bassbiscuits

Ahh - yes sorry I'm with you now. I understand. If i'm re-using strings on that have already been on before, and therefore are already curled up at the headstock end, i try to keep the length of them slack so they can rotate freely in the bridge holes right up until they get tightened up, for that reason.

Daft question alert - but how do you wind the strings then? I've always wound them by hand. Am i doing it wrong?

My bass set up (excuse the guitar amp in shot). There’s also a Schroeder 1210 under the guitar amp too that needs a bit of TLC so it’s parked up at the moment. Would just like a chance to use some of it live soon really.

Religion? Same old thing for last 2,000 years.

I’m in the audience at the Stereophonics live at Morfa Stadium gig DVD from 1999, along with about 50,000 other people. Top day out and just round the corner from my mum’s house.

Already covered some of it during my degree in indeterminate studies.

Good effort. I bought a Fender Japan Mustang three years ago and its quickly become a very dependable, cool bass. I've always fancied trying a JMJ but with neither the money or the opportunity at the moment it's not happened. Mine's got La Bella flats on it and unplugged it sounds like a double bass. Weird. Good weird tho.

That’s a great pic

Along with the Scorpions Worldwide Live and Maiden’s Live After Death, Kiss Alive ll was the album that made me want to play bass. I heard and saw all three albums around the same time thanks to my older brother getting them from the local record library. The feeling has never left me!

Absolutely - same here re the blue P. He's the reason I wanted to play a P bass, though I've still never had a blue one.

The double LP gatefold sleeve of Maiden's Live After Death with all the live pictures, technical spec and gear info kept me enthralled. The VHS and DVD versions of the gig are fantastic too.

Now you’re talking.... Worldwide Live and Live After Death were mainstays of my musical upbringing, along with Kiss’s Alive 2. Probably know them all note for note.

My band played there a few times around 1991/92 and I didn't half sweat in my cowboy boots....

Motorhead, De Montfort Hall, sometime mid-2000s. I wore earplugs but by the time they got to Ace of Spades, I wanted to hear it in full effect. I took the earplugs out but lasted about 20 seconds. Savagely loud. Various death metal bands in the cellar venue of the old Coach House pub in Swansea throughout the early 1990s. It was the days of white puffy trainers, black drainpipe jeans and Marshall stacks, which is perfect for gigging in a tiny, low roofed cellar bar with bare stone walls.

It’ll be having a party I assume?

I was talking to one of the nursery teachers who knew my youngest lad last year. She was born in 1998. I’ve got t-shirts older than that. EDIT - in fact my dressing gown is four years older than her. WTF?

I read a post somewhere (maybe on here?) that if Back to the Future was made now, the year Michael J Fox would be going back to would be 1991, and he’d be playing Teen Spirit at the high school ball. I started playing bass in 1986 - 35 years ago this year. That means someone starting playing now (a friend of mine’s daughter being an example) would view me as I would have viewed someone in 1986 who’d been playing since 1951. Terrifying!

@LeftyJ true to an extent, but a better cut and fitted nut will make the whole thing play better than a cheaply made, bad one.

I got this before Christmas on this very forum - not my first ever five string, but the first one I’ve kept for more than a few weeks. But it's taken a little bit of a journey to get it sounding and feeling right for me.... So first up it needed a set up/fret dress etc - the original nut slots seemed to be cut quite high, and then restrung with some D'Daddario nickel roundwounds. Result was ok, but still not really doing it for me, so swapped to some D'Addario Chromes - much more my sort of thing. Picked up a secondhand Fatfinger headstock clamp thing, to add a bit more mass and help that super low end. Kind of worked, but still just so-so. But then the plastic nut broke - back to the repairman who replaced it with a bone nut. The result was night and day compared to the original nut - bass now feels more resonant, and the notes tighter, punchier and more focused, especially on the low B string. It feels like the plastic nut was the weak point on this particular one, and changing it for a better quality, better fitting one made all the difference and hugely improved it (maybe stating the obvious, but I've never had a nut replaced to compare before v after.) So after a few teething problems, the bass now sings. I love the overall feel in terms of string spacing, its relatively light weight, scale length etc, so I'm glad i've been able to make it work to my tastes. Haven’t bothered re attaching the Fatfinger so far either as it sounds so full and even now without it. Result I’d say.

Only Francis Dunnery’s (It Bites and solo artist) plectrum from a house gig of his a few years back. It’s not even a personalised one tho - it’s just a Beatles Abbey Road one. I keep it in one my tins of knick knacks and hope it will bestow songwriting magic upon me whenever I’m struggling with ideas. I’ve yet to test that theory tho.

Maybe just get a bigger car and travel with a normal sized bass

That’s ghastly

Ha ha. Nicely done. 👍

I had the, um, joy of seeing a late-era Amy Winehouse at the V Festival in 2009 I think it was. I thought she was dreadful. Also the same festival where I managed to spend the whole of Alanis Morisette’s set queuing for a poo. Good times eh.

Yikes - is that what it equates to now with import tax or something? 20% more than before? Jeez.