Jump to content
TheGreek

Aluminium necked Kramer DMZ 4000

Recommended Posts

4 hours to go and £410 GBP. It's Sunday, so might go for twice this ... or not...

Just try your bid @dmccombe7

Share this post


Link to post
Share on other sites

It's now above what I would've been prepared to pay.

Mind you, I've got one, albeit the one where they let a nutter chop the corners off...

hE26Kl5.jpg

  • Like 1

Share this post


Link to post
Share on other sites

I was rehearsing today so missed the final days bidding but at £570 i'd be looking for one that works so not sure i would have gone that high.

Maybe next time. I'm still hooked on Sandberg basses at moment. I now have a notion for a Sandberg TT4 or Marlowe DK as recommended by my good friend and Sandberg Spiritual guide @Cuzzie  :D

Dave

  • Like 1

Share this post


Link to post
Share on other sites
On 15/10/2020 at 19:47, Hellzero said:

For those still living in the Middle ages :

4.250 kilos is 9.370 lbs.

4.505 kilos is 9.932 lbs.

4.690 kilos is 10.340 lbs.

Welcome to modern days, where since 1999 the royal measures are supposed to be part of the past...

Yek yek. 😁

Even longer than that, the UK has been metric for 55 years. It just takes the more benighted of the population a long time for it to sink in.

  • Thanks 1

Share this post


Link to post
Share on other sites

The metrication of the UK has been going on piecemeal since the establishment of The Metrication Board in 1968, but still isn't fully metricated. The Board packed it in in 1980, and their final report said '...taken as a whole, Britain is far from being wholly metric."

Share this post


Link to post
Share on other sites

It's amusing to talk to my children in their late teens early 20s. They weigh in kg, measure in metres, drive in miles, run in km, drink in pints and have no idea what inches or ounces are.

I measure as above, except I estimate people in feet and inches, babies in pounds and basses in kg.

  • Like 1
  • Haha 1

Share this post


Link to post
Share on other sites
1 minute ago, Richard R said:

It's amusing to talk to my children in their late teens early 20s. They weigh in kg, measure in metres, drive in miles, run in km, drink in pints and have no idea what inches or ounces are.

I measure as above, except I estimate people in feet and inches, babies in pounds and basses in kg.

To be honest i'm kinda mixed as well. I weigh myself in stones and pounds, I drive in miles and mpg. Depending on accuracy i measure in metric when i want accuracy and imperial when approximation does the job. I still call it a pint of milk but measure my home fuel deliveries in litres.

Weird

Dave

  • Haha 1

Share this post


Link to post
Share on other sites

That said, I talk in inches for the scale of an instrument, except for double bass where I use metric measure and in imperial measures for the gauge of my strings... :crazy: 

  • Haha 1

Share this post


Link to post
Share on other sites

And string spacing in mm.

I do height and weight in cm and kg, generally measure in metric, torque in Nm, longer distances in miles but can switch to km (ditto speeds). Finding it hard to move from psi to bar.

Oh, and I don't much like Al-necked Kramers, from my having a play of a former band-mate's many years ago. It got used as one of the instruments pxed for my first Warwick (I gave said bandmate the money that the shop credited me for it, £75).

  • Like 1

Share this post


Link to post
Share on other sites
9 hours ago, tauzero said:

And string spacing in mm.

I do height and weight in cm and kg, generally measure in metric, torque in Nm, longer distances in miles but can switch to km (ditto speeds). Finding it hard to move from psi to bar.

Oh, and I don't much like Al-necked Kramers, from my having a play of a former band-mate's many years ago. It got used as one of the instruments pxed for my first Warwick (I gave said bandmate the money that the shop credited me for it, £75).

I was an Instrument Engineer and got used to the different pressure and temperature scales over the many, many years.

psi, bar, pascals and farneygrade to kelvin altho kelvin wasn't used just as often.

Dave

Share this post


Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Recently Browsing   0 members

    No registered users viewing this page.



