stewblack Posted 4 hours ago Posted 4 hours ago Interesting discussion @Reggaebass and @SumOne As I get older I find myself craving what, for want of a better word, I call authenticity. I speak not of composition but more of the sound. Real instruments played live in a ratty old studio. For reggae and some other musical genres, it's a vital part of the experience 1 1 Quote
Leonard Smalls Posted 3 hours ago Posted 3 hours ago 5 minutes ago, stewblack said: authenticity Here's my entry for this month's BC compo compo... In order to be as authentic as poss I should have bought an old Fender through a big valve amp, then mixed everything using tape delays and valve mixing desks and whatever else. However, as I have none of that stuff, just a Sandberg bass, a Helix, an Impulse keyboard and battered Squier Strat plus Ableton on a PC and a host of VSTs and plug-ins. But I did play the bassline in 1 with no further overdubs so that might be a touch authentic! 3 Quote
Reggaebass Posted 2 hours ago Author Posted 2 hours ago 1 hour ago, Leonard Smalls said: Here's my entry for this month's BC compo compo... In order to be as authentic as poss I should have bought an old Fender through a big valve amp, then mixed everything using tape delays and valve mixing desks and whatever else. However, as I have none of that stuff, just a Sandberg bass, a Helix, an Impulse keyboard and battered Squier Strat plus Ableton on a PC and a host of VSTs and plug-ins. But I did play the bassline in 1 with no further overdubs so that might be a touch authentic! Nice work Leonard, I’d happily listen to that, good luck with your entry 1 Quote
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