You really are a funny old lot. The Fender Precision, and its stable mate, the Jazz, provoked pretty much those same reactions from the staid, fuddy-duddy bass players of the day when they were announced. I don't think many, if any at all, were saying 'Now there's a nice-looking bass'. The terms of reference were very different; folks had the idea that 'bass' meant 'upright double bass'. Now, it seems, 'bass' means 'Fender', and any deviation from the terms of reference seen as 'ugly'. As an object of beauty in its own right, I'd put up very few bass guitars; even very few instruments at all. Bongo, anyone..? Firebird..? Seriously..? Amorphous slabs of painted wood; nothing graphically exciting in any sunburst (maybe, perhaps, a violin finish on a semi-acoustic, if I stretch a bit...). Still, it's healthy, I suppose, to pitch tar and feathers on anyone trying to break the mould, but those wishing for innovation and progress seem hard to please, somehow. Yes, it's ugly. In exactly the same way, and for exactly the same reasons, as most basses are ugly.
You really are a funny old lot.