  • Similar Content

    • By LloydyG10
      Hi all
      For sale I have a Yamaha RBX765a % string bass that need a bit of work doing to it
      I purchased this bass some time of eBay some time ago and when it arrived I discovered that it has a damaged neck and dodge electronics. Tried contacting the seller but got nowhere so it has been sat in the corner. With regards to the neck I suspect it may have a broken truss rod which has lead to a twist in the neck. Turning the truss rod does nothing. As for the electronics all the pots seem to work but the front pickup is dead.
      I'm selling this for      SOLD     with the hope of somebody with more skill and time to fix it would want it for a project/ repair
      I've tried to show the twisted neck as best as i can in the pics. Any questions please feel free to ask, I'll do my best to answer
      Cheers
      Lloyd


    • By Baloney Balderdash
      Here is the Ibanez GSRM25 5 string Mikro that I mentioned in the "Show off you short scales" thread, where I posted a picture of and talked about my main 4 string Ibanez Mikro Bass:

      It got a poplar body and a maple neck with a jatoba fretboard, and I also did some visual mods on it, among other added a silver lotus flower decal with an OM sign in the middle and painted the pickup covers grey, the 2 stock J pickups I wired in series directly to the output jack socket, bypassing the pots, which means that the knobs and the switch are just there for the sake of being decorative. 
      To be honest, in my opinion, as the pickups were wired from stock they sounded like crap, no matter how I adjusted them, they sounded like a caricature of the famous Jazz Bass burp, a really over emphasized burp there was no way of getting rid of, on top of them just sounding somewhat underwhelming and anemic, except, as I found out by wiring the pickups in series, which not only got rid of the ludicrous bad sounding burping sound entirely, but actually also made them capable of a genuine great full sounding tone overall. 
      Otherwise this bass was perfect from factory, and I mean absolutely perfect, just to mention one example I would be able to get ridiculously low action if I wanted to without any fret buzz whatsoever, the frets are just dead on perfectly leveled.  
      On the particular picture above it was actually strung with the 5 lightest strings of a 6 string D'Addario set, gauge .100 to .032, but I later put on the Ernie Ball set meant for Bass VI type instruments, using the 5 lowest strings, gauge .090 to .030, and tuned it F# to D, as in F# standard tuning, 2 half steps above regular 4 string bass E standard tuning, threading the strings through the cut off ball ends of some old bass strings I had, to be able to fit it on the bass's bridge, since those Ernie Ball strings have guitar sized ball ends.
      I intend to use it as the main instrument for some songs in the making for a sort of progressive psychedelic stoner rock/metal solo project I am working on called "all I nil", which is supposed to have the fundamental, primary, instrumentation consist of just bass, programmed and physically recorded drums and various percussion, as well as vocals, though a much more sparingly use of additional instrumentation, like for instance programmed or physically recorded organ/synth, piano, electric or acoustic guitar, cello, flute, glockenspiel/bells, as well as eventual more ambience based effects, will be added for certain parts of the songs, restricted to fill out a, in no way dominating, fundamental or essential, more flavor oriented, secondary function.
      I am still working on my setup/rig for this thing, but one thing that is certain is that an octave up effect will be added to my bass signal, sometimes with separate effects used respectively for the octave up signal and the regular bass signal, sort of giving an effect similar to a 10 string octave bass with pairs of bass and octave strings, just with the advantage I get from doing it this way of being able to process the bass and octave up signal separately.
      For this I am using a TC Electronic Sub 'n' Up Mini, which seems to actually work really well for this, as good as flawless and super fast tracking, and in my opinion being capable of sounding more natural/realistic than for instance the EHX POG pedals, which tend to have a slight somewhat organ or synth like quality to the octave up signal.
      Pitching your signal up a whole octave is always going to sound somewhat artificial though, no matter how well it is processed, but it has actually still worked surprisingly well and sounded reasonable naturally in my preliminary test runs of this idea, and adds a lot of extra sonic space and flavor, exactly as will be needed for this project, where my bass is going to be the main, and most of the time only, instrument that carries the melodic content of the tracks (well beside the vocals of course).
      Other than that heavy thick distortion with fuzz like qualities mixed with a bit of clean signal, and secondarily chorus, flanger and phaser, will see a lot of use for this project. 
      Just in the process of figuring out which kind of setup will give me the best results for what I have in mind currently, and so far only got fair deal of the basic bass parts down so far (I believe I more or less got the bass parts and final form for 4 to 5 tracks at the moment), then when I got my setup perfected the actual recordings can start, then the programming of the drum/percussion parts and eventual additional flavor instruments comes, and eventually writing the lyrics and getting the vocals laid down. 
      All in all I think at least another 6 months, very likely even more, before I got an EP, or less likely a full length album, ready for release on Bandcamp and various online digital music streaming services and shops, perhaps even a self released physical version, but we'll see about that when it eventually that time comes.    
       
