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Fingering


MrBump
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I started out listening to Steve Harris and grew up on Iron Maiden's Live After Death video, so I warned to learn three fingers from the outset ( tho I think Harris uses all four!)

Ive got it sounding quite smooth with the three providing a continuous strum pattern, but I don't often really need to use three for the speed of it with the music I play nowadays.

I don't reall think that much about what my right hand pattern is to be honest - I bet half the time I'm using just my index or index/middle or any random one of the three main fingers!

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[quote name='MrBump' timestamp='1459417536' post='3016275']
[b]My guitarist mentality states that more is better[/b] - therefore, when I started to learn bass I was keen to use as many fingers as I could on my right hand,
[/quote]
Once you drop the guitarist mindset it should become clearer. Bass is a supporting instrument - no need to thrust - put foot on monitor and drown everyone out. Sit back and enjoy the groove. Most of the bass playing gods managed to sound fantastic using 2 fingers - i wouldn't worry about that really. The position of your fretting hand is probably more important than the number of digits used.

Yamaha BB range are nice basses.

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I spent about 15 hours over the Easter weekend working on a bunch of Maiden songs and working through different techniques to balance ease/speed/consistency - 2 and 3 fingers and plectrum.

The Trooper has made it's way onto my band's list so it's a good one to work on - three fingers had the gallop feel nicely but wasn't punchy enough. Pick is fine, tight and has the feel. Two fingers took a lot more work to get up to speed but has the pick-level of attack.

Then I moved on to "The Evil That Men Do" which is still a gallop/triplet feel but faster - fractionally. Pick technique went to pieces, two fingers was a mess but three was acceptable.

It's just about practise, practise and more practise and sing what works reliably for you. Having a wider range of techniques you can trust is a good thing.

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[quote name='tauzero' timestamp='1459514324' post='3017303']
I started on guitar and still play it a bit, both plectrum and finger picking. On bass I use one or two fingers, occasionally a pick, and occasionally thumb and two fingers - for some reason I don't do thumb and three fingers like I do on guitar. There's no one right way, just be prepared to experiment with technique for each song.
[/quote]

He uses two most of the time, occasionally will use all 4 as one giant finger though. I mostly use two or a pick, though i would say it's worth being able to play with three, just because triplets are easier and it can help in faster sections, but it isn't an essential.

Edited by LiamPodmore
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Steve Harris only uses two, confirmed in his recent interview with Bass Player magazine.

I use a three-finger technique 99% of the time, but ring finger is used for string damping and first note-plucking when moving up a string. a bit like what Gary Willis does.

http://www.youtube.com/watch?v=-f5tD9L3h1M

(don't look too hard at the youtube channel name)

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[quote name='toneknob' timestamp='1459607412' post='3018052']
Steve Harris only uses two, confirmed in his recent interview with Bass Player magazine.

I use a three-finger technique 99% of the time, but ring finger is used for string damping and first note-plucking when moving up a string. a bit like what Gary Willis does.

http://www.youtube.com/watch?v=-f5tD9L3h1M

(don't look too hard at the youtube channel name)
[/quote]
An interesting thing about Gary Willis' right hand technique is the angle of his wrist- it's totally straight! On his DVD he says that this reduces tension and fatigue, which makes a lot of sense to me. I've tried his hand position instead of my standard crooked wrist position, but I can't seem to get an even attack with both fingers... Must persevere 😐
For most stuff I use two fingers, but I practice with three for some situations (fast grace notes/ runs and string crossing).

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