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Chris2112

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Everything posted by Chris2112

  1. It's worth noting that Munji (or whatever his name was) from Talkbass, who has been through hundreds of basses, including Fodera, Alembic, Sadowsky, Ken Smith etc etc - the best of whatever field you look at - rated his Yamaha TRB bass as highly as any. These things are seriously mint basses, and the quality if comparable to the big name boutique stuff IMO! Nice bass, good luck with the sale!
  2. Dots on the side of the fretboard.
  3. Hello all, As some of you may have seen, I have recently taken steps to reach my boyhood dream of owning an Alembic. As a result of this, I will need to make space in my bedroom and also put a couple of pounds back in my pocket. The wife wasn't too happy about the idea of her being moved out, so it'll have to be a bass that goes! Since I only have two basses at the moment, a fretted Thumb and a fretless Musicman, I'll have to sell my fretless since I've got a new fretless bass coming! [b]The bass[/b]: The bass is what I like to call a Musicman Sabre "Special". It is a 1980 Musicman Sabre neck attached to a body made by Greg Whittle, aka Basschat member "Shaggy", whose obvious talent for luthiery shines through. [b]It has[/b]: *a 1980 Sabre neck * fitted with an African blackwood fretboard *a body made from Bubinga with a Thuja burl top * a 3 band Seymour Duncan EQ with turned ebony control knobs *a Seymour Duncan MM pickup * fitted with gold Schaller tuners *a brass bridge, brass backplate and brass neck tilt adjuster, as well as an "easy access" battery compartment. * It also has a "textured" finish. The wood was too porous to finish with a traditional seal, and has been french polished for protection. It looks lovely! [b]The sound[/b]: As rich and full as you'll find, due to the body woods. Burpy, thick and articulate. I have come to reason that the MM pickup placement is perhaps the best for fretless bass. You get the cut and growl of the bridge area and the mid-range fatness provided by the upper coils. It is an incredible sounding bass. I've played a bit of everything with it, from 1980's Palladino/Paul Simon pop through to Weather Report fusion. Great sounding bass, and records well too. [b]Now, possible downsides[/b]: 1) It's heavy. Granted, its a tone monster because of the dense woods and brass hardware - it's 12.5lb according to my bathroom scales. I've had no troubles doing full standing rehearsals with it, but I've mainly used it for seated shows and recording sessions, where the weight is less of an issue. 2) One of the screws is missing from the pickup cover. However, this wasn't an issue when it came to me adjusting the height of the pickup. Pictures (taken by Greg, as I've lost my camera memory card): As I have previously mentioned, I have been playing mainly fretless bass these past few months and I have enjoyed this bass immensely. I'm sure someone else will have a fantastic time with it too. I'd be happy to sell it for what I got it for, as I think Greg gave me a great price. £500 will get the bass, the hardcase it came with and the papers for the pickup and the preamp. I'd be happier with collection from Newcastle, however I will post at the buyers expense if they can arrange a courier. If you have any further questions or wish to have a chat about the bass, please PM me. Alternatively, if you wish to speak over the telephone, PM me your number and I'll give you a ring. Cheers! Chris
  4. Glad I got here when I did then!
  5. Very funky - that said, I'm not a fan of Duke! I love Stanley Clarke but I just can't listen to those Clarke/Duke project records.
  6. Looks like he ahs some nice stuff, albeit priced highly. The price on the Musicman Axis guitar seems reasonable though.
  7. [quote name='lowdown' post='818197' date='Apr 25 2010, 04:58 PM']If she was trying to whistle that theme in 12/8 and finding it hard, Could be possibly due to the fact that it's in 7/4.. Garry[/quote] Great piece of music though! Especially the full length 1980's version!
  8. Hmm, you'll definitely have to give it some leather on the old Jaco lines then, just for good measure! Looks absolutely stunning!
  9. I'm thinking about buying one of these at the moment...I've always fancied one!
  10. [quote name='The Bass Doc' post='817430' date='Apr 24 2010, 07:06 PM']A Saturday would have done if both me and Pete were in.[/quote] I'll say! That said Howard, your old white P bass never seemed too off colour! Looking at that bass, it just looks like a health hazard. And if the club atmosphere did that to a bass, imagine the havoc it would be playing with your lungs! That said, with the general death of nitro finished basses, I doubt we'll see all that much "relicing" now anyway!
  11. I find this "toxic" song to be absolutely dire!
  12. Victor Wooten most definitely. His playing I'd say is more accomplished than any other bassist. There are others I prefer musically - Geddy Lee, Stuart Hamm, Jonas Hellborg, Tony Butler etc etc... ...but Victor has took the instrument furthest since Jaco imo!
  13. [quote name='silddx' post='815364' date='Apr 22 2010, 07:35 PM']And show me a jazz musician who can write credible lyrics. It's all about feel, interpretation and context.[/quote] Show me a pop musician who can!
  14. Me, I just enjoy having a new toy to play with every now and again! And if it sounds good, brilliant!
  15. Well, thats the thing with Warwick, they can do everything! Very well too!
  16. When you're as good as Matt Garrison, I'm sure we can forgive him for paying the rent!
  17. [quote name='Sean' post='814029' date='Apr 21 2010, 06:18 PM']In most cases with Jap Fenders it's absolutely true.[/quote] +1 Japanese Fenders are usually the best! The best jazz bass I've ever played (in memory) was a red CIJ one, maple fretboard and EMG pickups at Howards Bass Place! And my brother's CIJ Yngwie Strat is the best Fender guitar I've ever played! Its a feckin incredible guitar.
  18. Is that Vinnie who has called it an "Alembig" bass on the invoice? Nice looking bass too!
  19. Mark King - the man made some excellent chop heavy pop fusion, and made his band a pop success despite their limited singing talents! Really, Level 42 are just a keyboard player, a drummer and a bassist with excellent chops! He also has excellent taste in basses, excellent tone and he can groove much harder than Flea. Flea just never interested me really. In the end though, I like Mark but everyone is entitled to their opinion.
  20. If I didn't have a Thumb I'd be all over this!
  21. [quote name='funkle' post='449789' date='Mar 30 2009, 07:09 PM']Jeff Berlin has contacted me about coming on to the boards here for a moderated chat, like he has done over on Talkbass. Would people be interested in this? Pete[/quote] I'm sure such an opportunity would be greatly welcomed. The Talkbass chats were fantastic, I'm a huge fan of Jeff's music so just getting to say hi was awesome!
  22. [quote name='green' post='802520' date='Apr 11 2010, 12:35 PM']i guess i found another really bright bass: kubicki x-factor too bad those are so rare...[/quote] My Kubicki had a really bright sound, great for the Stuart Hamm stuff I was into at the time! However, my Status Stealth bass was much brighter that the Kubicki! The Kubicki was abit "thinner" sounding, but in an awesome way.
  23. I only had my CVJ for a week or two before I sold it on, but I found it to be a good bass, and perfectly useable. I thought it was miles better than my VMJ fretless, which was also pretty decent!
  24. I remember on Talkbass, the club thing got a bit excessive, up to the point where the joke "Club for people who hate clubs" threads were getting panned as "old hat". However, I was in the Spector club on Talkbass! Its been a while since I had a Spector though, but I still think about that bass. It was very, very good.
  25. It's a shame, but I've always found Marcus a bit "middle of the road". Always making the same stuff, with the same sound...and I don't really rate his slap playing. I know a lot of people think he is the "be all and end all" of slap, but I'd rather listen to Mark King, Jonas Hellborg, Stuart Hamm etc etc... That said, I always thought Marcus' greatest talent was his fretless playing, which he doesn't do enough of!
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