Delberthot Posted June 4, 2009 Share Posted June 4, 2009 I currently have a Boss OC-2 and have been enjoying using it but since recently investing in a fretless, it doesn't seem to track particularly well on any notes that are held. I know that Pino has used one for years but there's too much warble with the fretless. I'm guessing that I will need to look at poly octave pedals. Thing is, I really like the sound of the Boss - is there anything similar to it that will track better? I haven't tried an OC-3 so don't know if it sounds the same or not. Quote Link to comment Share on other sites More sharing options...
thisnameistaken Posted June 4, 2009 Share Posted June 4, 2009 Weird, mine tracks fine with fretless. You could look at the MXR Bass Octave Deluxe, or the EBS Octabass, apparently the octaver in the Digitech Bass Synth Wah is really good, or if you want weedy digital octaves the Micro POG's tracking is stellar. Quote Link to comment Share on other sites More sharing options...
DanOwens Posted June 4, 2009 Share Posted June 4, 2009 Is your fretless particularly low output? Some people suggest rolling off your treble to clean the overtones and thereby give a 'purer' fundamental. Dan Quote Link to comment Share on other sites More sharing options...
gafbass02 Posted June 4, 2009 Share Posted June 4, 2009 Def the micro pog, you get octave up and down and its polyphonic so it tracks beautifully even on chords, its also so versatile, makes you sound like an organ etc, one of the best pedals i ever bought! Quote Link to comment Share on other sites More sharing options...
hubrad Posted June 4, 2009 Share Posted June 4, 2009 Also, don't expect too low notes to track well; especially if you're on roundwounds there'll be plenty of harmonics to confuse the Octaver. The OC-3 is a bit better, due to the poly version and the bass input, but, hey, Pino used an OC-2 with a fretless! Alot of his lines are played an octave higher than you'd expect. Quote Link to comment Share on other sites More sharing options...
jmanfunk Posted June 4, 2009 Share Posted June 4, 2009 I 'd definitely suggest playing with the controls on the pedal as well as the on-board eq. and see if that makes a difference. There's no reason why it being a fretless should make much a diference. As someone suggested, it may be the output of the bass which is causing trouble. Although the new Mxr pedal sounds pretty damn good here- Quote Link to comment Share on other sites More sharing options...
warwickhunt Posted June 4, 2009 Share Posted June 4, 2009 The Boss pedal can struggle below C on a 4 string bass (I use one). Simple remedy... don't go below C! Seriously! Whilst playing an octaver why would you be playing in the lower register? Even if you have a phenomenal amp and cab(s) the lowest register sounds pants with any pedal (IMHO) Among others, the Carl Martin and EBS are as good if not slightly better but you'll still end up splashing a wedge of cash and be finding fault regardless. I've tried some of the other pedals (and rack units) available and tbh the Boss may warble a bit on sustained notes etc but it is no worse than most and better than units costing twice the price; learn to play around it's weakness and enjoy what it does. Quote Link to comment Share on other sites More sharing options...
ahpook Posted June 4, 2009 Share Posted June 4, 2009 [quote name='warwickhunt' post='505972' date='Jun 4 2009, 11:44 PM']The Boss pedal can struggle below C on a 4 string bass (I use one).[/quote] my pearl octaver struggles below C as well. it works great for fretless, but as you say... what are you doing down below low C anyway ? ymmv au naturellement Quote Link to comment Share on other sites More sharing options...
DanOwens Posted June 5, 2009 Share Posted June 5, 2009 +1 to a lot of what's been said. People regularly think octavers are meant to simply add an octave below what you're already playing. Actually, the effect works best when you transpose what you're already playing up an octave, use the '-1 Octave' signal as your bass part, adding fluid warmth to your sound. Then use your normal signal almost as a '+1 Octave' to add clarity and definition. Listen to a lot of classic fretless/octave playing and that's the way its used! Since 5 stringers go down to a B (standard tuning), I suppose it makes sense for the Octave pedal to track that low (My OC2 is not too bad at an A on a good day). I realise there are a few ERB players around, and I suppose their F#s are beyond our reach with mere pedals (but we try!). Dan PS Fractured my elbow a fortnight ago. Didn't take any painkillers today and had a small whisky. *hic* Quote Link to comment Share on other sites More sharing options...
