Lozz196

For bass, yes. Not good with length of notes or speeds etc but where the notes are on the stave I’m fine with.

Without sounding flippant, visit a shop and play one, only your hands will be able to tell you. Pretty much any Precision works for me, but I’ve found my faves (US Standard 2013-16 range) via trial & error. For me I just enjoy playing them more than any others, but they’re all Precisions. So take your own Player along (tell the staff of course) and play a Performer, see where you go from there.

Yep, Markbass amps also - imo - take pedals pretty nicely too. The CMD121 & NY121 is a decent rig, plenty of power.

Definitely, size of the audience should have no bearings on the amount of effort put in to a performance.

For me it depends on both the size of the stage, and how many people in the band. If in a 3-piece like my last band then some form of movement is needed as the singer/guitarist was firmly rooted to his mic aside from in solos. I say some form of movement, in my head I was running all over the stage, in reality it was slow ambling that Brian The Snail from The Magic Roundabout could have equaled. Bizarrely it also depends for me on instrument colour - I find if I`m playing a white bass I`m a bit more "showy" whereas with my black basses I tend to stay a bit more firmly rooted in one spot. But my preference is always for the Cliff Williams style of stand at the back and only move forwards when doing backing vocals. Leave the showy stuff for the singers & guitarists.

Yeah, until I was in my last band the only similar aged (late 40s/early 50s) musicians I encountered were all about covers. Maybe it`s down to venues and their wants that leads this?

You’ve had some good fortune there, the stock Aerodyne pickups were ok but Wizards are in a much different league.

They sound really nice on the few clips that are available

The most successful band I’ve been in was an originals band which I joined at 48 and left at 54, played 50+ gigs a year, festivals, toured overseas, albums released by record companies (tho not signed to them) etc. It’s never too late, tho at 56 I now acknowledge my limits a bit better - hence why I left the above, but I’m still in an originals band. So don’t give up hope, and even if taking a few years off if you have a bass you really connect with put it in its case under the bed/on top of the wardrobe, at some point you’ll most likely get the urge to play again.

Same for me Mick, great single, the rest of their material largely passed me by.

Afraid I used a box every time Ped, they’re not gonna get broken but a box offers some protection against cosmetic damage.

Strangely I’ve found that using a thinner pick, around 0.88mm gets me a sound fairly near to finger style, anything more and the sharpness of the attack makes it evident it’s now a pick.

Re new amp or go for the modelling stuff, well if you can guarantee you’ll always be going through the PA from now on then it might be worth a try. That said you’ve got that great BF cab, so in your position I’d sort either a new amp or get that one fixed, then have a preamp/DI pedal in the chain connected to FOH at all gigs. Pedal doesn’t need to be switched on unless needed, so a Behringer BDI21 would be ideal, cheap, sound great.

I rather like Zephyr Song too

Kermits bass maybe…..

Agree, nowt wrong with supporting home grown businesses, but for me I’d be wanting something “extra” if the price was more than a comparable item manufactured elsewhere. Dr Martens spring to mind, their UK made boots are of a much better quality than the overseas made ones - with a price tag to reflect this of course.

If I were nearer I’d love this opportunity, good luck with the search

Is Charlie stopping gigging? Or is it just non-UK gigs they’re stopping?

I’ve heard of Capris being up at £70K My first one was only £650

I went to a local luthier for a bit of work on a bass and he had a ‘59 Les Paul in. I didn’t go anywhere near it in case of any accidents or clumsiness on my part.

Or maybe The Popular Peoples’ Cradle of Judas….