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Chris2112

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Everything posted by Chris2112

  1. The thing is, trends also play a big part in it. It was most noticeable on Talkbass but every few months had its brand, and the year had one too. Like earlier on this millenium, Warwick were the "in" bass at Talkbass and everyone had to have one. The same thing happens here I think, on a smaller scale. Whats popular and being talked about at the moment can really help shift something on the adverts page. You'd think something like a Fender would be very easy to shift, for example, but this year I'm noticing a lot of players are going for very individual basses, picking brands and basses that aren't seen every day and relishing the bass not only for what it is as an instrument but the "kudos" it has for not being something you see all the time. Hence seeing some Marcus Miller basses selling for silly prices!
  2. To be honest, it didn't work for me. It just sounded like it had had all the punch and dynamics sucked out of it. Although the original is a fantastic piece, its just not working in this context for me, perhaps because the original is so iconic to me! I also love this much underrated tune! [url="http://www.youtube.com/watch?v=m9LrE6dRHn8"]http://www.youtube.com/watch?v=m9LrE6dRHn8[/url]
  3. [quote name='Pete Academy' post='834549' date='May 11 2010, 07:12 PM']Er...anyone mention Victor? Probably the world's greatest, and boy does he get some stick on here.[/quote] Exactly my point! He's fantastic, but boy, have some people got a bee in their bonnet about him!
  4. Don't worry, it is currently safe in its hardcase in my gaff... Its absolutely fantastic! Bargain of the bloody century!
  5. I've learned "I Believe it" by Uzeb, except for the solo, which should take a bit more work! Shouldn't be too hard though.
  6. Mark King does get a lot of stick, but then when you're that good it is to be expected, there is always someone waiting to rain on the parade!
  7. I saw Nena, talk about a bloody mime act! The band didn't even bother to make it look like they were playing! Shame there was no Tony Butler with an Aria! Or even a Warwick Thumb!
  8. [quote name='JTUK' post='834085' date='May 11 2010, 11:53 AM']ok, I'll play.. Mark King has by far the better chops in this regard. I think he could easily have done the BIG session circuit on talent alone but made far more with L42[/quote] This is absolutely true. If you listen to the bass parts he played on "If I Was" with Midge Ure live at the Prince's Trust in the 80's, it is without a doubt one of the grooviest basslines of all time.
  9. [quote name='CHRISDABASS' post='832176' date='May 9 2010, 01:43 PM']Despite my "issues" i do have severe gas for the 4 string Big Al do u ever think a shop in the UK will have any in stock? [/quote] If any do it'll either be The Gallery or Guitar Guitar, I reckon.
  10. [quote name='lemmywinks' post='832069' date='May 9 2010, 12:01 PM'] [/quote] Classic Alan. Michael is the best character!
  11. [quote name='molan' post='831655' date='May 8 2010, 06:29 PM']Kubicki with the 6 way switching option[/quote] ***Christ, I had my first Status Graphite bass when I was 18! A Stealth 6 string! But I'd go for a Kubicki as my ultimate function band bass. It's light and super comfy, just sits perfectly on me! The fact that it doesn't ssound like a P or a J bass doesn't really matter, because I bought it because it sounds like a Kubicki! I had a 1989 Kubicki when I was 16 and I traded it for the Status when I was 18. Now I've got another 1989 Kubicki Ex Factor. Those Ex Factors, they look incredible and can also fool people into thinking you can really play, saying as Stuart Hamm and Victor Wooten play them! I also believe you should always have a fretless bass for functions bands, and my Alembic fretless 5 covers this.
  12. I've always thought they sounded fairly good, especially when Alain Caron was in UZEB. However, I much prefered the old style body shapes, and as a fretted bass their sound has never really blown me away. I'm also not a fan of the fact that they are known for having a fairly low output. Still, interesting basses.
  13. It has to be Tony Butler, how incredibly underrated he is!
  14. His solo stuff is good, but I always thought it was the Weather Report records where he really got to shine!
  15. I'm usually a roundwounds man but my Alembic came with flats on it, and it sounds incredible! They sound like roundwounds, but have the tight decay of flats...very strange! I guess thats just the quality of the Alembic speaking, but I'll go back to my usual fretless strings soon, Fodera Diamonds.
  16. I bought an Alembic fretless off James, and he is a top class salesman and a great bloke too! He is also nuts, so look out for his sales ads as they likely contain bargains! (Alembics in near mint condition for £600!). Excellent communications, and a top class job on the packaging side of things too. I would quite happily do business with James again in future, things could not have went better! Chris
  17. Having just got the fretless 5 Alembic today, I am absolutely blown away. Build quality that blows everything else away, and sound and playability I've never even seen in a fretless before! These basses are just obviously out of this world! This fretted bass for sale here will no doubt be incredible too!
