bassist_lewis

... that was weird...

I think I'm coming at this from the opposite end to a lot of you older guys (who have done most of the posting here). I started making the effort to be a regular gigging musician about 5 years ago, I got lucky in some respects as I got in with a wedding band that operates like a franchise so has up to 10 bands out on a Saturday night and therefore always needs musicians. This introduced me to a lot of good people and also allowed me to cut my teeth in the wedding/corporate scene. The skills I learnt there have helped me get more of the high paying gigs (allowing more time to practice) and informed a lot of my original music. I think one of the key differences between those who don't give up and those that do - excluding personal choice and injuries - is that they got in with the better/busier players in town, which leads to better gigs and opportunities, which gives you motivation to do more. I've played with a lot of sub-standard musicians because I wasn't moving in the' good musician' circles at the time. Because I powered through, learned from my mistakes and orchestrated a few situations in my favour, I am now a far more in-demand player. I guess it depends how much bull$#£ you can put up with - hint: it's a lot - and also how self-aware you are. Luck may also play some part in it too...

I think I'm coming at this from the opposite end to a lot of you older guys (who have done most of the posting here). I started making the effort to be a regular gigging musician about 5 years ago, I got lucky in some respects as I got in with a wedding band that operates like a franchise so has up to 10 bands out on a Saturday night and therefore always needs musicians. This introduced me to a lot of good people and also allowed me to cut my teeth in the wedding/corporate scene. The skills I learnt there have helped me get more of the high paying gigs (allowing more time to practice) and informed a lot of my original music. I think one of the key differences between those who don't give up and those that do - excluding personal choice and injuries - is that they got in with the better/busier players in town, which leads to better gigs and opportunities, which gives you motivation to do more. I've played with a lot of sub-standard musicians because I wasn't moving in the' good musician' circles at the time. Because I powered through, learned from my mistakes and orchestrated a few situations in my favour, I am now a far more in-demand player. I guess it depends how much bull$#£ you can put up with - hint: it's a lot - and also how self-aware you are. Luck may also play some part in it too...

There's no fluff in either the hooks or loops, the loop side has just "fluffy", strands sticking out everywhere

i have a mono M80 and the guitar tick and although I've only had both for about 4 months the Velcro has lost a lot of its stickiness. Does anyone know how to restore it? On the M80 it's the cable holder and it's the loop side that is showing signs of wear.