bozzbass Posted June 5, 2009 Share Posted June 5, 2009 [quote name='DanOwens' post='506049' date='Jun 5 2009, 02:25 AM']+1 to a lot of what's been said. People regularly think octavers are meant to simply add an octave below what you're already playing. Actually, the effect works best when you transpose what you're already playing up an octave, use the '-1 Octave' signal as your bass part, adding fluid warmth to your sound. Then use your normal signal almost as a '+1 Octave' to add clarity and definition. Listen to a lot of classic fretless/octave playing and that's the way its used![/quote] +1 to this and the other guys who have said the similar things. When I first got an octaver I tried playing in the lower positions and in the end realised it it just sounded lumpy and bumpy. Transpose everything up an octave on the neck and it sounds great. In terms of warble, I must say I actually quite like it. Quote Link to comment Share on other sites More sharing options...
Hamster Posted June 5, 2009 Share Posted June 5, 2009 I've always been happy with my Digitech BSW, and I'm gassing for a fretless so I'll let you know! Quote Link to comment Share on other sites More sharing options...
Mr.T Posted June 5, 2009 Share Posted June 5, 2009 [quote name='Hamster' post='506170' date='Jun 5 2009, 10:31 AM']I've always been happy with my Digitech BSW, and I'm gassing for a fretless so I'll let you know![/quote] +1 for the BSW. It works great with my fretless... all the way down to Low E. I use it sparingly to add body to the sound. Quote Link to comment Share on other sites More sharing options...
noelk27 Posted June 5, 2009 Share Posted June 5, 2009 When my old OC2 died the first replacement I tried was an OC3. To be honest, the reason I didn't like it as much was that you couldn't overload it in the way you can an OC2 - as I think the slightly unpredictable nature of an OC2 is part of its character. Of the others I tried, the EBS sounded the best to my ear - but anything other than an OC2 sounded too clean to me. So, picked up another OC2 used. Of course, like others, I avoid tracking issues by not straying below C - and five-string issues by sticking with only having four strings on any bass! Quote Link to comment Share on other sites More sharing options...
megazap63 Posted June 5, 2009 Share Posted June 5, 2009 Hi y'all I recently sold an OC-2 to a guy here on the forum, which I'd been using for the past 20 years. It sounded great on a fretted bass but only so-so on fretless, even with a lot of tweaking on the bass, pedal and amp and playing in a higher register. I also know a couple of other BPs who had a similar experience. I recently bought an EBS Octabass and the difference is, to say the very least, huge. Clear and clean, tracks well in every position on the neck. While it sounds different to the OC-2 (ie not particularly synthy, more like a bass), that rich 'mwaar' sound that you want from a fretless couldn't sound richer (to my ears, anyway). In fact, with just a small amount of octave dialled up and a bit of reverb/chorus my fretless really sings. Cheers and good luck Quote Link to comment Share on other sites More sharing options...
Delberthot Posted June 5, 2009 Author Share Posted June 5, 2009 (edited) Just got the chance to read the responses. The bass in question is my Squier Modified Fretless Jazz bass and the output is very similar to my Warmoth - ie, rather hot. I have the bass set with the bridge pickup on full and the neck one slightly lower. With the Warmoth, it'll let me play an F# on the G string. The main song in question is Billy Jean by Michael Jackson played in f# on the D string on the 4th fret The riff at the end of the Paul Young song 'I'm gonna tear your playhouse down' starts on the 15th fret so I know how high you can go. Edited June 5, 2009 by Delberthot Quote Link to comment Share on other sites More sharing options...
Delberthot Posted June 15, 2009 Author Share Posted June 15, 2009 Problem solved. After a good set up at the weekend and a gig. The problem has vanished Must've been too much of the string touching the fretboard at the same time, producing multiple notes or something. Quote Link to comment Share on other sites More sharing options...
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