  18. I remember playing one of these at Howards in Newcastle years ago. Great basses!
  19. Definitely one for those who like "interesting" basses! I've grown tired of the whole "Fender" or "Fender-a-like" thing. Basses like this for me represent the cream of the crop, something incredibly well made that is a bit different, something you wouldn't usually see strolling into a guitar shop on the high street! Incidentally, with it being an Alembic you can also guarantee quality, as high a compliment as you can get! As it happens, I should have a fretless Alembic Epic 5 string coming in the post tomorrow since I missed collection today!
  20. I have always loved this song - groovey as hell, with some very special guitar playing. Incredible fretless lines too. [url="http://www.youtube.com/watch?v=2QD9y8fw9l8"]http://www.youtube.com/watch?v=2QD9y8fw9l8[/url]
  21. Oh, I think you'll really enjoy this Thumb. I do rate the ones with Wenge necks a bit more as they just sound better and feel better too, thanks to the slimmer neck profile, much more like what you find ont he 1980's Thumbs! Since you're already a Thumb man I think you'll enjoy having a shot on this one!
  22. I guess I'll jump in here and stick my oar in, since it looks like this is traded pending hand over on monday! two Red Kubicki Ex Factors on here at the same time, wow!
  23. It's worth noting that Munji (or whatever his name was) from Talkbass, who has been through hundreds of basses, including Fodera, Alembic, Sadowsky, Ken Smith etc etc - the best of whatever field you look at - rated his Yamaha TRB bass as highly as any. These things are seriously mint basses, and the quality if comparable to the big name boutique stuff IMO! Nice bass, good luck with the sale!
  24. Dots on the side of the fretboard.
  25. Hello all, As some of you may have seen, I have recently taken steps to reach my boyhood dream of owning an Alembic. As a result of this, I will need to make space in my bedroom and also put a couple of pounds back in my pocket. The wife wasn't too happy about the idea of her being moved out, so it'll have to be a bass that goes! Since I only have two basses at the moment, a fretted Thumb and a fretless Musicman, I'll have to sell my fretless since I've got a new fretless bass coming! [b]The bass[/b]: The bass is what I like to call a Musicman Sabre "Special". It is a 1980 Musicman Sabre neck attached to a body made by Greg Whittle, aka Basschat member "Shaggy", whose obvious talent for luthiery shines through. [b]It has[/b]: *a 1980 Sabre neck * fitted with an African blackwood fretboard *a body made from Bubinga with a Thuja burl top * a 3 band Seymour Duncan EQ with turned ebony control knobs *a Seymour Duncan MM pickup * fitted with gold Schaller tuners *a brass bridge, brass backplate and brass neck tilt adjuster, as well as an "easy access" battery compartment. * It also has a "textured" finish. The wood was too porous to finish with a traditional seal, and has been french polished for protection. It looks lovely! [b]The sound[/b]: As rich and full as you'll find, due to the body woods. Burpy, thick and articulate. I have come to reason that the MM pickup placement is perhaps the best for fretless bass. You get the cut and growl of the bridge area and the mid-range fatness provided by the upper coils. It is an incredible sounding bass. I've played a bit of everything with it, from 1980's Palladino/Paul Simon pop through to Weather Report fusion. Great sounding bass, and records well too. [b]Now, possible downsides[/b]: 1) It's heavy. Granted, its a tone monster because of the dense woods and brass hardware - it's 12.5lb according to my bathroom scales. I've had no troubles doing full standing rehearsals with it, but I've mainly used it for seated shows and recording sessions, where the weight is less of an issue. 2) One of the screws is missing from the pickup cover. However, this wasn't an issue when it came to me adjusting the height of the pickup. Pictures (taken by Greg, as I've lost my camera memory card): As I have previously mentioned, I have been playing mainly fretless bass these past few months and I have enjoyed this bass immensely. I'm sure someone else will have a fantastic time with it too. I'd be happy to sell it for what I got it for, as I think Greg gave me a great price. £500 will get the bass, the hardcase it came with and the papers for the pickup and the preamp. I'd be happier with collection from Newcastle, however I will post at the buyers expense if they can arrange a courier. If you have any further questions or wish to have a chat about the bass, please PM me. Alternatively, if you wish to speak over the telephone, PM me your number and I'll give you a ring. Cheers! Chris
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