      Here's a short sound sample of a preliminary distortion tone, using some riffs I have been working on for this project (notice that if you are not logged into Dropbox a box might pop up when you click the link, encouraging you to sign up, blocking for the audio player, in that case you just click somewhere outside that box and it will disappear, making the audio player accessible):
      https://www.dropbox.com/s/8m02vfjf7dv5ojx/all I nil - New Distortion Sample.mp3?dl=0
       
      And here's a couple of older very rough takes of 2 songs in the making, respectively with the working titles "3rd Eye of Hypnos" and "In Orbit", playing both of them in a bit faster tempo than was is really intended ("3rd Eye of Hypnos" since this recording having had a much melodically expanded variation of the intro and outro riff added) :
      https://www.dropbox.com/s/3u06k5cct75coi9/all I nil - 3rd Eye of Hypnos.mp3?dl=0
      https://www.dropbox.com/s/7f5wbstq5wh318w/all I nil - In Orbit (Take 2 F%23).mp3?dl=0 
       
      Please note that the above linked to recordings are fairly old, recorded directly and not with a miked up amp or any form of amp emulator added or other post production done to them, as well as this was a preliminary temporary setup, and as a result the tone/sound of these recordings are admittedly pretty crappy, and pretty seriously far from how it is actually eventually going to sound after I have managed to find just the right pedals for the effects I intend to utilize, just the right setup for these, recorded with a properly miked up amp, and having been edited, mixed and mastered properly, it is not even remotely close to how it eventually is going to sound live either, as it, already at this point, where I haven't actually found just the right setup that I am 100% satisfied with, sounds way way better than these recordings, but thought those crappy sound snips might still be able to give you at least some idea of what I am heading at with this project.  
    • By Ben Jamin
      Just having a clear out of old stuff! I saved these from the tip many years ago with the idea of repairing them/making some nice decor items but naturally never got round to it.
      I just need them collected - I'll even pay with a cup of tea / beverage of your choice!
      They all need work but they have the potential to be decent guitars or at least fun to practice guitar 'improvements' on.
      First up is a BM Jumbo 155 (which I think is by Yasuma / Japanese?). It's a Martin D28 clone apparently. It could do with some love and a setup but everything's there for a decent acoustic! There's also an Aria XL-DLX Excel Series (guessing either Japanese or Korean?) which needs some more work! It's got a space for a Floyd bridge and needs new tuners etc but it could be a solid rocker. And finally there's a BM Clasico made in Spain. It's pretty rough and needs some new strings - but it comes with it's own fancy case. Thanks for looking! Have some mobile phone photos!
       
       
       














    • By alinbassplayer
      Hey guys, so up for sale is another one of my basses, this one is a very old Godman(?) electro acoustic bass, it's in a bit of a state, i got it in far worse state tbh, cleaned it up and had an attempt to make it a fretless, only to realize i am not great at this, also never got round to learning so i just left it like that. 
      I think the fretboard is rosewood, i don;t know what strings those are on it, it was very long ago and they might be electric bass strings.
      So with the exception of the frets being taken off, the neck is, obviously, a little bent because of the lack of frets, also it was way more bent when i got it, managed to straighten it a bit.
      Initially i think who had it first either spilled something on itor tried to clean it and it was quite tarnished, so i cleaned it up a bit and also sanded off the godman logo on the headstock, so looks like a no-name.
      The piezo under the bridge only works for 2 of 4 strings, if i remember correctly it's for the top 2, someone recommended i shove something under the piezo for those 2 strings that don;t work and the pressure would help, never tried it, but the preamp works otherwise.
      I think i might have a gig bag for it, but i don;t think it's usable, or it might just be it's for an acoustic guitar. so comes as is, for £15 you do get a semi usable acoustic bass, if you have the time to put into this you might actually make it usable.
      Basically it's taking up space, i'm not using it and i think someone else could benefit from this, even if you just fix it and give it to charity, still a good idea, i just don't have the time to do that.
      I have a few snaps of this






    • By thundachopz
      Hey
      Been playing over a decade touring, gigging and recording etc etc. (Mostly for other so called bands and ego trips!) You get the idea...lookibg to brach out a little more and promote myself as a standlone musician to move on to possible better things....
      I have now decided maybe starting my own project would be more suited as I would have more of an imput and voice?
      As we all know finding the right musicians and set up is difficult and fustraiting.
      I personally feel I havent expressed myself or my goods in any of the previously released material. (Some of you may feel the same)
      Any of you in or have been in the same position?
       
      Cheers
×
×
  • Create New...