bass is standard for the transitional time it was made. Cracking instrument, but has its issues and I hate they are being hidden and apparently lied about when questioned. Withdrawing the listing and using a dummy listing instead speaks volumes (and he has several of these dummy listings too). Straightforward violation of eBay terms so hopefully they will all be pulled.

So he has gone this route instead http://www.ebay.co.uk/itm/Warwick-Bass-Guitar-/171801893349?pt=LH_DefaultDomain_3&hash=item280030d9e5 No details to just invite emails, then he can tell them what he wants in private. Reported, for what good it will do.

He listened then, maybe? I have had no response to my email though. We'll see how it's relisted I guess

So, I remember it was sold here by the person who bought it from me: http://basschat.co.uk/topic/224975-sold/page__p__2311453__hl__streamer%201988__fromsearch__1#entry2311453 So the neck was just sanded back (as I recalled) so will be just the same as it was, and the preamp was swapped out due to the fault. Hmm...

[url="http://www.ebay.co.uk/itm/Warwick-Streamer-NT4-string-bass-1988-Vintage-COLLECTABLE-Neck-Thru-/171801897849?"]http://www.ebay.co.u...-/171801897849?[/url] A warning about this bass; I used to own this and many facts about the instrument have not been disclosed in this listing! As is still visible, there is a crack in the neck that has been glued and should be fine, however is not particularly stable. My luthier has recommended that for the remainder of its life you should only really use the same gauge strings as adjustments to the truss rod could cause further damage to the neck. I did change strings on it and had no issues, however it is certainly something the buyer should know about. Also, when in my possession, the electronics were faulty. How major this was I never found out, but it appeared to be an issue with the MEC preamp - either the problem still exists or work has been done to correct the distortion. Be wary! Value is in the eye of the buyer, however I sold this for more than £1000 less than it is being advertised for now. I have contacted the seller to ask them to revise this listing with this information, as they have apparently told another eBayer that the mark on the neck is just wood grain!!! Thanks to roman_sub for pointing this out to me!

Nice effort buddy!

[quote name='Guinness21' timestamp='1433622604' post='2792642'] [color=#141414]Went down to Bass Direct t try out a couple of cabs, and while I was there I tried out these two darkglass pedals. I've been meaning to try the b7k out for AGES, just never had the chance to. So I was really looking forward to this and wasn't disappointed. [/color] [color=#141414]I tried them with my Stingray, playing through a Markbass LM Tube and Bergantino CN212, so it was a nice clean rig so I could hear the full sound of the pedals. I had a play around with the both pedals. [/color] [color=#141414]I played a few classic od bass lines, stuff like Song 2 by Blur and Starlight, Hysteria and Supermassive Black HoleBefore trying them, I thought I was going to really like the B7k. I've read a lot on it and listened to a lot of demos. And while I liked what I heard, the top end aggressiveness combined with my stingray made for a bit too much of a good thing. On the other hand, the vintage deluxe sounded badass playing the muse stuff, didn't anticipate it but loved the vintage drive with my stingray. To my ears at least, it sounded like the vintage deluxe was also capable of producing a larger variety of sounds too.[/color] [color=#141414]So yeah, love the vintage deluxe. No point buying one while I'm not in a band, but as soon as I am will definitely be grabbing one of these [/color] [/quote] You may not have the same experience in a mix! I just had to over-EQ the Vintage to get a tone I liked and one that would cut through.